{"id":11358,"date":"2025-09-28T07:07:09","date_gmt":"2025-09-28T07:07:09","guid":{"rendered":"https:\/\/gradualhate.info\/?p=11358"},"modified":"2025-09-29T06:37:26","modified_gmt":"2025-09-29T06:37:26","slug":"%d0%be%d1%86%d0%b5%d0%bf%d0%b5%d0%bd%d0%b5%d0%b2%d1%88%d0%b8%d0%b5-%d1%80%d0%b0%d0%b7%d1%80%d1%8b%d0%b2-%d1%81%d0%b2%d1%8f%d0%b7%d0%b8","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=11358","title":{"rendered":"\u041e\u0446\u0435\u043f\u0435\u043d\u0435\u0432\u0448\u0438\u0435 &#8211; \u0420\u0430\u0437\u0440\u044b\u0432 \u0421\u0432\u044f\u0437\u0438"},"content":{"rendered":"\n<div id='product-component-1759043168184'><\/div>\n<script type=\"text\/javascript\">\n\/*<![CDATA[*\/\n(function () {\n  var scriptURL = 'https:\/\/sdks.shopifycdn.com\/buy-button\/latest\/buy-button-storefront.min.js';\n  if (window.ShopifyBuy) {\n    if (window.ShopifyBuy.UI) {\n      ShopifyBuyInit();\n    } else {\n      loadScript();\n    }\n  } else {\n    loadScript();\n  }\n  function loadScript() {\n    var script = document.createElement('script');\n    script.async = true;\n    script.src = scriptURL;\n    (document.getElementsByTagName('head')[0] || document.getElementsByTagName('body')[0]).appendChild(script);\n    script.onload = ShopifyBuyInit;\n  }\n  function ShopifyBuyInit() {\n    var client = ShopifyBuy.buildClient({\n      domain: '6ec2e7-2.myshopify.com',\n      storefrontAccessToken: '50602a1263c50cf457154fc652b9c880',\n    });\n    ShopifyBuy.UI.onReady(client).then(function (ui) {\n      ui.createComponent('product', {\n        id: '12285197353300',\n        node: document.getElementById('product-component-1759043168184'),\n        moneyFormat: '%E2%82%AC%7B%7Bamount_with_comma_separator%7D%7D',\n        options: {\n  \"product\": {\n    \"styles\": {\n      \"product\": {\n        \"@media (min-width: 601px)\": {\n          \"max-width\": \"calc(25% - 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The first major solo release from Otzepenevshiye in 11 years of the band&#8217;s existence! The project was shaped in 2006 by Evgeniy Voronovskiy (Cisfinitum), Dmitriy Zubov (Hypnoz, Zuboff Sex Shop) and Ivan Napreenko (Sal Solaris, \u039816), but after some time transformed into a duo of Ivan and Arnold_pR (Reutoff, Myrrman). Otzepenevshiye have recorded many compositions published on compilations on various occasions by such labels as Heliophagia, Ewers Tonkunst, Old Europa Cafe, etc\u2026<\/p>\n\n\n\n<p>Powerful and catchy guitar riffs, relentlessly sharp industrial rhythmics, minimalistic pads and authentic field recordings \u2013 these are the lattice points of the sound of Otzepenevshiye. The need to use understandable terms makes us turn to such tags as industrial doom metal, drone-doom or doomgaze, but anyway we can&#8217;t avoid the word \u00abdoom\u00bb here. Yes, this music has darkness inside, there&#8217;s suffering, there&#8217;s a feel of real experience, but also a clear conscious gaze towards the other side of the rubicon. Otzepenevshiye know how to get to the very depths and see the blackness that contains the infinite cosmic absolute.<\/p>\n\n\n\n<p>Apart from solo recordings, the second disc features tracks created in collaboration with Circle Of Unexisted and Vir&#8217; and remakes of compositions by Banda Chetyryokh and Thergothon. The material of this album was released in small cassette editions by NEN Records, including several bonus tracks. The track-list of this double-CD edition was specially adjusted by the musicians for the sake of maximum immersion.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"\u041e\u0446\u0435\u043f\u0435\u043d\u0435\u0432\u0448\u0438\u0435 - \u0420\u0430\u0437\u0440\u044b\u0432 \u0441\u0432\u044f\u0437\u0438. 24 212 \u0434\u043d\u0435\u0439 \/ NEN15 by NEN Records\" width=\"960\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F367410592&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=960\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u041e\u0446\u0435\u043f\u0435\u043d\u0435\u0432\u0448\u0438\u0435 &#8211; \u0420\u0430\u0437\u0440\u044b\u0432 \u0421\u0432\u044f\u0437\u0438Label: Zhelezobeton \u2013 ZHB-LXXIFormat: 2 x CD, Compilation, Limited EditionCountry: RussiaReleased: Dec 8, 2017Style: Doom Metal, Industrial, Drone, Dark Ambient At last! The first major solo release from Otzepenevshiye in 11 years of the band&#8217;s existence! The project was shaped in 2006 by Evgeniy Voronovskiy (Cisfinitum), Dmitriy Zubov (Hypnoz, Zuboff Sex Shop) and Ivan Napreenko (Sal Solaris, \u039816), but after some time transformed into a duo of Ivan and Arnold_pR (Reutoff, Myrrman). Otzepenevshiye have recorded many compositions published on compilations on various occasions by such labels as Heliophagia, Ewers Tonkunst, Old Europa Cafe, etc\u2026 Powerful and catchy guitar riffs, relentlessly sharp industrial rhythmics, minimalistic pads and authentic field recordings \u2013 these are the lattice points of the sound of Otzepenevshiye. The need to use understandable terms makes us turn to such tags as industrial doom metal, drone-doom or doomgaze, but anyway we can&#8217;t avoid the word \u00abdoom\u00bb here. Yes, this music has darkness inside, there&#8217;s suffering, there&#8217;s a feel of real experience, but also a clear conscious gaze towards the other side of the rubicon. Otzepenevshiye know how to get to the very depths and see the blackness that contains the infinite cosmic absolute. Apart from solo recordings, the second disc features tracks created in collaboration with Circle Of Unexisted and Vir&#8217; and remakes of compositions by Banda Chetyryokh and Thergothon. The material of this album was released in small cassette editions by NEN Records, including several bonus tracks. The track-list of this double-CD edition was specially adjusted by the musicians for the sake of maximum immersion.<\/p>\n","protected":false},"author":1,"featured_media":11359,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,118],"tags":[],"class_list":["post-11358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-distribution"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/11358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11358"}],"version-history":[{"count":1,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/11358\/revisions"}],"predecessor-version":[{"id":11361,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/11358\/revisions\/11361"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/11359"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}