{"id":429,"date":"2018-02-06T09:02:14","date_gmt":"2018-02-06T09:02:14","guid":{"rendered":"http:\/\/gradualhate.info\/?p=429"},"modified":"2026-04-22T15:12:10","modified_gmt":"2026-04-22T15:12:10","slug":"wind-atlas-an-edible-body-label-bfe-records","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=429","title":{"rendered":"Wind Atlas &#8211;\u00a0An Edible Body (Vinyl, LP)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280-1024x1024.png\" alt=\"\" class=\"wp-image-430\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280-1024x1024.png 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280-150x150.png 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280-500x500.png 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280-768x767.png 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko1_1280.png 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n<div id='gallery-1' class='gallery galleryid-429 gallery-columns-1 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/gradualhate.info\/?attachment_id=431'><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"907\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko2_1280.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko2_1280.jpg 1280w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko2_1280-500x354.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko2_1280-768x544.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko2_1280-1024x726.jpg 1024w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/gradualhate.info\/?attachment_id=432'><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"907\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko3_1280.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko3_1280.jpg 1280w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko3_1280-500x354.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko3_1280-768x544.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2018\/02\/tumblr_p3q13qt8nq1u8pupko3_1280-1024x726.jpg 1024w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p><strong>Wind Atlas &#8211;\u00a0An Edible Body (Vinyl, LP)<\/strong><br \/>Label: B.F.E Records \u200e\u2013 BFE 044, Hidden Track Records \u200e\u2013 HT013<br \/>Format: Vinyl, LP, Black or\u00a0\u00a0Milky Clear<br \/>Country: Spain<br \/>Released: 26 Jan 2018<br \/>Style: Dark wave, Cold Wave, Post-Punk,Experimental<\/p>\n<p>Sold Out<\/p>\n<p>An Edible Body, Wind Atlas\u2019 new album, marks a turning point in the band\u2019s trajectory. Their third record builds a new space for the band to experiment and play with new sounds and electronic rhythms. Strangely, An Edible Body is the band\u2019s most experimental album and at the same time the most accessible.<\/p>\n<p>After a change in the band\u2019s formation at the end of the Lingua Ignota (BFE, 2015) tour, Wind Atlas take a break from performing as to discover new sounds and work on a new album. Without a bass player, the band turns to electronic music as an answer for mixing their ritual \u00a0ways with new intensities and rhythms never explored by them before. If their first albums, the EP Fen Fire (BPR, 2012) and The Not Found (BPR, 2013), were essentially influenced by 4AD\u2019s eighties bands like Cocteau Twins or Dead Can Dance, with Lingua Ignota, Wind Atlas discover an array of possibilities beyond the bands initial reverb-pumped folk songs. Opening up to post-punk, primitive sounds and spiritual chants, they begin to include post-industrial hints that would later crystallize in the form of this new album, An Edible Body.<\/p>\n<p>In search of this new sound, the band decide to record the album in New York with Sean Ragon, main figure of the current post-industrial scene, leader of the band Cult of Youth -whom they meet after performing together in Barcelona- and occasional guitarist of Psychic TV, seminal band of the industrial music scene: the chemistry in the studio was immediate. An Edible Body was recorded in just two weeks, one freezing month of February in 2017, at Sean Ragon\u2019s basement studio in Maspeth, Queens, New York.