{"id":494,"date":"2025-09-08T17:11:20","date_gmt":"2025-09-08T17:11:20","guid":{"rendered":"http:\/\/gradualhate.info\/?p=494"},"modified":"2025-09-08T17:11:29","modified_gmt":"2025-09-08T17:11:29","slug":"last-dominion-lost-abomination-of-desolation","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=494","title":{"rendered":"Last Dominion Lost \u200e\u2013 Abomination Of Desolation"},"content":{"rendered":"\n<div id='product-component-1757351470490'><\/div>\n<script type=\"text\/javascript\">\n\/*<![CDATA[*\/\n(function () {\n  var scriptURL = 'https:\/\/sdks.shopifycdn.com\/buy-button\/latest\/buy-button-storefront.min.js';\n  if (window.ShopifyBuy) {\n    if (window.ShopifyBuy.UI) {\n      ShopifyBuyInit();\n    } else {\n      loadScript();\n    }\n  } else {\n    loadScript();\n  }\n  function loadScript() {\n    var script = document.createElement('script');\n    script.async = true;\n    script.src = scriptURL;\n    (document.getElementsByTagName('head')[0] 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sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<p><b>Last Dominion Lost \u200e\u2013 Abomination Of Desolation<\/b><\/p>\n<p>Label: The Epicurean \u200e\u2013 cure.15, La Esencia \u200e\u2013 LER017\/2017<br \/>Format: CD, Album, Limited Edition <br \/>Country: Europe<br \/>Released: 23 Oct 2017<br \/>Style: Industrial, Experimental<\/p>\n<p>Last Dominion Lost has existed since 1992, formed out of the ashes of Merge (a project created by Dominik Guerin, founding member of SPK, and Jon Evans). With the inclusion of John Murphy (ex-SPK, Whitehouse, Current 93, Death in June), the transition was complete. In April of 1992 the recording sessions for what was to become \u201eThe Tyranny of Distance\u201c began (released on Germany\u2019s Tesco Records). 16 years later, the opportunity arose to reform the slumbering project. With the welcome addition of Ash Wednesday (Crashlands, Einst\u00fcrzende Neubauten) and Julian Percy (Ratbag) initial recordings and rehearsals began in May of 2008. In November of 2015 Till Br\u00fcggemann (Gerechtigkeits Liga, Krank) joined LDL.<\/p>\n<p>Desolation: total, utter, without remit. Departure, loss, absence, yawning valleys of noise. The overture moans from the terminal ward. The humiliation of the cadaver, the scouring of abandoned houses and rubbish heaps, a planet blasted by the fruits of hubris. The last sigh of bathos: \u201cIt is finished\u201c.<\/p>\n<p>Such is the subject matter and sentiment of this follow-up to the much acclaimed albums \u201cSnowdrops From A Curate\u2019s Garden\u201c and \u201eTowers of Silence\u201c which put Last Dominion Lost firmly on the throne of post-industrial music. \u201cAbomination of Desolation\u201d is consistent with their development into a dark and profound direction, and yet saturated with the noise and feedback that taps deep into the genre\u2019s conscience: Metallic percussion and the screams of terror, ritual chants and anxious atmospheres, all used and abused in order to create the most accurate soundtrack of desolation.<\/p>\n<p>By the fans, \u201cAbomination of Desolation\u201d will be met with mixed feelings \u2013 as recordings began with John Murphy in 2015 and through his untimely death that year had to be finished without him, the acknowledged grandsigneur of post-industrial music. The album\u2019s theme and musical approach were originally intended by John for a KRANK release: An electronic album, reflecting on John\u2019s experiences when he was first hospitalized, comatose, and hooked to a breathing machine which was constantly creating bizarre sounds.<\/p>\n<p>The result stands as a brief and concise display of the group\u2019s ability to create an unmistakable old school sound with contemporary production value. The album runs for ten tracks clocking in less than 40 minutes total and features new member Till Br\u00fcggemann (Gerechtigkeits Liga), as well as guests Nikolas Schreck, Lori Goldston and John Murphy\u2019s beloved wife Annie Stubbs among others. With a firm electronic\/analogue backbone, a delicate contrast of percussions of various origins and uncanny vocals, this is a truly dark affair, and while towards the end of the journey some more aggravating feedback loops crawl in, it never gets upfront aggressive.