{"id":9833,"date":"2024-05-30T19:05:05","date_gmt":"2024-05-30T19:05:05","guid":{"rendered":"https:\/\/gradualhate.info\/?p=9833"},"modified":"2024-05-30T19:10:16","modified_gmt":"2024-05-30T19:10:16","slug":"der-blutharsch-non-live-in-athens-21-5-2000-vinyl-lp-green","status":"publish","type":"post","link":"https:\/\/gradualhate.info\/?p=9833","title":{"rendered":"Der Blutharsch \/ NON \u200e\u2013 Live In Athens 21\/5\/2000 (Vinyl, LP, Green)"},"content":{"rendered":"\n<div id='product-component-1717095715984'><\/div>\n<script type=\"text\/javascript\">\n\/*<![CDATA[*\/\n(function () {\n  var scriptURL = 'https:\/\/sdks.shopifycdn.com\/buy-button\/latest\/buy-button-storefront.min.js';\n  if (window.ShopifyBuy) {\n    if (window.ShopifyBuy.UI) {\n      ShopifyBuyInit();\n    } else {\n      loadScript();\n    }\n  } else {\n    loadScript();\n  }\n  function loadScript() {\n    var script = document.createElement('script');\n    script.async = true;\n    script.src = scriptURL;\n    (document.getElementsByTagName('head')[0] || document.getElementsByTagName('body')[0]).appendChild(script);\n    script.onload = ShopifyBuyInit;\n  }\n  function ShopifyBuyInit() {\n    var client = ShopifyBuy.buildClient({\n      domain: '6ec2e7-2.myshopify.com',\n      storefrontAccessToken: '50602a1263c50cf457154fc652b9c880',\n    });\n    ShopifyBuy.UI.onReady(client).then(function (ui) {\n      ui.createComponent('product', {\n        id: '8963051749716',\n        node: document.getElementById('product-component-1717095715984'),\n        moneyFormat: '%E2%82%AC%7B%7Bamount_with_comma_separator%7D%7D',\n        options: {\n  \"product\": {\n    \"styles\": {\n      \"product\": {\n        \"@media (min-width: 601px)\": {\n          \"max-width\": \"calc(25% - 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Etching on the vinyl writes \u00abGUN 001\u00bb. Rarity&nbsp;<em>(Important, the cover has some marks, possibly of being improperly stored)<\/em><\/p>\n\n\n\n<p>Boyd began his exploration of noise in the mid &#8217;70s with the aid of a tape recorder and various loops of girl groups, turning pop into a continuous drone. This first collection, known as \u00abThe Black Album\u00bb was made toward the end of 1975 self-released in 1977 and later re-released as \u00abBoyd Rice\u00bb by Mute in 1981. Boyd met Daniel Miller (head of Mute Records) at his first gig in the UK, where he played alongside with Throbbing Gristle, and was among the first artists to be signed on Mute. He is also known for his 7&#8243; with treated noise loop grooves, which can be played at every speed and also off-center with extra drilled holes. The first of them, \u00abKnife Ladder\u00bb, was also his first release as NON. Boyd Rice also releases records with his own name and as Boyd Rice And Friends (with different guests), he does spoken words under the moniker The Boyd Rice Experience and a cover band of 60s&#8217; pop songs with the name Spell (with Rose McDowall). Various appearances on works of Blood Axis, Current 93, Death In June and others.<\/p>\n\n\n\n<p>Der Blutharsch is the main project of Austrian musician Albin Julius. Following in the footsteps of Autopsia and Laibach, Julius creates a marching music of bombastic rhythms and folkish melodies, often infused with historical military speeches and orchestral samples. The earlier works tended towards a minimalistic sample-based instrumental style in an industrial\/ambient vein, while more recent material has headed into a folk\/acoustic sound, often accompanied with live vocals and instruments.<\/p>\n\n\n\n<p>Der Blutharsch&#8217;s first release was a self-titled picture LP released in late 1996 on the Arthur&#8217;s Round Table label, but the project didn&#8217;t became Julius&#8217; main musical outlet until 1998 after the break-up of his previous band The Moon Lay Hidden Beneath A Cloud. The first CD album \u00abDer Sieg des Lichtes Ist des Lebens Heil\u00bb was released that year, followed by a series of limited EP&#8217;s, before the release of the masterpiece \u00abThe Pleasures Received In Pain\u00bb in 1999.<\/p>\n\n\n\n<p>Almost all of the bands releases are through Julius&#8217; personal austrian-based label \u00abWKN\u00bb (\u00abWir Kapitulieren Niemals\u00bb), which was distributed by World Serpent UK until 2000, when it switched to Tesco Distribution in Germany. Since 2001 various musicians have acted as part of the band, but Albin Julius currently claims Der Blutharsch to have four permanent members: Marthynna, J\u00f6rg B. (of Graumadh), Bain Wolfkind (of Novo Homo) and himself.