{"id":7469,"date":"2022-11-06T09:08:22","date_gmt":"2022-11-06T09:08:22","guid":{"rendered":"https:\/\/gradualhate.info\/?p=7469"},"modified":"2026-04-05T19:28:40","modified_gmt":"2026-04-05T19:28:40","slug":"the-ever-sounding-sea-of-grief-by-philippe-blache","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=7469","title":{"rendered":"The Ever Sounding Sea Of Grief by\u00a0Philippe Blache"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-1024x1024.jpg\" alt=\"\" class=\"wp-image-7472\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-1024x1024.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-500x500.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-768x768.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-1536x1536.jpg 1536w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-2048x2048.jpg 2048w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-1140x1140.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019152756-75x75.jpg 75w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p><strong>Philippe Blache \u2013 The Ever Sounding Sea Of Grief<\/strong><br>Label: Gradual Hate Records \u2013 GH 154 CD<br>Format: CD, Album, Special Edition<br>Country: Spain<br>Released: Oct 21, 2022<br>Style: Dark Ambient, Darkwave, Electroacoustic, Industrial<\/p>\n\n\n\n<p>Foam Board Printed in gloss on both sides, one centimeter thick. Super Special Edition. Size 30 x 30 cm.<\/p>\n\n\n\n<p>Sold Out<\/p>\n\n\n\n<p>\u00ab&nbsp;The ever sounding sea of grief&nbsp;\u00bb is a cathartic and spiritually uplifting musical journey. Partly abandonning the lyrical component which was central in previous releases of his musical project \u00abDay Before Us\u00bb Philippe Blache introduces here a slight new stylistic turn. This album makes incursions within the world of avant gardism, noise ambient and modern classical minimalism with a subtle cinematic edge. It can be appreciated as a purging ritual mainly built around harrowing reverb piano key, blackened skies of droney textures, then majestic organ patterns within a foreboding sonic spectrum. Those lengthy tracks feature additional arrangements as spoken words. As for the last \u00abDay Before Us\u00bb album to date the striking visual imagery is provided by forward-thinking artistic collaborator and multi-talented Natalie Ina. \u00abThe ever sounding sea of grief\u00bb is a thrilling and colossal poetical\/musical drama of overwhelming expressive intensity.<br><br>Lyrics from Anna Kingsford (1848-1888)<\/p>\n\n\n\n<p>Reeds in the river! reeds in the river!<br>O deep in my heart like the reeds in the river,<br>My thoughts grow in darkness, far down out of sight,<br>And over my life passes shadow&nbsp;and light,<br>Like sunshine and cloud on the breast of the stream,<br>But I sit by the banks of my river and dream,<br>For day after day, they grow silent and strong, \u2013\u2013<br>The reeds of my Syrinx, the reeds of my song!<br>____________________________<br><br>Slowly athwart the grey empurpling heavens<br>The bearded evening clouds swept slowly by<br>With ghostly arms outstretched, and shadowy robes<br>Curling around them; one by one they passed<br>In sad procession, solemnly and still;<br>A crowd of phantoms following to the tomb<br>The fair departed Day.<br>______________________________<br><br>All the sweet odours of silence, that rise<br>Up from the world to the musical skies,<br>And the voice of the waters that swell and sink<br>Speaks through the distance, and dimly I think<br>Of that fathomless ocean of Time and Fate<br>Bearing us onward and on without cess<br>Into the dark mysterious Never,<br>Spirit to spirit, the small and the great<br>Into the Sea of Forgetfulness,<br>The sea that rolls and rolls for ever!&nbsp;<\/p>\n\n\n\n<p>Concept, music and arrangements&nbsp;: Philippe Blache (Day Before Us)<br>Narrative: Olga Gabris<br>Photos artwork: Natalie Ina<br>Mastering: Giuseppe Verticchio<\/p>\n\n\n\n<p>2022 \u00a9 Philippe Blache, GH Records<br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-1024x1024.jpg\" alt=\"\" class=\"wp-image-7473\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-1024x1024.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-500x500.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-768x768.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-1536x1536.jpg 1536w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-2048x2048.jpg 2048w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-1140x1140.