Gradual Hate

Spain's Gradual Hate was originally created as a solo outlet for Miguel LS, who had already explored experimental and neo-classical music in such projects as The Lietech Project and Woman's Broken Hands, to take on the dark electronic scene. Inspired less by the synthpop crossover acts of the current scene than by old-school European artists like Leæther Strip and The Invincible Spirit, the project really started to take off when Miguel was joined by keyboardist and multimedia artist Avencio DM, who helped to focus Gradual Hate's politically-charged themes with gritty industrial imagery and a manifesto of purpose. Signing to Hypervoxx Recordings, the group released their debut album in late 2007; entitled Asphyxiated World, it combines crunchy guitar riffs with hard but catchy electronics and raspy vocals to deliver what LS and DM describe as a warning call to a sedated citizenry. Pure Electro Dark

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Opus Nigrum

Was founded by Miguel LS (Gradual Hate), next to Avencio DM in 2008. The band was his opportunity to step away from his other genre and experiment with a different.
Opus Nigrum, offers a magical sound experience characterized by impressive compositions. Atmospheric, enigmatic Dark Wave melodies embedded in bombastic choirs and orchestral arrangements are transformed into impressive works of art.
Ritual Neoclassic Dark Wave Music

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Kazeria

Kazeria [KZ] begun its activities on 2008. It is led by only member [S], who created several other projects since 1995 always working on dark, industrial, folk, martial, noise, neoclassical and electro styles. [KZ] delivers an intense both sonic and philosophical experience. Sometimes defined as "evocative music" about periods of great wars, arcane empires, pre and non-christian ideals, paganism and occultism, [KZ] deals with the meaning of eternity, glory, decadence and sacred symbols of past ages. Coming up today, [KZ] spouts out a harsh definition of reality, through active nihilism, beyond ideological differences and rejecting modernity in all its forms.

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:Igniis:

:Igniis: experimental musical project that was born in the late 90's with the name Lilith `s Son
Over the years, took a more acoustic-electronica, probing the sites of Folk, Neo-folk, dark-folk or as they like to call it.
Thus, the Son of Lilith, decides to blow himself, and to be renamed Igniis (fire, in Latin).

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Moloch 11811

Moloch 11811 was born after the ruins of the castles and the palaces. It grew among factories and black steam searching true sounds. Almost all in Moloch 11811 is experimentation with the senses through the musical sounds of machines and fear. You must clean your mind and let the sounds guide you to find the meaning of it. With some of the songs you will feel the skies falling over you, with others you will feel true fear and panic and with others you will feel the quiet and rythmic sound of the industry. At the end... you will feel. LET THE STEAM FLOW!!!!!

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The Wyrm

The Wyrm as a musical project born in 2002 as a result of terrorist coverage (from the artistic standpoint) of Plagiarism is Art, the thematic line songs, to be: forgotten traditional customs, extreme nationalism, witchcraft and paganism.

The Wyrm navigates between gender Darkfolk and Martial eventually take center stage by offering a host of clear-cut musical folk instruments

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Aura Noctis

Aura Noctis; music and feelings based in the solitude, sadness, melancholy, dreams inspired by the cry of the nature. Aura Noctis are: Pilar (cellist) and Olga (pianist)

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Silence in First Degree

Alejandro G, Fernando Suárez, Manuel Platino, Silence in First Degree is a group born in late 2006 with the objective of approaching music from a experimental point of view, without focusing too much on music styles, although drawing from those who have broken new ground during late twentieth century (mainly electronics, noise, ambient,industrial and drone). We are constantly inspired by bands like Throbbing Gristle, Whitehouse, Einstürzende Neubauten, Khanate, Earth and Boris among others, and approach our projects from an unconventional point view, endorsing the use of musical instruments in unconventional ways. From tape manipulation to home-made electronics, including the use of both electronic and acoustic feedback and software programming in the pursuit of image processing for subsequent transformation into sound (and vice versa).

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