Von Thronstahl / The Days Of The Trumpet Call – Pessoa / Cioran Label: Infinite Fog Productions – IF-06 Format: CD, Album, Reissue Country: Russia Released: 2010 Style: Modern Classical, Ambient, Neofolk
Since 1998 year Von Thronstahl, led by the founder and leader Josef M. Klumb, remains to one of most appreciable and interesting groups on martial industrial/neofolk scene. The Days Of The Trumpet Call, it’s neoclassic project by Raymond P., the musician of the Von Thronstahl. This split, is devoted the Portuguese poet Fernando Antonio Pessoa (1888-1935) and Romanian philosopher Emil Michel Cioran (1911-1995), their writings are used as lyric for this album. The melancholic neoclassics from The Days Of The Trumpet Call and probably strangest of all records Von Thronstahl where they balance on border between neoclassics and ambient, with a light touch martial and all the same, beautiful and charismatic, Josef’s Ê. voice…CD is released in 6-pannel Digipak, with design by Federico Salvador(All my faith lost…)
Day Before Us – As My Spirit Wanders Free Label: Gradual Hate Records – GH149 Format: CD, Album Country: Spain Released: Jun 22, 2021 Style: Dark Ambient, Darkwave, Drone, Neofolk, Ambient
Prominent act from the post-industrial/minimal electroacoustic scene «Day Before Us» is back with a new significant album, casting elegant solitary hymns and shedding an unconventional gothic inspired mood. The instrumentals and conceptual background are approached and elaborated by Philippe Blache while the sound lyricist Agne Srebaliute takes over the vocal parts. «As my spirit wanders free » is a meticulously blended release which gives a large space to contemplative tones, to poignant melodic phrases and to a thick cloud of emotional meandering textures.
The message behind the album explores existential themes such as soul stirring fragility, blurred-fractured memories and the mystical nature world. «As my spirit wanders free» is a vast, sensient and windy atmospheric opus that directly takes on the emotions of the listener. This album marks the 10 years anniversary of the project. This special edition is accompanied by the unique photographic work of Natalie Ina that matches the musical signature in terms of sheer emotional intensity and stylistic landmark.
Day Before Us is an emotional, ethereal and dark ambient music project formed in 2011 by the piano trained player and composer Philippe Blache. Full length releases have been published by Rage in Eden, Twilight Records, OPN and GH Records. A palette of immersive electronic textures, slowly moving melancholic piano airs, industrial noises, lyrical themes, neoclassical arrangements and discreet experimentations characterize the compositional process and the stylistic inclination. Creative strength of the project comes from reflections on timelessness, memories of a bygone era, romantic spleen and spiritual narratives. Day Before Us occasionally gives live performances and works in the context of intermedia collaborations.
credits
→ Philippe Blache (concept, instruments) → Agne Srebaliute (vocals) → Natalie Ina (photographies/video)
Otros trabajos de Day Before Us / Other references →
Hiemis – La Chose Label: Gradual Hate Records – GH 148 CD Format: CD, Album, Limited Edition Country: Spain Released: 20 Apr 2021 Style: Drone, Ambient, Dark Ambient, Dungeon Synth, Neo-Classical
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Sound magic, crystalline sparkles, and the omnipresence of the sacred … (Lux Atena) the new work by HIEMIS proposes an initiation, a transcendental journey through brilliant soundscapes. Coming soon spring 2021
Never had there been a collective experience of «the invisible» comparable to that of Martines de Pasqually and her disciples when they joined forces to research «La Chose» together.
Pasqually was one of the most enigmatic characters of the eighteenth century, manifesting himself at the beginning of him as a Freemason, soon creating his own initiatory organization, the Order of the Elus Cohens.
This Order was heir to mystical sects of antiquity and the Neo-Alexandrian period, with special influence on its ritual by occult masters of the Middle Ages and the Renaissance. Master and disciples professed a mystique of Reintegration to the condition of Man-God and was the forerunner of other currents within the initiatory world such as the Rectified Scottish Regime and various branches of the Martinist Orders.
