{"id":145,"date":"2024-02-05T10:59:00","date_gmt":"2024-02-05T10:59:00","guid":{"rendered":"http:\/\/gradualhate.info\/?p=145"},"modified":"2026-03-29T18:25:50","modified_gmt":"2026-03-29T18:25:50","slug":"wind-atlas-lingua-ignota-label-gradual-hate","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=145","title":{"rendered":"Wind Atlas \u200e\u2013 Lingua Ignota"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1016\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-1024x1016.jpg\" alt=\"\" class=\"wp-image-12568\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-1024x1016.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-500x496.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-768x762.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-1140x1131.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota-75x75.jpg 75w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/Lingua-Ignota.jpg 1143w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n<p><strong>Wind Atlas &#8211; Lingua Ignota<\/strong><br \/>Label: Gradual Hate Records \u200e\u2013 GH139 CD, Twilight Records \u200e\u2013 TW 1.156<br \/>Format: CD, Album<br \/>Country: Spain<br \/>Released: June 2018<br \/>Style: Darkwave, Folk, Psychedelic Rock, Post-Punk, Experimental<\/p>\n<p>Sold Out<\/p>\n<p>Recorded and mixed by Javier Ortiz Fullton at Estudios Brazil in december 2014. Studio Assistant: Marcos Bandera. Mastered at Yves Roussel Mastering by Yves Roussel in january 2015. Cover art is \u201cMagic Circle\u201d (1886) by John William Waterhouse. Artwork designed by Ra\u00fal Q. de Orte.<\/p>\n<p>Credits<br \/>Backing Vocals \u2013 Ra\u00fal P\u00e9rez P\u00e9rez, Ra\u00fal Q. De Orte, Sergi Alejandre<br \/>Bass \u2013 Iv\u00e1n Montero<br \/>Bouzouki \u2013 Sergi Alejandre<br \/>Drums \u2013 Ra\u00fal P\u00e9rez P\u00e9rez<br \/>Guitar \u2013 Sergi Alejandre<br \/>Lead Vocals \u2013 Andrea P\u00e9rez<br \/>Mastered By \u2013 Ives Roussel<br \/>Mixed By \u2013 Javier Ortiz <br \/>Recorded By \u2013 Javier Ortiz <br \/>Santoor \u2013 Ra\u00fal P\u00e9rez P\u00e9rez<br \/>Synth \u2013 Ra\u00fal Q. De Orte<\/p>\n<p>Wind Atlas\u2019 music has gained in nuances, drifting smoothly from dark dream-pop and new-wave passages (which remind us of Dead Can Dance) to gloomy postpunk atmospheres similar to those of Crispy Ambulance, Durruti Column or In Camera. <br \/>Music to think of an unknown continent, to look for the lost alchemical formula, to eventually discover Talos the robot hurling rocks at the Argonauts. Music that requires to do nothing but listen, a task that nowadays appears almost impossible.<\/p>\n<p>The message is conveyed in an imagined language from a terra incognita, the lingua ignota. Each song is like an accent or a period, like a comma, a verse, a whole chapter of a liturgical chant. Gibberish for those who relish the best soundtrack by Basil Poledouris and the 4AD catalogue.<\/p>\n<p>The album was recorded in Estudio Brazil (Madrid) with Javier Ortiz and mastered in Yves Roussel Mastering (Barcelona).<\/p>\n<p>\u201cWind Atlas, if \u201cEcdisis\u201d is any indication, sound a bit like Sioux Sioux after the Banshees broke up, if she had gone in a more interesting direction. Or maybe if Peter Murphy had started a project with Sioux Sioux? Something like that. Truth is, it doesn\u2019t matter once those early Edge\/Chameleons guitars, full of melodic urgency despite their simplicity, hit; the ritualistic feel of the backing turns up their immediacy even more, to the point where the whole composition seems to depend on them.<\/p>\n<p>But that voice, ringing through the ether, also needs something, anything, to happen, lest the sands of time swallow her whole. It\u2019s a mystical, otherworldly trip\u2026\u201c<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"1170\" data-orig-height=\"658\"><img decoding=\"async\" src=\"https:\/\/66.media.tumblr.com\/54fe7a7cebfc29173489f6f88f8970c5\/tumblr_inline_paewp0Dd6A1t914yo_540.png\" alt=\"image\" data-orig-width=\"1170\" data-orig-height=\"658\" \/><\/figure>\n<p>La m\u00fasica de Wind Atlas es rica en detalles, desliz\u00e1ndose refinadamente de oscuros pasajes dream pop new wave (que bien traen a la memoria a Dead can Dance) a la bruma de atm\u00f3sferas postpunk que pod\u00edan hacer grupos como Crispy Ambulance, Durruti Column o In camera.<\/p>\n<p>M\u00fasica para pensar en un continente no conocido, buscando una formula alqu\u00edmica perdida, y acabar descubriendo al robot de Talos apedreando argonautas. Mejor dej\u00e9moslo as\u00ed, en no hacer nada mientras se escucha, una tarea que se nos plantea hoy en d\u00eda imposible.<\/p>\n<p>El mensaje se proyecta en un idioma imaginado de una terra inc\u00f3gnita, la lengua ignota. Cada canci\u00f3n es como una tilde o un punto, como una coma, un vers\u00edculo, un capitulo entero de un canto lit\u00fargico. Un galimat\u00edas entre quienes disfrutan de la mejor banda sonora compuesta por Basil Poledouris y el catalogo de 4AD.