{"id":14174,"date":"2026-04-20T17:23:59","date_gmt":"2026-04-20T17:23:59","guid":{"rendered":"https:\/\/gradualhate.info\/?p=14174"},"modified":"2026-04-20T17:24:00","modified_gmt":"2026-04-20T17:24:00","slug":"orplid-sterbender-satyr","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=14174","title":{"rendered":"Orplid -Sterbender Satyr"},"content":{"rendered":"\n<p><strong>Orplid \u200e\u2013 Sterbender Satyr<\/strong><br>Label: Auerbach Tontr\u00e4ger \u200e\u2013 AB 014<br>Format: CD, Album<br>Country: Germany<br>Released: 24 Mar 2006<br>Style: Experimental, Neofolk<\/p>\n\n\n\n<p>The third album by Germany&#8217;s foremost Neofolk group<\/p>\n\n\n\n<p>Orplid&#8217;s \u00abSterbender Satyr\u00bb is as successful a mosaic of language, music, and representing images, as were their earlier releases. Apart from almost purely acoustic, mostly guitar-based songs, however, their new release sees Frank Machau and Uwe Nolte increasingly aiming for more ethereal soundscapes. \u00abSterbender Satyr\u00bb underlines a development that was already apparent in its predecessor, \u00abN\u00e4chtliche Juenger\u00bb (2003): Orplid are not a pure (Neo) Folk band, even if their early releases might have made that impression. The two musicians are rather constantly working on their unique settings of Uwe&#8217;s \u00abNew German Poetry\u00bb: lyrical, fragile, and sensitive, but powerful in expression and interpretation.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Sterbender Satyr\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3I6NFZKCTE0VldlRrRDhYL?go=1&amp;sp_cid=be7dd8ddd2f41ede061e706dd6bf1de2&amp;utm_source=oembed&amp;utm_medium=desktop\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.discogs.com\/seller\/gradual\/profile\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"128\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg\" alt=\"\" class=\"wp-image-12954\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1024x128.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-500x63.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-768x96.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs-1140x143.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2025\/01\/Buy_It_Discogs.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Orplid \u200e\u2013 Sterbender SatyrLabel: Auerbach Tontr\u00e4ger \u200e\u2013 AB 014Format: CD, AlbumCountry: GermanyReleased: 24 Mar 2006Style: Experimental, Neofolk The third album by Germany&#8217;s foremost Neofolk group Orplid&#8217;s \u00abSterbender Satyr\u00bb is as successful a mosaic of language, music, and representing images, as were their earlier releases. Apart from almost purely acoustic, mostly guitar-based songs, however, their new release sees Frank Machau and Uwe Nolte increasingly aiming for more ethereal soundscapes. \u00abSterbender Satyr\u00bb underlines a development that was already apparent in its predecessor, \u00abN\u00e4chtliche Juenger\u00bb (2003): Orplid are not a pure (Neo) Folk band, even if their early releases might have made that impression. The two musicians are rather constantly working on their unique settings of Uwe&#8217;s \u00abNew German Poetry\u00bb: lyrical, fragile, and sensitive, but powerful in expression and interpretation.<\/p>\n","protected":false},"author":1,"featured_media":14175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,118],"tags":[32],"class_list":["post-14174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-distribution","tag-neofolk"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14174"}],"version-history":[{"count":1,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14174\/revisions"}],"predecessor-version":[{"id":14176,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/14174\/revisions\/14176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/14175"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}