{"id":1827,"date":"2017-01-20T14:40:16","date_gmt":"2017-01-20T14:40:16","guid":{"rendered":"http:\/\/gradualhate.info\/?p=1827"},"modified":"2024-09-29T09:14:14","modified_gmt":"2024-09-29T09:14:14","slug":"anemone-tube-post-scriptvm-litaniae-mortuorum-2","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=1827","title":{"rendered":"Anemone Tube \/ Post Scriptvm \u200e\u2013 Litani\u00e6 Mortuorum Discordantes (Vinyl, LP)"},"content":{"rendered":"\n<div id='product-component-1727601128464'><\/div>\n<script type=\"text\/javascript\">\n\/*<![CDATA[*\/\n(function () {\n  var scriptURL = 'https:\/\/sdks.shopifycdn.com\/buy-button\/latest\/buy-button-storefront.min.js';\n  if (window.ShopifyBuy) {\n    if (window.ShopifyBuy.UI) {\n      ShopifyBuyInit();\n    } else {\n      loadScript();\n    }\n  } else {\n    loadScript();\n  }\n  function loadScript() {\n    var script = document.createElement('script');\n    script.async = true;\n    script.src = scriptURL;\n    (document.getElementsByTagName('head')[0] || document.getElementsByTagName('body')[0]).appendChild(script);\n    script.onload = ShopifyBuyInit;\n  }\n  function ShopifyBuyInit() {\n    var client = ShopifyBuy.buildClient({\n      domain: '6ec2e7-2.myshopify.com',\n      storefrontAccessToken: '50602a1263c50cf457154fc652b9c880',\n    });\n    ShopifyBuy.UI.onReady(client).then(function (ui) {\n      ui.createComponent('product', {\n        id: '9797758910804',\n        node: document.getElementById('product-component-1727601128464'),\n        moneyFormat: '%E2%82%AC%7B%7Bamount_with_comma_separator%7D%7D',\n        options: {\n  \"product\": {\n    \"styles\": {\n      \"product\": {\n        \"@media (min-width: 601px)\": {\n          \"max-width\": \"calc(25% - 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Finding this aesthetic choice to be most appropriate for the present era, the two post-industrial projects attempted to create their own \u201cDiscordant Death Litanies\u201d for the XXI century.<\/p>\n\n\n\n<p>The idea is culled from a semi-fictional biography of Johann Sebastian Bach, written by a 19th century Russian author. In the chapter describing Bach\u2018s childhood and early education, his older brother \u2013 who was also his music teacher and mentor \u2013 dissuades him from composing those \u201cLitani\u00e6 Mortuorum Discordantes\u201d as they dangerously steer the Christian liturgy into a \u201cwrong\u201d direction of primordial chaos. In reality Bach never dealt with such dark notions, but created the most versatile and accomplished musical glorifications of the Christian god ever composed.<\/p>\n\n\n\n<p>Yet tempted by the imagination of real \u201cLitani\u00e6 Mortuorum Discordantes\u201d, Anemone Tube and Post Scriptvm stage a linear, gradually unfolding \u201coratorio\u201d which begins with layers of lush brass synths resounding a time and place enveloped in ancient mythical beauty. The pristine serenity, however, slowly deteriorates through the influx of anguish, social decay and profanity. Raw field recordings, throbbing electronics, metallic tremors, distant voices and chants portrait a life of numbness and confusion, where man \u2013 tormented by ignorance, ignoble desires and anger \u2013 has become a plaything of insane \u201cWeltanschauungen\u201d and the commercialization plague. In a world where spirituality is reduced to rituals of sadness, the prophetic \u2013 and confirmed \u2013 certitude that the end of civilization is close at hand prevails.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Standard vinyl edition comes with golden vinyl, full color cover with spine, printed paper inner sleeve and high-quality PVC sleeve with silkscreen printed golden typography. Limited edition of 200 copies.<\/li>\n<\/ul>\n\n\n\n<p>Ref: LER015\/2016, La Esencia<br>Release date: Late January, 2017<\/p>\n\n\n\n<p>Myth and the Relation to the World<br>Recueillement (Sa Propre Mort)<br>Irruption of the Whore<br>Composed, recorded, edited and mixed by Anemone Tube 2013\u20132016, with field recordings made in Kyoto, Nanjing and Shanghai, 2007\/2009 and synthesizer. Gong sounds and additional samples on Irruption of the Whore by Post Scriptvm, 2013. For Ola.<\/p>\n\n\n\n<p>Buried in Fabula<br>Dark and Nameless Gods<br>Laterne D\u2019Horreur<br>Composed, recorded, edited and mixed by Post Scriptvm in Trepan Studios, Brooklyn, NY, USA, 2014\u20132015.<\/p>\n\n\n\n<p>Mastered by Hunter Barr, 2016.<\/p>\n\n\n\n<p>Cover drawings by Post Scriptvm, 2016.<br>Typography, design &amp; inner sleeve photo by Anemone Tube, 2016.