{"id":10271,"date":"2024-11-14T10:33:57","date_gmt":"2024-11-14T10:33:57","guid":{"rendered":"https:\/\/gradualhate.info\/?p=10271"},"modified":"2026-04-12T15:19:35","modified_gmt":"2026-04-12T15:19:35","slug":"sol-invictus-necropolis","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=10271","title":{"rendered":"Sol Invictus \u200e- Necropolis"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"550\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/11\/SolInvictus_Necropolis_550x825.webp\" alt=\"\" class=\"wp-image-12437\" style=\"width:840px;height:auto\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/11\/SolInvictus_Necropolis_550x825.webp 550w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/11\/SolInvictus_Necropolis_550x825-500x500.webp 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/11\/SolInvictus_Necropolis_550x825-150x150.webp 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/11\/SolInvictus_Necropolis_550x825-75x75.webp 75w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p><strong>Sol Invictus \u200e\u2013 Necropolis<\/strong><br>Label: Auerbach Tontr\u00e4ger \u200e\u2013 AB 075<br>Format: CD, Album<br>Country: Germany&nbsp;<br>Released: 23 Mar 2018<br>Style: Neofolk, Psychedelic Rock<\/p>\n\n\n\n<p>More than 30 years after their inception, English neofolk kings Sol Invictus release their long-awaited new album, \u00abNecropolis\u00bb, described by the group&#8217;s dean Tony Wakeford as \u00aba record based on and brought forth from London and the serpent Thames that snakes its way through its heart\u00bb and possibly the final release from a band revered as progenitors of a dark and desperate sound..<\/p>\n\n\n\n<p>Sol Invictus is one of the most prolific and influential bands associated with neofolk or apocalyptic folk, a form of experimental music which emerged in punk rock circles in the 1980&#8217;s, blending elements of folk and industrial music with dark themes of decay, decline, and\/or the destruction of Western civilization. Along with Current 93 and Death in June (both of which included Wakeford as a member), Sol Invictus has both created and guided the genre, steering it forward through to this day. Latin for &#8216;the unconquerable Sun&#8217;, Sol Invictus has released over a dozen albums since the mid-Eighties, chronicling an evolution from raw, post-punk dark folk to increasingly sophisticated arrangements.<\/p>\n\n\n\n<p>A quasi-conceptual album centered on Wakeford&#8217;s feelings of a declining London [\u00abLondon was once the apex of an empire but it is now the playground of other empires that have superseded it.\u00bb], \u00abNecropolis\u00bb could be called a eulogy to England&#8217;s capital. Sol Invictus titled the record after The London Necropolis Railway, a railway line that has connected London with the Brookwood Cemetary since 1854. But the moniker is also a nod to Wakeford&#8217;s perception that the town is now \u00aba London of mausoleums and masonry\u00bb and \u00aba city haunted by the customs and crimes of the dead and the living.\u00bb<br>\u00abNecropolis\u00bb features guest guitar from Don Anderson (ex-Agalloch, Khorada) who previously lent his skills to Sol Invictus&#8217; 2014 release, \u00abOnce Upon A Time\u00bb. The group around Wakeford continues to explore the psychedelic side of dark folk, using acoustic guitar as a foundation enriched with piano, flute, violin, electric guitar an drums among other instruments and \u2013 for the first time \u2013 the singing of The Green Army Choir.<\/p>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/necropolis\/1555043275\"><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.discogs.com\/seller\/gradual\/profile\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"128\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg\" alt=\"\" class=\"wp-image-12954\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-500x63.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-768x96.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1140x143.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Sol Invictus \u200e\u2013 NecropolisLabel: Auerbach Tontr\u00e4ger \u200e\u2013 AB 075Format: CD, AlbumCountry: Germany&nbsp;Released: 23 Mar 2018Style: Neofolk, Psychedelic Rock More than 30 years after their inception, English neofolk kings Sol Invictus release their long-awaited new album, \u00abNecropolis\u00bb, described by the group&#8217;s dean Tony Wakeford as \u00aba record based on and brought forth from London and the serpent Thames that snakes its way through its heart\u00bb and possibly the final release from a band revered as progenitors of a dark and desperate sound.. Sol Invictus is one of the most prolific and influential bands associated with neofolk or apocalyptic folk, a form of experimental music which emerged in punk rock circles in the 1980&#8217;s, blending elements of folk and industrial music with dark themes of decay, decline, and\/or the destruction of Western civilization. Along with Current 93 and Death in June (both of which included Wakeford as a member), Sol Invictus has both created and guided the genre, steering it forward through to this day. Latin for &#8216;the unconquerable Sun&#8217;, Sol Invictus has released over a dozen albums since the mid-Eighties, chronicling an evolution from raw, post-punk dark folk to increasingly sophisticated arrangements. A quasi-conceptual album centered on Wakeford&#8217;s feelings of a declining London [\u00abLondon was once the apex of an empire but it is now the playground of other empires that have superseded it.\u00bb], \u00abNecropolis\u00bb could be called a eulogy to England&#8217;s capital. Sol Invictus titled the record after The London Necropolis Railway, a railway line that has connected London with the Brookwood Cemetary since 1854. But the moniker is also a nod to Wakeford&#8217;s perception that the town is now \u00aba London of mausoleums and masonry\u00bb and \u00aba city haunted by the customs and crimes of the dead and the living.\u00bb\u00abNecropolis\u00bb features guest guitar from Don Anderson (ex-Agalloch, Khorada) who previously lent his skills to Sol Invictus&#8217; 2014 release, \u00abOnce Upon A Time\u00bb. The group around Wakeford continues to explore the psychedelic side of dark folk, using acoustic guitar as a foundation enriched with piano, flute, violin, electric guitar an drums among other instruments and \u2013 for the first time \u2013 the singing of The Green Army Choir.<\/p>\n","protected":false},"author":1,"featured_media":10272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,118],"tags":[32,107,1038],"class_list":["post-10271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-distribution","tag-neofolk","tag-sol-invictus","tag-sol-invictus-2"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/10271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10271"}],"version-history":[{"count":4,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/10271\/revisions"}],"predecessor-version":[{"id":13524,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/10271\/revisions\/13524"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/10272"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}