{"id":4297,"date":"2015-11-07T06:51:19","date_gmt":"2015-11-07T06:51:19","guid":{"rendered":"http:\/\/gradualhate.info\/?p=4297"},"modified":"2026-04-02T05:53:52","modified_gmt":"2026-04-02T05:53:52","slug":"kraschau-une-foi-dacier-label-gradual-hate","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=4297","title":{"rendered":"Kraschau – \u00a0Une Foi d’Acier"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n
\n\n\n\n

Kraschau –  Une Foi d’Acier<\/strong>
Label: Gradual Hate Records \u2013 GH 127 CD
Format: CD, Album
Country: Spain
Released: 20 Dec 2015 
Style: Martial, Industrial, Neoclassic<\/p>\n\n\n\n

Sold Out<\/p>\n\n\n\n

Kraschau\u2019s long-awited third full-length album is maybe their most epic work among all. It shows the depths and heights of the martial\/industrial\/neoclassical genre with sinister, monotonous industrial loops and heavy bears and with glorius, sublime neoclassical anthems. It also summarizes their previous works (Offenbarung, Falanx & Unitas – the split with Kriegsfall-U.), by making a special, alternative version of one track from each. With that \u2018\u00e9ncore\u2019 section, Une Foi d’Acier is more than an hour long work in 13 tracks.<\/p>\n\n\n\n

The album is dedicated to the christian victims and marthyrs of two major conflicts of the 20th century: the Mexican ‘Cristero\u2019 war and the Spanish civil war, but also deals with the confused 20th century history of the project\u2019s origin, Austria-Hungary and the Central-European region.<\/p>\n\n\n\n

Musically, it continues to expand and incorporate more and more styles, like it\u2019s predecessor, Falanx: as ‘usual\u2019, you can find Kraschau\u2019s self-composed and played neoclassical synth parts, but most of the songs are going back to the roots of industrial music and they are more based on various, monotonous samples and loops. Furthermore the album makes experiments in incorporating power industrial and contemporary classical music and even ‘lighter\u2019 electronic sounds.<\/p>\n\n\n\n

\n