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144104-75x75.jpg 75w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-1024x1024.jpg\" alt=\"\" class=\"wp-image-7474\" srcset=\"https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-1024x1024.jpg 1024w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-500x500.jpg 500w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-150x150.jpg 150w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-768x768.jpg 768w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-1536x1536.jpg 1536w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-2048x2048.jpg 2048w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-1140x1140.jpg 1140w, https:\/\/gradualhate.info\/wp-content\/uploads\/2022\/11\/IMG20221019144754-75x75.jpg 75w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Ever Sounding Sea Of Grief by Philippe Blache by GH Records\" width=\"960\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1367753380&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=960\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Philippe Blache \u2013 The Ever Sounding Sea Of GriefLabel: Gradual Hate Records \u2013 GH 154 CDFormat: CD, Album, Special EditionCountry: SpainReleased: Oct 21, 2022Style: Dark Ambient, Darkwave, Electroacoustic, Industrial Foam Board Printed in gloss on both sides, one centimeter thick. Super Special Edition. Size 30 x 30 cm. Sold Out \u00ab&nbsp;The ever sounding sea of grief&nbsp;\u00bb is a cathartic and spiritually uplifting musical journey. Partly abandonning the lyrical component which was central in previous releases of his musical project \u00abDay Before Us\u00bb Philippe Blache introduces here a slight new stylistic turn. This album makes incursions within the world of avant gardism, noise ambient and modern classical minimalism with a subtle cinematic edge. It can be appreciated as a purging ritual mainly built around harrowing reverb piano key, blackened skies of droney textures, then majestic organ patterns within a foreboding sonic spectrum. Those lengthy tracks feature additional arrangements as spoken words. As for the last \u00abDay Before Us\u00bb album to date the striking visual imagery is provided by forward-thinking artistic collaborator and multi-talented Natalie Ina. \u00abThe ever sounding sea of grief\u00bb is a thrilling and colossal poetical\/musical drama of overwhelming expressive intensity. Lyrics from Anna Kingsford (1848-1888) Reeds in the river! reeds in the river!O deep in my heart like the reeds in the river,My thoughts grow in darkness, far down out of sight,And over my life passes shadow&nbsp;and light,Like sunshine and cloud on the breast of the stream,But I sit by the banks of my river and dream,For day after day, they grow silent and strong, \u2013\u2013The reeds of my Syrinx, the reeds of my song!____________________________ Slowly athwart the grey empurpling heavensThe bearded evening clouds swept slowly byWith ghostly arms outstretched, and shadowy robesCurling around them; one by one they passedIn sad procession, solemnly and still;A crowd of phantoms following to the tombThe fair departed Day.______________________________ All the sweet odours of silence, that riseUp from the world to the musical skies,And the voice of the waters that swell and sinkSpeaks through the distance, and dimly I thinkOf that fathomless ocean of Time and FateBearing us onward and on without cessInto the dark mysterious Never,Spirit to spirit, the small and the greatInto the Sea of Forgetfulness,The sea that rolls and rolls for ever!&nbsp; Concept, music and arrangements&nbsp;: Philippe Blache (Day Before Us)Narrative: Olga GabrisPhotos artwork: Natalie InaMastering: Giuseppe Verticchio 2022 \u00a9 Philippe Blache, GH Records<\/p>\n","protected":false},"author":1,"featured_media":7476,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1033,2],"tags":[16,158,151,3,17],"class_list":["post-7469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd","category-gh-records","tag-dark-ambient","tag-day-before-us","tag-drone","tag-gh-records","tag-industrial"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/7469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7469"}],"version-history":[{"count":17,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/7469\/revisions"}],"predecessor-version":[{"id":12513,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/7469\/revisions\/12513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/7476"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}