• Distribution,  Vinyl

    Der Blutharsch ‎– Werkschau 1997 : 2010

    enero 2, 2018

    Der Blutharsch ‎– Werkschau 1997 : 2010
    Label: Handmade Birds ‎– HB-DIS015
    Series: Dark Icon Series – 3
    Format: 2 × Vinyl, LP, Compilation, Limited Edition, Numbered
    Country: US
    Released: 2011
    Style: Industrial

    24 tracks spanning the first thirteen years of this innovative band, including material from nine full-length albums.

    Edtion: 500, archived on 180 gram black vinyl. ALL inserts hand numbered, and the first 250 signed by Albin Julius himself. Original artwork (also by Julius) features black and red foil stamping on exterior. One-time pressing, Handmade Birds Dark Icons Series.

    Track A1 is taken from “Der Blutharsch – Track 3”
    Track A2 is taken from “Der Blutharsch – Track 2”
    Track A3 is taken from “Der Blutharsch – Track 13”
    Track A4 is taken from “Der Sieg des Lichtes Ist Des Lebens Heil! – Track 6”
    Track A5 is taken from “Der Sieg des Lichtes Ist Des Lebens Heil! – Track 7”
    Track A6 is taken from “Der Sieg des Lichtes Ist Des Lebens Heil! – Track 13”
    Track B1 is taken from “The Pleasures Received In Pain – Track 5”
    Track B2 is taken from “The Pleasures Received In Pain – Track 12”
    Track B3 is taken from “The Pleasures Received In Pain – Track 9”
    Track B4 is taken from “The Track of the Hunted – Track 8”
    Track B5 is taken from “The Track of the Hunted – Track 2”
    Track B6 is taken from “The Track of the Hunted – Track 5”
    Track C1 is taken from “When All Else Fails! – Track 8”
    Track C2 is taken from “When All Else Fails! – Track 9”
    Track C3 is taken from “Time Is Thee Enemy! – Track 5”
    Track C4 is taken from “Time Is Thee Enemy! – Track 10”
    Track C5 is taken from “When Did Wonderland End? – Track 11”
    Track C6 is taken from “When Did Wonderland End? – Track 6”
    Track D1 is taken from “When Did Wonderland End? – Track 7”
    Track D2 is taken from “The Philosophers Stone – Track 1”
    Track D3 is taken from “The Philosophers Stone – Track 2”
    Track D4 is taken from “The Philosophers Stone – Track 7”
    Track D5 is taken from “Flying High – Track 2”
    Track D6 is taken from “Flying High – Track 3”

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  • CD,  Distribution

    The Joy Of Nature ‎– The Empty Circle Part III – Anitya

    noviembre 25, 2017

    The Joy Of Nature ‎– The Empty Circle Part III – Anitya
    Label: Rage In Eden ‎– RAGE 74
    Format: CD, Album
    Country: Poland
    Released: 22 Sep 2010
    Style: Acoustic, Experimental, Neofolk

    The Joy of Nature is a musical project from the Azores, navigating through folk, psychedelic and ambient music.
    The Joy of Nature creates musical innerscapes, paints with music and sound.

    Anitya is that which has no existence in the beginning and no existence in the end. Its nature is impermanence. The record was created in two different and very special periods of time and it musically unites both western and eastern sounds. The tracks contained are the musical expression of different kinds of dreams. It consists of folk, experimental, psychedelic and industrial elements, and even classical music but sounding, at various places, like ritual music. The structures of the tracks owe as much to classical as to psychedelic music.

    The Joy of Nature – “The Empty Circle, Part III ANITYA” digipack CD

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  • Distribution,  Vinyl

    Aun – Fiat Lux

    noviembre 13, 2017

     

    Aun – Fiat Lux
    Label: Cyclic Law ‎– 76th Cycle, La Esencia ‎– LER013/2015
    Format: Vinyl, LP, Album, Limited Edition, Black with white/blue splatter
    Country: Canada
    Released: 2015
    Style: Dark Ambient, Drone, Experimental

    AUN’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. From the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “Fiat Lux” we are once again transported on AUN’s otherworldly travelling path. Ever since the space industrial and power electronics of AUN’s previous Cyclic Law cult release “Black Pyramid”, the world has become even more sinister, but in contrast, “Fiat Lux” exudes even more of AUN’s melancholic hopefulness. The disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. Created in part in their Montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in Montpellier, Barcelona and Tokyo. The energy of these cities is definitely at work in these recordings, which also features a French connection of experimental heavy hitters: Witxes, Frédéric D. Oberland and Philippe Petit have helped round out Dumais and Leblanc’ arsenal. FIAT LUX: Let there be light, from light will come darkness.

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