Order Of Victory / TSIDMZ – Third Rome Label: Casus Belli Musica – CBM 025EP, Beverina Productions – BP 057 Format: Vinyl, 7″, 45 RPM, EP, Limited Edition, Numbered Country: Europe Released: 15 Aug 2015 Style: Neofolk, Military, Industrial
“The Third Rome” – Split 7″EP of ORDER OF VICTORY (martial/neofolk, Russia) and TSIDMZ (martial/electro-industrial, Italy).
The split presents one track for each project: the song “Rome” of ORDER OF VICTORY and the composition “Terza Roma” of TSIDMZ.
For the first time in their creative work, ORDER OF VICTORY used an acoustic guitar in recording process, and the song is already traditionally composed to words from Nikolay Gumilyov. TSIDMZ involved a rare recording of the orthodox church choir performing psalms in Latin in this composition.
Anemone Tube / Post Scriptvm – Litaniæ Mortuorum Discordantes (Vinyl, LP) Label: La Esencia – LER015/2016 Format: Vinyl, LP, Limited Edition, Golden Vinyl Country: Spain Released: 19 Dec 2016 Style: Dark Ambient, Industrial, Abstract, Experimental
For lovers of soul-shredding funeral music built on dissonance / Triggering spiritual delight / Intended for church performance
Under the headline “Litaniæ Mortuorum Discordantes” Anemone Tube and Post Scriptvm present a collaborative album with a truly unique concept: Originally applied to a particular style of ancient ritual music, in the Classical era the term Litaniæ Mortuorum Discordantes attained a negative connotation and was used to criticize those compositions – which, instead of instilling listeners with the desired pious euphoria, incriminated them with a sense of dread, existential anxiety, feelings of death and decay. Finding this aesthetic choice to be most appropriate for the present era, the two post-industrial projects attempted to create their own “Discordant Death Litanies” for the XXI century.
The idea is culled from a semi-fictional biography of Johann Sebastian Bach, written by a 19th century Russian author. In the chapter describing Bach‘s childhood and early education, his older brother – who was also his music teacher and mentor – dissuades him from composing those “Litaniæ Mortuorum Discordantes” as they dangerously steer the Christian liturgy into a “wrong” direction of primordial chaos. In reality Bach never dealt with such dark notions, but created the most versatile and accomplished musical glorifications of the Christian god ever composed.
Yet tempted by the imagination of real “Litaniæ Mortuorum Discordantes”, Anemone Tube and Post Scriptvm stage a linear, gradually unfolding “oratorio” which begins with layers of lush brass synths resounding a time and place enveloped in ancient mythical beauty. The pristine serenity, however, slowly deteriorates through the influx of anguish, social decay and profanity. Raw field recordings, throbbing electronics, metallic tremors, distant voices and chants portrait a life of numbness and confusion, where man – tormented by ignorance, ignoble desires and anger – has become a plaything of insane “Weltanschauungen” and the commercialization plague. In a world where spirituality is reduced to rituals of sadness, the prophetic – and confirmed – certitude that the end of civilization is close at hand prevails.
Standard vinyl edition comes with golden vinyl, full color cover with spine, printed paper inner sleeve and high-quality PVC sleeve with silkscreen printed golden typography. Limited edition of 200 copies.
Ref: LER015/2016, La Esencia Release date: Late January, 2017
Myth and the Relation to the World Recueillement (Sa Propre Mort) Irruption of the Whore Composed, recorded, edited and mixed by Anemone Tube 2013–2016, with field recordings made in Kyoto, Nanjing and Shanghai, 2007/2009 and synthesizer. Gong sounds and additional samples on Irruption of the Whore by Post Scriptvm, 2013. For Ola.
Buried in Fabula Dark and Nameless Gods Laterne D’Horreur Composed, recorded, edited and mixed by Post Scriptvm in Trepan Studios, Brooklyn, NY, USA, 2014–2015.
Mastered by Hunter Barr, 2016.
Cover drawings by Post Scriptvm, 2016. Typography, design & inner sleeve photo by Anemone Tube, 2016. Photo detail of Tryptic of Saint Stanislaus the Bishop, painted and guilded limewood, Hans Süss von Kulmbach, ~1610; Gallery of Medieval Art, Warsaw.
Schwarz – Nación subterránea Label: Verlag System – VS013 Format: Vinyl, LP, Album, Limited Edition, Stereo Country: Spain Released: 2016 Style: Krautrock, Psychedelic Rock, Space Rock, Prog Rock
Recorded by Marco Velasco in El Miradoor (Alhama of Murcia) in july of 2016. Mixed & mastered by Alfonso Alfonso in Goecia. Folder and artwork designed by Susana López. Percussions by Miguel Ángel Orengo. Chorus in “El propósito es el fuego” by Juanma Martínez & Marco Velasco.
All songs by Alfonso Alfonso, except “Hashashin” (Alfonso / Martínez).
“Schwarz are back with an amazing record like all his works, happily complicated as all his discography, audacious in its aesthetic mutation we think to have the courage, wisdom and talent to build all this new repertoire.” Tomás Fernando Flores. Siglo XXI – RNE3