{"id":13561,"date":"2026-04-12T16:05:59","date_gmt":"2026-04-12T16:05:59","guid":{"rendered":"https:\/\/gradualhate.info\/?p=13561"},"modified":"2026-04-12T16:11:05","modified_gmt":"2026-04-12T16:11:05","slug":"asmus-tietchens-parergon","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=13561","title":{"rendered":"Asmus Tietchens – Parergon"},"content":{"rendered":"\n

Asmus Tietchens \u200e\u2013 Parergon<\/strong>
Label: Stille Andacht \u200e\u2013 SA 04
Format: CD, Album
Country: Germany
Released: 25 Apr 2016
Style: Abstract, Ambient<\/p>\n\n\n\n

Parergon (Greek \u201acollection of small texts\u2018) is the sequel of the idea to continue to recycle recyclings of recyclings. That does not mean remixes or deconstructions but much more genuine compositions derived from already repeatedly recycled structures. In the future the new compositions, too, will be transformed by recycling into totally new music. This approach is in no case hermetic because no circular course happens: There is no way back to the beginning. With digital tools \u2013 but  w i t h o u t  chance operations \u2013 one can achieve treatments and processings which lead to a nearly endless multitude of esthetic relevant compositions derived from once defined basic structures. In this connection \u2019sampling\u2018 is not of importance. \u2013
The pieces of \u201eParergon\u201c do not intend to provoke pictures or moods, but will give the listener simply something to listen to \u2013 it is up to him how he handles this offer. In consequece the pieces have no titles. Instead they have index data which point to certain series. \u2013<\/p>\n\n\n\n

\u201eParergon\u201c has been composed in dark times, but at the best only the artwork reflects this conditions. The sounds themselves come from the vacuum.
Asmus Tietchens, 2016<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"

Asmus Tietchens \u200e\u2013 ParergonLabel: Stille Andacht \u200e\u2013 SA 04Format: CD, AlbumCountry: GermanyReleased: 25 Apr 2016Style: Abstract, Ambient Parergon (Greek \u201acollection of small texts\u2018) is the sequel of the idea to continue to recycle recyclings of recyclings. That does not mean remixes or deconstructions but much more genuine compositions derived from already repeatedly recycled structures. In the future the new compositions, too, will be transformed by recycling into totally new music. This approach is in no case hermetic because no circular course happens: There is no way back to the beginning. With digital tools \u2013 but  w i t h o u t  chance operations \u2013 one can achieve treatments and processings which lead to a nearly endless multitude of esthetic relevant compositions derived from once defined basic structures. In this connection \u2019sampling\u2018 is not of importance. \u2013The pieces of \u201eParergon\u201c do not intend to provoke pictures or moods, but will give the listener simply something to listen to \u2013 it is up to him how he handles this offer. In consequece the pieces have no titles. Instead they have index data which point to certain series. \u2013 \u201eParergon\u201c has been composed in dark times, but at the best only the artwork reflects this conditions. The sounds themselves come from the vacuum.Asmus Tietchens, 2016<\/p>\n","protected":false},"author":1,"featured_media":13562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,118],"tags":[166,82],"class_list":["post-13561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-distribution","tag-abstract","tag-ambient"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/13561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13561"}],"version-history":[{"count":1,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/13561\/revisions"}],"predecessor-version":[{"id":13563,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/13561\/revisions\/13563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/13562"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}