Although until now those who investigated the invisible expected what they were going to see in it, calling angels or demons according to the forms of Christian iconography. Pasqually, however, stated that it was not known in advance what being would appear at the time of the evocation. This is how La Chose would emerge.
In the first sessions the new disciples admitted to participate in the works of the teacher saw how La Chose performed mysterious actions. They left there excited and terrified or drunk with pride and ambition. These appearances were produced by strange beings and of a different essence from that of terrestrial beings. These beings gave speeches and transmitted deep knowledge during rituals. Each disciple was summoned to reproduce, in his own way, the same phenomenon.
La Chose’s presence in the Operations Chamber could impress the disciple’s senses in different ways: he felt “goose bumps all over his body”, or he heard faint sounds; but, in general, «the manifestation was operated by vision», by the perception of sparkles and sparks. In order to perceive them, the Operator extinguished the candles and kept the flame of the only candelabrum that remained lit until the end of the ceremony.
The solemn Operations were to be carried out at exactly the same time by all the ordained and authorized Cohens. The Chambers of Operations where they officiated could be situated at a great distance from each other, for example, in Lyon, Paris and Bordeaux, but a perfect timing was absolutely necessary for him to act.
The Chosen Knights of Martines de Pasqually performed such sacred rites in the service of the highest Theurgy. Most of the prescriptions of the operative rituals were used from the most remote antiquity, astrology having an important role.
For the Elus Cohens, true faith is based on pre-natural facts and since they, due to the decline of the historical cycle, are no longer produced publicly, it is necessary to generate them in the Chamber of Operations through complex and strict ritual. Therefore, the Theurgic Operation is less an act of faith, of adoration, of devotion, than a high practice of Sacred Science.
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Magia sonora, destellos cristalinos, y la omnipresencia de lo sacro… (Lux Atenea) el nuevo trabajo de HIEMIS propone una iniciación, un viaje trascendental a través de paisajes sonoros brillantes. Próximamente, en primavera, 2021
Nunca se había dado una experiencia colectiva de “lo invisible” comparable a la de Martines de Pasqually y sus discípulos cuando unieron sus esfuerzo para investigar en común “La Chose”.
Pasqually fué uno de los personajes mas enigmáticos del siglo XVIII, manifestándose ya en sus inicios como francmasón, creando pronto su propia organización iniciática, la Orden de los Élus Cohens.
Dicha Orden era heredera de sectas místicas de la antigüedad y de la época neoalejandrina con especial influencia en su ritual por parte de maestros ocultistas de la Edad Media y del Renacimiento. Maestro y discípulos profesaban una mística de Reintegración a la condición de Hombre-Dios y fue precursora de otras corrientes dentro del mundo iniciático como el Régimen Escocés Rectificado y diversas ramas de las Órdenes Martinistas.
Si bien hasta ahora los que indagaban lo invisible se esperaban lo que iban a ver en él, llamando a los ángeles o a lo demonios según las formas de la iconografía cristiana. Pasqually , sin embargo afirmaba que no se sabía de antemano qué ser aparecería en el momento de la evocación. Así surgiría La Chose.
En las primeras sesiones los nuevos discípulos admitidos a participar en los trabajos del maestro veían como La Chose ejecutaba acciones misteriosas. Salían de allí entusiasmados y aterrados o ebrios de orgullo y ambición. Estas apariciones eran producidas por seres extraños y de una esencia diferente de la de los seres terrestres. Estos seres daban discursos y transmitían un conocimiento profundo durante los rituales. Cada discípulo era convocado a reproducir, a su manera, el mismo fenómeno.
La presencia de La Chose en la Cámara de Operaciones podía impresionar de diferentes formas los sentidos del discípulo: sentía “la carne de gallina por todo el cuerpo”, o escuchaba débiles sonidos; pero, en general, “la manifestación se operaba por la visión”, por la percepción de resplandores y chispas. Para poder percibirlas, el Operador extinguía los cirios y velaba la llama del único candelabro que permanecía encendido hasta el final de la ceremonia.
