{"id":1995,"date":"2016-11-17T18:47:56","date_gmt":"2016-11-17T18:47:56","guid":{"rendered":"http:\/\/gradualhate.info\/?p=1995"},"modified":"2026-01-25T19:36:41","modified_gmt":"2026-01-25T19:36:41","slug":"pylar-pyedra-label-alone-records-ar085lpc","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=1995","title":{"rendered":"Pylar – PYEDRA"},"content":{"rendered":"\n
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Pylar \u2013 Pyedra<\/strong>
Label: Alone Records \u2013 AR-085LP
Format: Vinyl, LP, Album, Limited Edition, Yellow
Country: Spain
Released: Nov 2, 2016
Style: Doom Metal, Experimental<\/p>\n

SOLD OUT<\/strong><\/p>\n

PYLAR are back with PYEDRA, featuring four tracks dedicated to the stone as a cosmic symbol of megalithic cultures. Those civilisations used big stones (megaliths) to raise their temples, tombs and paths.<\/p>\n

PYLAR evoke the power of stone through monolithic guitars and techtonic drums. The stone as a testament to the timelessness, laden with nuances and expressed in the form of strings and numinous winds increasing the intensity beyond logic and sanity. Chants speaking of menhirs, metheors and monoliths opening the gate to a time when space and death were one, symbolized by the power and strength of megaliths, where ancient gods shall dwell in eternal gravity and stillness.<\/p>\n

The album was recorded at La Mina Studio by The Alchemist Master, under the telluric darkness of the first full moon after solstice when the sun is defeated on the sixteenth year of the third millennium of the common era. Produced by PYLAR and mastered at Kadifornia Mastering by Mario G. Alberni.<\/p>\n

Gamaheo: drums, rocks, tellurism, granite.
Trarames: baetylus, tubes, pylars and columns, tectonic lava.
Lingua Alaudae: violin, cracks, mandolin, stones of lightning.
LenguaDeCarpa: voices, uncharted alphabets, petrified languages, litophanies.
Bar-Gal: guitars, metals, Gods axes..<\/p>\n

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PYLAR est\u00e1n de vuelta con PYEDRA, su nuevo \u00e1lbum donde incluyen 4 extensos temas dedicados a la piedra como s\u00edmbolo c\u00f3smico de las culturas megal\u00edticas. Estos pueblos empleaban grandes piedras (\u201cmegalitos\u201d) para erigir sus templos, tumbas y senderos.<\/p>\n

PYLAR evocan el poder de la piedra a trav\u00e9s de guitarras monol\u00edticas y bater\u00edas tect\u00f3nicas. La piedra como gran s\u00edmbolo de lo intemporal lleno de matices expresados con cuerdas y vientos numinosos que aumentan la \u00e9pica hasta niveles demenciales mientras los c\u00e1nticos que hablan de menhires, meteoros y monolitos abren un umbral a aquella \u00e9poca donde el espacio y la muerte eran uno, simbolizados en la fortaleza y poder de los megalitos, all\u00ed donde habitan los antiguos dioses, con su quietud y gravedad eternas.<\/p>\n

PYLAR se alimentan de las vibraciones de las grandes piedras que percibimos en las at\u00e1vicas profundidades del dolmen y nos cuentan historias en lenguajes arcanos y olvidados cantadas para que recordemos que la \u00fanica manera de enfrentarnos al terror c\u00f3smico es trascender la muerte a trav\u00e9s de la piedra negra sagrada: la Diosa Madre, el centro del mundo, el pilar de la existencia.<\/i><\/p>\n\n\n

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