<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"2000\" data-orig-height=\"2667\"><img decoding=\"async\" src=\"https:\/\/66.media.tumblr.com\/8fa5dee0de053dcbd27281c14f68cb4a\/tumblr_inline_p1m1ocDQbp1t914yo_540.jpg\" alt=\"image\" data-orig-width=\"2000\" data-orig-height=\"2667\" \/><\/figure>\n<p>The album experiments not only with new sounds but also with new forms of speech. That\u2019s why \u201cDesertor\u00bbopens the album, a crude and simple song, in which the voice finds itself almost alone, in the aridity of a desert, threatened by a noise in the background. Interferences interrupt the words and the voice goes out of tune due to tape manipulation.<\/p>\n<p>That interference foretells what is to come, the anticipation of a new affirmation called \u00abShedding Light\u201d. The drum machine blends with the acoustic drums and metal plates, the synthesizers stand out and the voice sings ironically to a new reality, \u00a0built in a more assertive and cruder way than in previous albums.<\/p>\n<p>Despite the apparent distance between songs, An Edible Body sounds oddly solid. The dark ambient sound of \u201cCamino de la cruz\u201d is far from \u201cHow to Liquify\u201d or \u201cRuins\u201d, the most unabashed pop song the band has composed to date. In a way, Sean Ragons production gives unity to an eminently heterogenous album. The eastern influences of Lingua Ignota reappear in \u201cHerencia de Jade\u201d, with a danceable industrial beat that takes on more significance when performed live.<\/p>\n<p>\u201cEn la cruz\u201d is a techno tribute to San Juan de la Cruz and probably, one of the central tracks on the album. The new version of some of the verses from his C\u00e1ntico espiritual combined with a dense rhythm that culminates in a polifony of voices affirming the existence of the force of the invisible, product of Sean Ragon\u2019s magic in the studio thanks to the sound processors used on bands like Coil or Chris and Cosey.<\/p>\n<p>On the other extreme we find \u201cUnder these Waters\u201d, a sound poem that sings to a theme present in the band\u2019s imaginary from the start: the uncanniness of water. \u201cUnder these Waters\u201d is a song with a strong sexual component built through hipnotic cadences and suggestive synthesizers.<\/p>\n<p>\u201cTo Clarice\u201d is a post-industrial ballad, fundamental to understand Wind Atlas\u2019 new vibe. Again, the influence of poet Leopoldo Mar\u00eda Panero is reflected in the lyrics, which speak of a cathartic encounter. \u201cTo Clarice\u201d is also an offering to writer Clarice Lispector, as well as a recognition of one\u2019s body and the foreign body, its senses and its meanings.<\/p>\n<p>The album is out on January 26 through labels BFE Records and Hidden Track on vinyl, and GH Records on CD<\/p>\n<figure class=\"tmblr-full\" data-orig-width=\"2000\" data-orig-height=\"1500\"><\/figure>\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"An Edible Body by Wind Atlas\" width=\"960\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F1216781620&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=960\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>An Edible Body, el nuevo trabajo de Wind Atlas, marca un punto de inflexi\u00f3n en la trayectoria de la banda.<\/p>\n\n\n\n<p>Tras un cambio de formaci\u00f3n al final de la gira de Lingua Ignota (BFE, 2015), la banda decide dejar de tocar durante un tiempo para reflexionar, buscar nuevos sonidos y preparar un nuevo disco. Ya sin bajista, la banda desv\u00eda su mirada hacia la electr\u00f3nica,buscando la manera de mezclar su ritual con una intensidad y unos ritmos nuevos no explorados hasta el momento. Si en sus primeros trabajos, el EP Fen Fire (BPR, 2012) y The Not Found (BPR, 2013), las influencias de las bandas de los ochenta del sello 4AD como Cocteau Twins o Dead Can Dance eran fundamentales, con Lingua Ignota, Wind Atlas encontraba una nueva grieta que abr\u00eda un abanico de posibilidades m\u00e1s all\u00e1 de las canciones folk inundadas de reverb de sus inicios.<br>Se abr\u00edan al post-punk, a los sonidos primitivos y los cantos espirituales y empezaban a mostrar ciertos tintes post-industriales que se han cristalizado en su nuevo trabajo, An Edible Body.