{"id":14001,"date":"2026-04-16T14:57:25","date_gmt":"2026-04-16T14:57:25","guid":{"rendered":"https:\/\/gradualhate.info\/?p=14001"},"modified":"2026-04-16T14:57:48","modified_gmt":"2026-04-16T14:57:48","slug":"william-s-burroughs-haxan-witchcraft-through-the-ages","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=14001","title":{"rendered":"William S. Burroughs &#8211; H\u00e4xan &#8211; Witchcraft Through The Ages"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-1024x1024.jpg\" alt=\"\" class=\"wp-image-14003\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-1024x1024.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-500x500.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-768x768.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-1140x1140.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10-75x75.jpg 75w, https:\/\/gradualhate.info\/wp-content\/uploads\/2026\/04\/0030152930_10.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p><strong>William S. Burroughs &#8211; H\u00e4xan &#8211; Witchcraft Through The Ages<\/strong><br>Label: Sotpackan \u200e\u2013 sp0067<br>Format: CD, Album<br>Country: Italy<br>Released: 2014<br>Style: Spoken Word, Free Jazz, Avant-garde Jazz<\/p>\n\n\n\n<p>Celebrating it&#8217;s 100th anniversary in 2022, Benjamin Christensen\u2019s legendary 1922 film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious; instead it\u2019s a witches\u2019 brew of the scary, gross, and darkly humorous.<\/p>\n\n\n\n<p>Featuring grave robbing, torture, possessed nuns, and a satanic Sabbath, it was censored in many countries at that time for its graphic depictions of the occult, torture, nudity, and sexual perversion, as well as anti-clericalism.<\/p>\n\n\n\n<p>The cult Swedish film (shot in Denmark), is partly based on Christensen&#8217;s own study of the Malleus Maleficarum, a 15th-century German guide for inquisitors. Christensen&#8217;s meticulous recreation of medieval scenes and its lengthy production period, the film was the most expensive Scandinavian silent film ever made.<\/p>\n\n\n\n<p>In 1968, an abbreviated version of the film (77 minutes) was released. This version features an eclectic jazz score by Daniel Humair (played by a quintet including Jean-Luc Ponty on violin and Daniel Humair on percussion) and dramatic narration by William S. Burroughs.<\/p>\n\n\n\n<p>The artwork features great stills from the film. Digitally remastered.<\/p>\n\n\n\n<p>Double Bass \u2013 Guy Pedersen<br>Narrator \u2013 William S. Burroughs<br>Percussion \u2013 Daniel Humair<br>Piano, Organ \u2013 Bernard Lubat<br>Score \u2013 Daniel Humair<br>Violin \u2013 Jean-Luc Ponty<\/p>\n\n\n\n<iframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/ar\/album\/h-%C3%A4-xan-witchcraft-through-the-ages\/1651242131\"><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.discogs.com\/seller\/gradual\/profile\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"128\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg\" alt=\"\" class=\"wp-image-12954\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-500x63.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-768x96.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1140x143.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>William S. Burroughs &#8211; H\u00e4xan &#8211; Witchcraft Through The AgesLabel: Sotpackan \u200e\u2013 sp0067Format: CD, AlbumCountry: ItalyReleased: 2014Style: Spoken Word, Free Jazz, Avant-garde Jazz Celebrating it&#8217;s 100th anniversary in 2022, Benjamin Christensen\u2019s legendary 1922 film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious; instead it\u2019s a witches\u2019 brew of the scary, gross, and darkly humorous. Featuring grave robbing, torture, possessed nuns, and a satanic Sabbath, it was censored in many countries at that time for its graphic depictions of the occult, torture, nudity, and sexual perversion, as well as anti-clericalism. The cult Swedish film (shot in Denmark), is partly based on Christensen&#8217;s own study of the Malleus Maleficarum, a 15th-century German guide for inquisitors. Christensen&#8217;s meticulous recreation of medieval scenes and its lengthy production period, the film was the most expensive Scandinavian silent film ever made. In 1968, an abbreviated version of the film (77 minutes) was released. This version features an eclectic jazz score by Daniel Humair (played by a quintet including Jean-Luc Ponty on violin and Daniel Humair on percussion) and dramatic narration by William S. Burroughs. The artwork features great stills from the film. Digitally remastered. Double Bass \u2013 Guy PedersenNarrator \u2013 William S. BurroughsPercussion \u2013 Daniel HumairPiano, Organ \u2013 Bernard LubatScore \u2013 Daniel HumairViolin \u2013 Jean-Luc Ponty<\/p>\n","protected":false},"author":1,"featured_media":14002,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,118],"tags":[1152,551,232,1153],"class_list":["post-14001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-distribution","tag-avant-garde-jazz","tag-free-jazz","tag-spoken-word","tag-william-s-burroughs"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14001"}],"version-history":[{"count":2,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14001\/revisions"}],"predecessor-version":[{"id":14005,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14001\/revisions\/14005"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/14002"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}