{"id":3162,"date":"2016-02-03T07:48:01","date_gmt":"2016-02-03T07:48:01","guid":{"rendered":"http:\/\/gradualhate.info\/?p=3162"},"modified":"2026-04-06T06:55:23","modified_gmt":"2026-04-06T06:55:23","slug":"ulver-atgclvlsscap-label-house-of-mythology","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=3162","title":{"rendered":"Ulver &#8211; ATGCLVLSSCAP"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-1024x1024.jpg\" alt=\"\" class=\"wp-image-12929\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-1024x1024.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-500x500.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-768x768.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-1140x1140.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10-75x75.jpg 75w, https:\/\/gradualhate.info\/wp-content\/uploads\/2024\/02\/a3008213619_10.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n<p><b>Ulver &#8211; ATGCLVLSSCAP<\/b><\/p>\n<p>Label: House Of Mythology \u2013 HOM 002<br \/>Format: CD, Album <br \/>Country: UK &amp; Europe<br \/>Released: 22 Jan 2016<br \/>Style: Experimental, Krautrock, Psychedelic Rock<\/p>\n<p>ATGCLVLSSCAP is progressive in the truest sense of the word<\/p>\n<p>House of Mythology proudly presents the new Ulver gatefold double album vinyl (also available on CD), with over 80 minutes worth of material. This album consists of multitracked and studio-enhanced live, mostly improvisational, rock and electronic soundscapes, 2\/3 of which has never been heard before.<\/p>\n<p>The basis for ATGCLVLSSCAP arrives from recordings made at twelve different live shows that Ulver performed in February 2014 with an improvisatory approach. As Kristoffer Rygg, the prime mover of the band since its inception, puts it wryly, \u201cThe tour was to be an experiment, kind of loose and scary for a band as \u2018set in their ways\u2019 as us.\u201d<\/p>\n<p>Once the tour was over, it was down to his bandmate Daniel O&#8217;Sullivan to take charge of these multitrack recordings in London. Anders M\u00f8ller, Kristoffer Rygg and Tore Ylwizaker got involved a bit later from their end in Oslo. What resulted is the widescreen sweep and atmospheric splendour of ATGCLVLSSCAP, ultimately a piece of work that exists above and beyond any conventional live recording.<\/p>\n<p>As always in the world of Ulver, influences are diverse, yet as Rygg notes, \u201cThere are clear nods to sounds from the past.\u201d Many of these dwell in progressive, electronic and krautrock realms, heralding a lifelong love within the band for the music of the 70s. Even when the band revisits an earlier gem from 2000\u2019s Perdition City album, as on &#8216;Nowhere (Sweet Sixteen)\u2019, it\u2019s reinvigorated by their expansive and emotionally charged approach.<\/p>\n<p>Shaking up their creative process, the band have summoned up a unique testimony to the creative power of a mighty force free of genre or convention. ATGCLVLSSCAP is progressive in the truest sense of the word.<\/p>\n<p>Tracklist:<br \/>1. England\u2019s Hidden<br \/>2. Glammer Hammer<br \/>3. Moody Stix<br \/>4. Cromagnosis<br \/>5. The Spirits That Lend Strength Are Invisible<br \/>6. Om Hanumate Namah<br \/>7. Desert\/Dawn<br \/>8. D-Day Drone<br \/>9. Gold Beach<br \/>10. Nowhere (Sweet Sixteen)<br \/>11. Ecclesiastes (A Vernal Catnap)<br \/>12. Solaris<\/p>\n<figure class=\"tmblr-embed tmblr-full\" data-provider=\"youtube\" data-orig-width=\"540\" data-orig-height=\"304\" data-url=\"https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D9UkJWIfPp_4\"><\/figure>\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: ATGCLVLSSCAP\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/60YalK9oRFXskrRyMicOqN?si=aeZ__mleSxSDmB0dNQ55yA&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ulver &#8211; ATGCLVLSSCAP Label: House Of Mythology \u2013 HOM 002Format: CD, Album Country: UK &amp; EuropeReleased: 22 Jan 2016Style: Experimental, Krautrock, Psychedelic Rock ATGCLVLSSCAP is progressive in the truest sense of the word House of Mythology proudly presents the new Ulver gatefold double album vinyl (also available on CD), with over 80 minutes worth of material. This album consists of multitracked and studio-enhanced live, mostly improvisational, rock and electronic soundscapes, 2\/3 of which has never been heard before. The basis for ATGCLVLSSCAP arrives from recordings made at twelve different live shows that Ulver performed in February 2014 with an improvisatory approach. As Kristoffer Rygg, the prime mover of the band since its inception, puts it wryly, \u201cThe tour was to be an experiment, kind of loose and scary for a band as \u2018set in their ways\u2019 as us.\u201d Once the tour was over, it was down to his bandmate Daniel O&#8217;Sullivan to take charge of these multitrack recordings in London. Anders M\u00f8ller, Kristoffer Rygg and Tore Ylwizaker got involved a bit later from their end in Oslo. What resulted is the widescreen sweep and atmospheric splendour of ATGCLVLSSCAP, ultimately a piece of work that exists above and beyond any conventional live recording. As always in the world of Ulver, influences are diverse, yet as Rygg notes, \u201cThere are clear nods to sounds from the past.\u201d Many of these dwell in progressive, electronic and krautrock realms, heralding a lifelong love within the band for the music of the 70s. Even when the band revisits an earlier gem from 2000\u2019s Perdition City album, as on &#8216;Nowhere (Sweet Sixteen)\u2019, it\u2019s reinvigorated by their expansive and emotionally charged approach. Shaking up their creative process, the band have summoned up a unique testimony to the creative power of a mighty force free of genre or convention. ATGCLVLSSCAP is progressive in the truest sense of the word. Tracklist:1. England\u2019s Hidden2. Glammer Hammer3. Moody Stix4. Cromagnosis5. The Spirits That Lend Strength Are Invisible6. Om Hanumate Namah7. Desert\/Dawn8. D-Day Drone9. Gold Beach10. Nowhere (Sweet Sixteen)11. Ecclesiastes (A Vernal Catnap)12. Solaris<\/p>\n","protected":false},"author":1,"featured_media":3164,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1033,118],"tags":[381,598,13,327],"class_list":["post-3162","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-cd","category-distribution","tag-krautrock","tag-pshychedelic","tag-rock-progresivo","tag-ulver","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/3162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3162"}],"version-history":[{"count":5,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/3162\/revisions"}],"predecessor-version":[{"id":12932,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/3162\/revisions\/12932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/3164"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}