<\/p>\n\n\n\n<p>Con el objetivo de buscar ese nuevo sonido, deciden ir a grabar su disco a Nueva York con Sean Ragon, figura esencial de la escena post-industrial actual, l\u00edder de la banda Cult Of Youth \u2013que conocen al compartir escenario en Barcelona- y guitarra ocasional en Psychic TV, banda seminal de la m\u00fasica industrial: la qu\u00edmica en el estudio fue instant\u00e1nea.<br>El disco experimenta no solo con nuevos sonidos sino tambi\u00e9n con nuevas maneras de comunicarse. Su tercer disco construye un nuevo espacio que ha permitido al grupo experimentar con los sonidos y jugar con los ritmos electr\u00f3nicos. Extra\u00f1amente,An Edible Body es el disco m\u00e1s accesible y, al mismo tiempo, m\u00e1s experimental de la banda. creditsreleases January 26, 2018<\/p>\n\n\n\n<p>\u00b7Grabado y mezcldo por Sean Ragon<br>(Cult of Youth, Psychic TV) en Queens,Nueva York.<br>\u00b7 Masterizado por Stephen Quinn en Analogue Heart<br>\u00b7 Dise\u00f1o y arte del de Verushka Sirit (<a href=\"http:\/\/www.verushka.cat\/\">www.verushka.cat<\/a>)<br>Andrea P\u00e9rez: Voz<br>Sergi Alejandre: Guitarra<br>Ra\u00fal Q. de Orte: Sintes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wind Atlas &#8211;\u00a0An Edible Body (Vinyl, LP)Label: B.F.E Records \u200e\u2013 BFE 044, Hidden Track Records \u200e\u2013 HT013Format: Vinyl, LP, Black or\u00a0\u00a0Milky ClearCountry: SpainReleased: 26 Jan 2018Style: Dark wave, Cold Wave, Post-Punk,Experimental Sold Out An Edible Body, Wind Atlas\u2019 new album, marks a turning point in the band\u2019s trajectory. Their third record builds a new space for the band to experiment and play with new sounds and electronic rhythms. Strangely, An Edible Body is the band\u2019s most experimental album and at the same time the most accessible. After a change in the band\u2019s formation at the end of the Lingua Ignota (BFE, 2015) tour, Wind Atlas take a break from performing as to discover new sounds and work on a new album. Without a bass player, the band turns to electronic music as an answer for mixing their ritual \u00a0ways with new intensities and rhythms never explored by them before. If their first albums, the EP Fen Fire (BPR, 2012) and The Not Found (BPR, 2013), were essentially influenced by 4AD\u2019s eighties bands like Cocteau Twins or Dead Can Dance, with Lingua Ignota, Wind Atlas discover an array of possibilities beyond the bands initial reverb-pumped folk songs. Opening up to post-punk, primitive sounds and spiritual chants, they begin to include post-industrial hints that would later crystallize in the form of this new album, An Edible Body. In search of this new sound, the band decide to record the album in New York with Sean Ragon, main figure of the current post-industrial scene, leader of the band Cult of Youth -whom they meet after performing together in Barcelona- and occasional guitarist of Psychic TV, seminal band of the industrial music scene: the chemistry in the studio was immediate. An Edible Body was recorded in just two weeks, one freezing month of February in 2017, at Sean Ragon\u2019s basement studio in Maspeth, Queens, New York. The album experiments not only with new sounds but also with new forms of speech. That\u2019s why \u201cDesertor\u00bbopens the album, a crude and simple song, in which the voice finds itself almost alone, in the aridity of a desert, threatened by a noise in the background. Interferences interrupt the words and the voice goes out of tune due to tape manipulation. That interference foretells what is to come, the anticipation of a new affirmation called \u00abShedding Light\u201d. The drum machine blends with the acoustic drums and metal plates, the synthesizers stand out and the voice sings ironically to a new reality, \u00a0built in a more assertive and cruder way than in previous albums. Despite the apparent distance between songs, An Edible Body sounds oddly solid. The dark ambient sound of \u201cCamino de la cruz\u201d is far from \u201cHow to Liquify\u201d or \u201cRuins\u201d, the most unabashed pop song the band has composed to date. In a way, Sean Ragons production gives unity to an eminently heterogenous album. The eastern influences of