<br>Photo detail of Tryptic of Saint Stanislaus the Bishop, painted and guilded limewood, Hans S\u00fcss von Kulmbach, ~1610; Gallery of Medieval Art, Warsaw.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Anemone Tube &amp; Post Scriptvm &quot;Litani\u00e6 Mortuorum Discordantes&quot; Split &amp; Collaboration LP\/CD\" width=\"960\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/ry7TmSGdZlI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Anemone Tube \/ Post Scriptvm \u200e\u2013 Litani\u00e6 Mortuorum Discordantes (Vinyl, LP)Label: La Esencia \u200e\u2013 LER015\/2016Format: Vinyl, LP, Limited Edition, Golden VinylCountry: SpainReleased: 19 Dec 2016Style: Dark Ambient, Industrial, Abstract, Experimental For lovers of soul-shredding funeral music built on dissonance \/ Triggering spiritual delight \/ Intended for church performance Under the headline \u201cLitani\u00e6 Mortuorum Discordantes\u201d Anemone Tube and Post Scriptvm present a collaborative album with a truly unique concept: Originally applied to a particular style of ancient ritual music, in the Classical era the term Litani\u00e6 Mortuorum Discordantes attained a negative connotation and was used to criticize those compositions \u2013 which, instead of instilling listeners with the desired pious euphoria, incriminated them with a sense of dread, existential anxiety, feelings ofdeath and decay. Finding this aesthetic choice to be most appropriate for the present era, the two post-industrial projects attempted to create their own \u201cDiscordant Death Litanies\u201d for the XXI century. The idea is culled from a semi-fictional biography of Johann Sebastian Bach, written by a 19th century Russian author. In the chapter describing Bach\u2018s childhood and early education, his older brother \u2013 who was also his music teacher and mentor \u2013 dissuades him from composing those \u201cLitani\u00e6 Mortuorum Discordantes\u201d as they dangerously steer the Christian liturgy into a \u201cwrong\u201d direction of primordial chaos. In reality Bach never dealt with such dark notions, but created the most versatile and accomplished musical glorifications of the Christian god ever composed. Yet tempted by the imagination of real \u201cLitani\u00e6 Mortuorum Discordantes\u201d, Anemone Tube and Post Scriptvm stage a linear, gradually unfolding \u201coratorio\u201d which begins with layers of lush brass synths resounding a time and place enveloped in ancient mythical beauty. The pristine serenity, however, slowly deteriorates through the influx of anguish, social decay and profanity. Raw field recordings, throbbing electronics, metallic tremors, distant voices and chants portrait a life of numbness and confusion, where man \u2013 tormented by ignorance, ignoble desires and anger \u2013 has become a plaything of insane \u201cWeltanschauungen\u201d and the commercialization plague. In a world where spirituality is reduced to rituals of sadness, the prophetic \u2013 and confirmed \u2013 certitude that the end of civilization is close at hand prevails. Ref: LER015\/2016, La EsenciaRelease date: Late January, 2017 Myth and the Relation to the WorldRecueillement (Sa Propre Mort)Irruption of the WhoreComposed, recorded, edited and mixed by Anemone Tube 2013\u20132016, with field recordings made in Kyoto, Nanjing and Shanghai, 2007\/2009 and synthesizer. Gong sounds and additional samples on Irruption of the Whore by Post Scriptvm, 2013. For Ola. Buried in FabulaDark and Nameless GodsLaterne D\u2019HorreurComposed, recorded, edited and mixed by Post Scriptvm in Trepan Studios, Brooklyn, NY, USA, 2014\u20132015. Mastered by Hunter Barr, 2016. Cover drawings by Post Scriptvm, 2016.Typography, design &amp; inner sleeve photo by Anemone Tube, 2016.Photo detail of Tryptic of Saint Stanislaus the Bishop, painted and guilded limewood, Hans S\u00fcss von Kulmbach, ~1610; Gallery of Medieval Art, Warsaw.<\/p>\n","protected":false},"author":1,"featured_media":1830,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[118,1032],"tags":[160,16,17],"class_list":["post-1827","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-distribution","category-vinyl","tag-anemone-tube","tag-dark-ambient","tag-industrial","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/1827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1827"}],"version-history":[{"count":2,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/1827\/revisions"}],"predecessor-version":[{"id":10174,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/1827\/revisions\/10174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/1830"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}