<\/p>\n<p>With the crisp mastering job of Hunter Barr it is safe to say that \u201cAbomination of Desolation\u201d will not lag behind its predecessors at all, but forge their deserved status as genre icons.<i><br \/><\/i><\/p>","protected":false},"excerpt":{"rendered":"<p>Last Dominion Lost \u200e\u2013 Abomination Of Desolation Label: The Epicurean \u200e\u2013 cure.15, La Esencia \u200e\u2013 LER017\/2017Format: CD, Album, Limited Edition Country: EuropeReleased: 23 Oct 2017Style: Industrial, Experimental Last Dominion Lost has existed since 1992, formed out of the ashes of Merge (a project created by Dominik Guerin, founding member of SPK, and Jon Evans). With the inclusion of John Murphy (ex-SPK, Whitehouse, Current 93, Death in June), the transition was complete. In April of 1992 the recording sessions for what was to become \u201eThe Tyranny of Distance\u201c began (released on Germany\u2019s Tesco Records). 16 years later, the opportunity arose to reform the slumbering project. With the welcome addition of Ash Wednesday (Crashlands, Einst\u00fcrzende Neubauten) and Julian Percy (Ratbag) initial recordings and rehearsals began in May of 2008. In November of 2015 Till Br\u00fcggemann (Gerechtigkeits Liga, Krank) joined LDL. Desolation: total, utter, without remit. Departure, loss, absence, yawning valleys of noise. The overture moans from the terminal ward. The humiliation of the cadaver, the scouring of abandoned houses and rubbish heaps, a planet blasted by the fruits of hubris. The last sigh of bathos: \u201cIt is finished\u201c. Such is the subject matter and sentiment of this follow-up to the much acclaimed albums \u201cSnowdrops From A Curate\u2019s Garden\u201c and \u201eTowers of Silence\u201c which put Last Dominion Lost firmly on the throne of post-industrial music. \u201cAbomination of Desolation\u201d is consistent with their development into a dark and profound direction, and yet saturated with the noise and feedback that taps deep into the genre\u2019s conscience: Metallic percussion and the screams of terror, ritual chants and anxious atmospheres, all used and abused in order to create the most accurate soundtrack of desolation. By the fans, \u201cAbomination of Desolation\u201d will be met with mixed feelings \u2013 as recordings began with John Murphy in 2015 and through his untimely death that year had to be finished without him, the acknowledged grandsigneur of post-industrial music. The album\u2019s theme and musical approach were originally intended by John for a KRANK release: An electronic album, reflecting on John\u2019s experiences when he was first hospitalized, comatose, and hooked to a breathing machine which was constantly creating bizarre sounds. The result stands as a brief and concise display of the group\u2019s ability to create an unmistakable old school sound with contemporary production value. The album runs for ten tracks clocking in less than 40 minutes total and features new member Till Br\u00fcggemann (Gerechtigkeits Liga), as well as guests Nikolas Schreck, Lori Goldston and John Murphy\u2019s beloved wife Annie Stubbs among others. With a firm electronic\/analogue backbone, a delicate contrast of percussions of various origins and uncanny vocals, this is a truly dark affair, and while towards the end of the journey some more aggravating feedback loops crawl in, it never gets upfront aggressive. With the crisp mastering job of Hunter Barr it is safe to say that \u201cAbomination of Desolation\u201d will not lag behind its predecessors at all, but forge their deserved status as genre icons.<\/p>\n","protected":false},"author":1,"featured_media":496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[1033,118],"tags":[164],"class_list":["post-494","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-cd","category-distribution","tag-last-dominion-lost","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=494"}],"version-history":[{"count":3,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/494\/revisions"}],"predecessor-version":[{"id":11327,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/494\/revisions\/11327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/496"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}