Lingua Ignota reappear in \u201cHerencia de Jade\u201d, with a danceable industrial beat that takes on more significance when performed live. \u201cEn la cruz\u201d is a techno tribute to San Juan de la Cruz and probably, one of the central tracks on the album. The new version of some of the verses from his C\u00e1ntico espiritual combined with a dense rhythm that culminates in a polifony of voices affirming the existence of the force of the invisible, product of Sean Ragon\u2019s magic in the studio thanks to the sound processors used on bands like Coil or Chris and Cosey. On the other extreme we find \u201cUnder these Waters\u201d, a sound poem that sings to a theme present in the band\u2019s imaginary from the start: the uncanniness of water. \u201cUnder these Waters\u201d is a song with a strong sexual component built through hipnotic cadences and suggestive synthesizers. \u201cTo Clarice\u201d is a post-industrial ballad, fundamental to understand Wind Atlas\u2019 new vibe. Again, the influence of poet Leopoldo Mar\u00eda Panero is reflected in the lyrics, which speak of a cathartic encounter. \u201cTo Clarice\u201d is also an offering to writer Clarice Lispector, as well as a recognition of one\u2019s body and the foreign body, its senses and its meanings. The album is out on January 26 through labels BFE Records and Hidden Track on vinyl, and GH Records on CD An Edible Body, el nuevo trabajo de Wind Atlas, marca un punto de inflexi\u00f3n en la trayectoria de la banda. Tras un cambio de formaci\u00f3n al final de la gira de Lingua Ignota (BFE, 2015), la banda decide dejar de tocar durante un tiempo para reflexionar, buscar nuevos sonidos y preparar un nuevo disco. Ya sin bajista, la banda desv\u00eda su mirada hacia la electr\u00f3nica,buscando la manera de mezclar su ritual con una intensidad y unos ritmos nuevos no explorados hasta el momento. Si en sus primeros trabajos, el EP Fen Fire (BPR, 2012) y The Not Found (BPR, 2013), las influencias de las bandas de los ochenta del sello 4AD como Cocteau Twins o Dead Can Dance eran fundamentales, con Lingua Ignota, Wind Atlas encontraba una nueva grieta que abr\u00eda un abanico de posibilidades m\u00e1s all\u00e1 de las canciones folk inundadas de reverb de sus inicios.Se abr\u00edan al post-punk, a los sonidos primitivos y los cantos espirituales y empezaban a mostrar ciertos tintes post-industriales que se han cristalizado en su nuevo trabajo, An Edible Body. Con el objetivo de buscar ese nuevo sonido, deciden ir a grabar su disco a Nueva York con Sean Ragon, figura esencial de la escena post-industrial actual, l\u00edder de la banda Cult Of Youth \u2013que conocen al compartir escenario en Barcelona- y guitarra ocasional en Psychic TV, banda seminal de la m\u00fasica industrial: la qu\u00edmica en el estudio fue instant\u00e1nea.El disco experimenta no solo con nuevos sonidos sino tambi\u00e9n con nuevas maneras de comunicarse. Su tercer disco construye un nuevo espacio que ha permitido al grupo experimentar con los sonidos y jugar con los ritmos electr\u00f3nicos. Extra\u00f1amente,An Edible Body es el disco m\u00e1s accesible y, al mismo tiempo, m\u00e1s experimental de la banda. creditsreleases January 26, 2018 \u00b7Grabado y mezcldo por Sean Ragon(Cult of Youth, Psychic TV) en Queens,Nueva York.\u00b7 Masterizado por Stephen Quinn en Analogue Heart\u00b7 Dise\u00f1o y arte del de Verushka Sirit (www.verushka.cat)Andrea P\u00e9rez: VozSergi Alejandre: GuitarraRa\u00fal Q. de Orte: Sintes<\/p>\n","protected":false},"author":1,"featured_media":8848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[118,1032],"tags":[150,54,31],"class_list":["post-429","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-distribution","category-vinyl","tag-ethereal","tag-post-punk","tag-wind-atlas","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=429"}],"version-history":[{"count":5,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions"}],"predecessor-version":[{"id":14227,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/429\/revisions\/14227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/8848"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}