Las solemnes Operaciones debían ser efectuadas exactamente a la misma hora por todos los Cohens ordenados y autorizados. Las Cámaras de Operaciones donde ellos oficiaban podían estar situadas a una gran distancia unas de otras, por ejemplo, en Lyon, París y Bordeaux, pero un sincronismo perfecto era absolutamente necesario para que pudiera actuar.
Los Caballeros Elegidos de Martines de Pasqually ejecutaban tales ritos sagrados al servicio de la más alta Teurgia. La mayor parte de las prescripciones de los rituales operativos eran usados desde la más remota antigüedad, teniendo la astrología un rol importante.
Para los Élus Cohens, la verdadera fe se funda en hechos prenaturales y dado que ellos, por la decadencia del ciclo histórico, no se producen más públicamente, es necesario generarlos en la Cámara de Operaciones por medio del complejo y estricto ritual. Por lo tanto, la Operación Teúrgica es menos un acto de fe, de adoración, de devoción, que una alta práctica de la Ciencia Sagrada.
Book 65 pages Paperback. Laminated Cover Limited edition, numbered only 30 copies, CD + Esoteric Book translated into two languages, Spanish and English
Dernière Volonté – Commémoration Label: Hau Ruck! – HR!67 Format: 2 × Vinyl, LP Vinyl, 7″, Compilation, Reissue Country: Austria Released: 2018 Style: Modern Classical, Industrial, Neofolk
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Commemoration brings together my work from 1998 to 2003, 5 years when, as you will see, I recorded a lot. Minimalist, factual, often dark and very pessimistic, that’s how I conceived Derniere Volonteat that moment. My equipment was very rudimentary, my texts quickly written on crumpled books, all recorded often in one or two days. It was perhaps the moment, that I was the most productive and also, by anger, the most inventive. A few years ago I started to think of a new edition of Commemoration, a review of those years of ‘iron and lead’, the testament of my ‘anti light’. This is Commemoration in its new edition. Good listening. Geoffroy Delacroix October 2018 TRACKLIST:
S I D E A Commémoration I – En Avant ! – Soldat – L’alliance Éternelle – Les Armes du Temps S I D E B Commandement – La Mort notre Alliée – Ultime Soupir – L’avenir – Le Doux Poison S I D E C Commémoration II – Ma Foi est mon Combat – Où tu Iras – Ma Promesse – Hymn S I D E D Un Refrain Solitaire – Mon Mercenaire – Songe d’un Matin d’été – Coeur de Légionnaire – De Profondis – L’image S I D E E La Gloire – Lambeaux S I D E F Le Moulin de la Mort – Prêt pour la Mort
COMMÉMOR AT ION Tous titres Geoffroy D. / Dernière Volonté 1998-2003 Excepté : “Mon Mercenaire” Avec l’aimable collaboration vocale de Juergen Weber (Novy Svet) “Coeur de Légionnaire” Texte Ain Soph / Musique Dernière Volonté “De Profundis” Texte Jean-Marc Bernard (1881-1915) Concept visuel Geoffroy D. / Goupil A. Commémoration remasteurisé version 2017
01 – Requiem Aeternam from Lux Aeterna by Oda Relicta 02 – Bereginya from Adorned path of Stillness by Day Before Us 03 – End ... from Ad Extirpanda by Stupor Mentis 04 – Mordance Hall from Unbewusste by Turnavel 05 – Finis Gloriae Mundi from Oscvritas Illvmina – The 77 Pages Soundtrack by Kazeria 06 – Tooth and Claw (Sol Invictus) 2010 from Mørk Skog / Five years of Dark Ambient Sounds by Mørk Skog 07- Opened Eyes from Psicofonías – Las Voces Desconocidas (reissue) by In Slaughter Natives 08 – To Clarice from An Edible Body by Wind Atlas 09 – The Chronicles Of The Great Race (The Shadow Out Of Time) from Summoning The Elder Ones “ a Neofolk / Neoclassic tribute to H.P.Lovecraft” by Kazeria 10 – Como La Piel from Donde Habite El Olvido by Silent Love Of Death 11 – Without Purity from Comprende by Cawatana 12 – Polaris from Circulo de Ur by The Wyrm 13 – Der Unheimliche Gast from Nachtstücke by HIEMIS
Stupor Mentis – Ad Extirpanda Label: Gradual Hate Records – GH 136 CD, Twilight Records – TW 1.155 Format: CD, Album, Digipack Country: Argentina Released: 10 May 2018 Style: Neo-Classical, Neo-Romantic, Dark Ambient
Stupor Mentis is a Dark-Ambient / Neo-classical duet formed in 2015. The general atmosphere of their music, foggy and oppressive sometimes turn into lyrical musing, escorting you to the edge of the “Stupor Mentis”.