<\/p>\n<p>1.Eurydice\u2019s Chant 02:38 <br \/>2.Sound Of Gold, Rhythm Of Jade 05:17 <br \/>3.The Sun Rises 03:47 <br \/>4.Hyl\u00e9 02:40 <br \/>5.Stalker 05:13 <br \/>6.The Goddess Is Where It Is Venerated 05:43 <br \/>7.Ecdisis 04:44 <br \/>8.Demona 06:35 <br \/>9.The Joy Of The Auloniad 02:30<\/p>\n<figure class=\"tmblr-embed tmblr-full\" data-provider=\"youtube\" data-orig-width=\"540\" data-orig-height=\"304\" data-url=\"https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Da5Orp5uU6sg\"><\/figure>\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Lingua Ignota\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2wafXDHouOd8CxVTMI3oHz?si=Al4XB7UUS3-VeR34pCRUyA&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Wind Atlas &#8211; Lingua IgnotaLabel: Gradual Hate Records \u200e\u2013 GH139 CD, Twilight Records \u200e\u2013 TW 1.156Format: CD, AlbumCountry: SpainReleased: June 2018Style: Darkwave, Folk, Psychedelic Rock, Post-Punk, Experimental Sold Out Recorded and mixed by Javier Ortiz Fullton at Estudios Brazil in december 2014. Studio Assistant: Marcos Bandera. Mastered at Yves Roussel Mastering by Yves Roussel in january 2015. Cover art is \u201cMagic Circle\u201d (1886) by John William Waterhouse. Artwork designed by Ra\u00fal Q. de Orte. CreditsBacking Vocals \u2013 Ra\u00fal P\u00e9rez P\u00e9rez, Ra\u00fal Q. De Orte, Sergi AlejandreBass \u2013 Iv\u00e1n MonteroBouzouki \u2013 Sergi AlejandreDrums \u2013 Ra\u00fal P\u00e9rez P\u00e9rezGuitar \u2013 Sergi AlejandreLead Vocals \u2013 Andrea P\u00e9rezMastered By \u2013 Ives RousselMixed By \u2013 Javier Ortiz Recorded By \u2013 Javier Ortiz Santoor \u2013 Ra\u00fal P\u00e9rez P\u00e9rezSynth \u2013 Ra\u00fal Q. De Orte Wind Atlas\u2019 music has gained in nuances, drifting smoothly from dark dream-pop and new-wave passages (which remind us of Dead Can Dance) to gloomy postpunk atmospheres similar to those of Crispy Ambulance, Durruti Column or In Camera. Music to think of an unknown continent, to look for the lost alchemical formula, to eventually discover Talos the robot hurling rocks at the Argonauts. Music that requires to do nothing but listen, a task that nowadays appears almost impossible. The message is conveyed in an imagined language from a terra incognita, the lingua ignota. Each song is like an accent or a period, like a comma, a verse, a whole chapter of a liturgical chant. Gibberish for those who relish the best soundtrack by Basil Poledouris and the 4AD catalogue. The album was recorded in Estudio Brazil (Madrid) with Javier Ortiz and mastered in Yves Roussel Mastering (Barcelona). \u201cWind Atlas, if \u201cEcdisis\u201d is any indication, sound a bit like Sioux Sioux after the Banshees broke up, if she had gone in a more interesting direction. Or maybe if Peter Murphy had started a project with Sioux Sioux? Something like that. Truth is, it doesn\u2019t matter once those early Edge\/Chameleons guitars, full of melodic urgency despite their simplicity, hit; the ritualistic feel of the backing turns up their immediacy even more, to the point where the whole composition seems to depend on them. But that voice, ringing through the ether, also needs something, anything, to happen, lest the sands of time swallow her whole. It\u2019s a mystical, otherworldly trip\u2026\u201c La m\u00fasica de Wind Atlas es rica en detalles, desliz\u00e1ndose refinadamente de oscuros pasajes dream pop new wave (que bien traen a la memoria a Dead can Dance) a la bruma de atm\u00f3sferas postpunk que pod\u00edan hacer grupos como Crispy Ambulance, Durruti Column o In camera. M\u00fasica para pensar en un continente no conocido, buscando una formula alqu\u00edmica perdida, y acabar descubriendo al robot de Talos apedreando argonautas. Mejor dej\u00e9moslo as\u00ed, en no hacer nada mientras se escucha, una tarea que se nos plantea hoy en d\u00eda imposible. El mensaje se proyecta en un idioma imaginado de una terra inc\u00f3gnita, la lengua ignota. Cada canci\u00f3n es como una tilde o un punto, como una coma, un vers\u00edculo, un capitulo entero de un canto lit\u00fargico. Un galimat\u00edas entre quienes disfrutan de la mejor banda sonora compuesta por Basil Poledouris y el catalogo de 4AD. 1.Eurydice\u2019s Chant 02:38 2.Sound Of Gold, Rhythm Of Jade 05:17 3.The Sun Rises 03:47 4.Hyl\u00e9 02:40 5.Stalker 05:13 6.The Goddess Is Where It Is Venerated 05:43 7.Ecdisis 04:44 8.Demona 06:35 9.The Joy Of The Auloniad 02:30<\/p>\n","protected":false},"author":1,"featured_media":6326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1033,2],"tags":[34,41,3,54,70,31],"class_list":["post-145","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-cd","category-gh-records","tag-darkwave","tag-dead-can-dance","tag-gh-records","tag-post-punk","tag-psychedelic-rock-experimental","tag-wind-atlas","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=145"}],"version-history":[{"count":11,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/145\/revisions"}],"predecessor-version":[{"id":12570,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/145\/revisions\/12570"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/6326"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}