• Distribution,  Vinyl

    Burzum ‎– Fallen


    Burzum ‎– Fallen
    Label: Back On Black ‎– BOBV293LP
    Format: Vinyl, LP, Album
    Country: UK
    Released: 07 Mar 2011
    Style: Black Metal

    Fallen is the eighth studio album by the Norwegian artist Burzum, released on 7 March 2011.

    The cover art is taken from the painting Elegy (1899) by French painter William-Adolphe Bouguereau.

    Fallen was recorded and mixed during two weeks in Grieghallen studios, using a Spector bass with alembic electronics on a VOX AC50 amp from 1965, a Ludwig drum kit (with a 26-inch kick) from 1975, a Neumann M149 microphone and stereo Schoeps CMTS 501 U microphones for vocals, an OBH Nordica Harmony 6487, a custom Stig instrument and a Peavey 23 guitar on a Peavey 6505 (120 Watt) amp.

    According to Varg Vikernes himself, “Musically Fallen is like a cross between Belus and something new, inspired more by the debut album and Det som engang var than by Hvis lyset tar oss or Filosofem. The sound is more dynamic – we mastered the album as if it was classical music – and I was more experimental than I was on Belus in all respects. Lyricwise it is similar to the debut album, in the way that it is more personal and focuses on existential issues, but the mythological undertone known from Belus is still there. I have also included some ambient tracks – a short introduction and a longer conclusion”.

  • CD,  Distribution

    The Ever Sounding Sea Of Grief by Philippe Blache



    Philippe Blache ‎– The Ever Sounding Sea Of Grief
    Label: Triple Moon Records
    Format: CD, Album
    Country: France
    Released: 2023
    Style: Dark Ambient, Neo-Classical, Neo-Romantic

    REISSUE OF A RELEASE ORIGINALLY PUBLISHED BY GH RECORDS, 2022 with new package and alternative artwork. Ecopack CD ltd.

    « The ever sounding sea of grief » is a cathartic and spiritually uplifting musical journey. Partly abandonning the lyrical component which was central in previous releases of his musical project «Day Before Us» Philippe Blache introduces here a slight new stylistic turn. This album makes incursions within the world of avant gardism, noise ambient and modern classical minimalism with a subtle cinematic edge. It can be appreciated as a purging ritual mainly built around harrowing reverb piano key, blackened skies of droney textures, then majestic organ patterns within a foreboding sonic spectrum. Those lengthy tracks feature additional arrangements as spoken words.. «The ever sounding sea of grief» is a thrilling and colossal poetical/musical drama of overwhelming expressive intensity.

    Philippe Blache (Day Before Us) / Concept, All instruments & electronics
    Olga Gabris / Narratives
    Natalie Ina / Photos set

    Giuseppe Verticchio / Audio mastering & artwork


    Bandcamp removed this work in April 2023, removed all Bandcamp from GH Records without any explanation, 12 years of music removed. To everyone who bought the special edition The Ever Sounding Sea Of Grief by Day Before Us or digitally thank you very much for the support.


    Otros trabajos de Day Before Us / Other references →

    Day Before Us ‎– Ode A La Nuit D’Ombre
    → Day Before Us ‎– Adorned path of Stillness
    Day Before Us – Misty Shroud Of Regrets
    Day Before Us ‎– Prélude à l’âme d’élégie
    Day Before Us ‎– Nihil Interit
    Antikatechon ‎– I Feel Nothing But Repulsion
    Day Before Us / Nimh – Under Mournful Horizons

    Philippe Blache – Tristitiam Et Metus Tradam Portare Ventis – GH Records

  • Distribution,  Vinyl

    Tenhi – ValKama


    Tenhi – Valkama (Vinyl 2-LP Gatefold, Clear)
    Label: Prophecy Productions – PRO 351 LP
    Format: 2 x Vinyl, LP, Album, Limited Edition, Reissue, Clear
    Country: Germany
    Released: 2023
    Style: Folk Rock, Neofolk

    When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as ‘the fairy tale that never was’ leak into the lyrics and music of TENHI. On their sixth album, «Valkama», which translates as ‘harbour’ or ‘shelter’ among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma (‘the place for those who have suffered blood-death’) in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an ‘elder’ or ‘shaman’. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo «Kertomuksia» (1997) and the MCD «Hallavedet» (1998), the Finns immediately hit a nerve with their debut full-length «Kauan» in 1999. TENHI started into the new millennium with another MCD entitled «Airut:ciwi» (2000), which was followed by a string of albums from «Väre» (2002) via «Maaäet» (2006) and «Airut:aamujen» (2006) to «Saivo» (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length «Saivo» tilted more towards an ambient-style and panoramic soundtrack feeling, «Valkama» returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. «Valkama» comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, «Valkama» is the silver-lining on the horizon promising shelter and peace.

    Tracklist:
    01. Saattue
    02. Kesävihanta
    03. Valkama
    04. Rintamaan
    05. Rannankukka
    06. Laineinen
    07. Hele
    08. Ulapoi
    09. Elokuun linnut
    10. Sydämes on tiel
    11. Veden elein
    12. Aina sininen aina