This latin term refers to this special mental “no-being” state characterised by a complete suspension of intelectual activities ; then, transported out of yourself
“ Ad extirpanda” is the first real album of Stupor Mentis, following two dematerialised auto productions : “In memoriam” (2016) and “ Apostat” (2017).
All the tracks from “Apostat” and some from “In memoriam” re-masterised, re-arranged with new versions.
The vocals alternate between french, english, spanish and latin ; quoting poems of Charles Baudelaire, Emile Cioran and Rafael Alberti. The whole on atmospheric and symphonic instrumentation.
*Nicolas Lordi: All instruments,arrangements and composition
Day Before Us – Adorned Path Of Stillness Label: Gradual Hate Records – GH 135 CD, Twilight Records – TW 1.153 Format: CD, Album Country: Argentina Released: 15 Feb 2018 Genre: Electronic, Classical Style: Dark Ambient, Neo-Classical, Neo-Romantic
Adorned path of Stillness » marks the return of the neoclassical and dark ambient music act Day Before Us on the Argentina based label Twilight Records, in collaboration with GH Records. This is their sixth full length release. This new effort is an enthralling soundtrack for dark, solemn, thoughtful times. It incorporates acoustic and lyrical sections next to electronic textures and diverse processed sounds.
The general atmosphere offers precious moments of introspective melancholia punctuated by mysteriously hypnotic instrumentals. This is a multifaceted album but also remarkably cohesive with many dynamics, emotional movements that will ravish fans of haunting and touching cinematic music in a rather classical mood.
Otros trabajos de Day Before Us / Other references →
Day Before Us is an ethereal, neoclassical and dark ambient music project formed (in 2010) by the anthropologist and sound producer Philippe Blache, joined in 2015 by the Russian based singer, lyricist and poetical writer Natalya Romashina. Physical albums are signed and distributed by Rage in Eden, Twilight Records, OPN records, GH Records…The project occasionally gives live performances, writes scores to international art events and participates to intermedia collaborations. In itself the music presents dense, solemn, melancholic and profundly emotional soundscapes in touch with the mysterious ineffable beauty of the nature, depicting with nuances the vastitude of the inner worlds. Main sources of inspiration come from the antique and the romantical poetry, symbolical seneries, mystical love, spiritual journey…
Day Before Us – Prélude à l’âme d’élégie Label:. OPN – OPNCD0031 Format: CD, Album, Limited Edition Country: France Released: 16 Dec 2015 Style: Dark Ambient, Modern Classical, Experimental
“Le bleu est la couleur des lieux extrêmes et des degrés derniers, qui sont fermés à la vie – brouillards s’évanouissant dans l’absence, pointe des glaciers, centre des flammes qui se tardent. Il se mêle aussi aux ombres, aux crépuscules, aux lignes lointaines de l’horizon. Il vient à ce qui repose et nie ce qui s’agite. La couleur bleue possède sur le cœur une influence salutaire.” (Ernst Jünger, Le cœur aventureux / Das abenteuerliche Herz, 1929)
Otros trabajos de Day Before Us / Other references →