<\/p>\n\n\n\n<p>The band officially disbanded in 2010, but was newly founded as Der Blutharsch And The Infinite Church Of The Leading Hand in the same year<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Der Blutharsch \/ NON \u200e\u2013 Live In Athens 21\/5\/2000 (Vinyl, LP, Green)Label: Zyklon-B Productions \u200e\u2013 noneFormat: Vinyl, LP,&nbsp;GreenCountry: GreeceReleased: 2007Style: Industrial, Neofolk Limited Edition of 111 copies in green (this) and black vinyl. Etching on the vinyl writes \u00abGUN 001\u00bb. Rarity&nbsp;(Important, the cover has some marks, possibly of being improperly stored) Boyd began his exploration of noise in the mid &#8217;70s with the aid of a tape recorder and various loops of girl groups, turning pop into a continuous drone. This first collection, known as \u00abThe Black Album\u00bb was made toward the end of 1975 self-released in 1977 and later re-released as \u00abBoyd Rice\u00bb by Mute in 1981. Boyd met Daniel Miller (head of Mute Records) at his first gig in the UK, where he played alongside with Throbbing Gristle, and was among the first artists to be signed on Mute. He is also known for his 7&#8243; with treated noise loop grooves, which can be played at every speed and also off-center with extra drilled holes. The first of them, \u00abKnife Ladder\u00bb, was also his first release as NON. Boyd Rice also releases records with his own name and as Boyd Rice And Friends (with different guests), he does spoken words under the moniker The Boyd Rice Experience and a cover band of 60s&#8217; pop songs with the name Spell (with Rose McDowall). Various appearances on works of Blood Axis, Current 93, Death In June and others. Der Blutharsch is the main project of Austrian musician Albin Julius. Following in the footsteps of Autopsia and Laibach, Julius creates a marching music of bombastic rhythms and folkish melodies, often infused with historical military speeches and orchestral samples. The earlier works tended towards a minimalistic sample-based instrumental style in an industrial\/ambient vein, while more recent material has headed into a folk\/acoustic sound, often accompanied with live vocals and instruments. Der Blutharsch&#8217;s first release was a self-titled picture LP released in late 1996 on the Arthur&#8217;s Round Table label, but the project didn&#8217;t became Julius&#8217; main musical outlet until 1998 after the break-up of his previous band The Moon Lay Hidden Beneath A Cloud. The first CD album \u00abDer Sieg des Lichtes Ist des Lebens Heil\u00bb was released that year, followed by a series of limited EP&#8217;s, before the release of the masterpiece \u00abThe Pleasures Received In Pain\u00bb in 1999. Almost all of the bands releases are through Julius&#8217; personal austrian-based label \u00abWKN\u00bb (\u00abWir Kapitulieren Niemals\u00bb), which was distributed by World Serpent UK until 2000, when it switched to Tesco Distribution in Germany. Since 2001 various musicians have acted as part of the band, but Albin Julius currently claims Der Blutharsch to have four permanent members: Marthynna, J\u00f6rg B. (of Graumadh), Bain Wolfkind (of Novo Homo) and himself. The band officially disbanded in 2010, but was newly founded as Der Blutharsch And The Infinite Church Of The Leading Hand in the same year<\/p>\n","protected":false},"author":1,"featured_media":9838,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[118,1032],"tags":[16,111,17,94,37,32,805],"class_list":["post-9833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-distribution","category-vinyl","tag-dark-ambient","tag-der-blutharsch","tag-industrial","tag-industrial-music","tag-martial-industrial","tag-neofolk","tag-non"],"_links":{"self":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/9833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9833"}],"version-history":[{"count":2,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/9833\/revisions"}],"predecessor-version":[{"id":9837,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/posts\/9833\/revisions\/9837"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=\/wp\/v2\/media\/9838"}],"wp:attachment":[{"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gradualhate.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}