• Artists,  GH Records

    Coàgul, Cadena – Coàgul & Cadena



    Coàgul, Caden – Coàgul & Cadena
    Label: Dead Moon Records ‎– DMR01, Discos Enfermos, Broca, Gradual Hate Records ‎GH 129 VN
    Format: Vinyl, LP, Mini-Album
    Country: Spain
    Released: 10 Nov 2016
    Style: Experimental, Industrial, Noise, No Wave

    Sisters and brothers: throughout our miserable lives they haven’t ceased to try to sell us all kinds of ideals by the means of all possible dialectical subterfuges. Vanquishing our will again and again. Injecting us without mercy hundreds of all sorts of viruses of obstinating idealism: those of decadence and those of excellence, those of excess and those of containment, those of partying and those of work, those of pleasure and those of sacrifice, those of life and those of death. We have kept on believing and digesting them one after the other, accepting them one by one heart on hand, only to rapidly reject each one of them and swallow the next one. But always in absolute spiritual submission to one or another higher instance that tells us what do we have to believe. That’s why once defrauded and betrayed by all the viper tongues that caressed our pineal glands, once fed up and stuffed with all the viruses of the ideal, we have come to the realization that what they were trying to sell us wasn’t anything else than ourselves. That’s why the time has come when we no longer believe nothing, when we are finally cleansed, when we finally are totally impervious to all meta-narrative seduction, when we at last find ourselves face to face with nothingness: we no longer have anything, nor we want to have anything; we no longer know nothing, nor we want to know nothing; we no longer are nothing, nor we want to be nothing. That’s why we have transformed ourselves into pure luminous electricity, that’s why we have transformed ourselves into the most absolute ideal, that’s why we are more pure and free than ever, that’s why we have the universe at our disposal: let’s celebrate it by taking its fruits with total disafection.

    In Summer 2015, these two industrial music acts from Barcelona decided to join their forces to produce a series of songs specifically conceived to be played for first and last time during the third edition of Cønjuntø Vacíø festival. Formed in 2015, CADENA is a three-piece combo refreshing the hardcore punk and industrial rock traditions, and distilling them into a saturated and contemporary sound that is close to the most plastic-like noise rock. COÀGUL is the single-member project of an unclassifiable character who, from 2009 onwards has been taking back the rythm’n’noise sound of Esplendor Geometrico-like acts, translating it into a certain lyrical drive that brings him closer to the lands of folk music rather than those of the noise music into which it’s so easy to pigeonhole him. For this occasion, the two acts shaked their hands in their common soils: the obsession for urban space, contemporary dystopia and an active nihilism that connects the suburbs with cosmos. From the work done were born seven songs that were firstly played live at the festival —becoming a corrosive experience which, by the means of noise, light and relational performance art, exhausted the senses of the audience and deprogrammed it’s behaviour— to be later recorded at the studio in the days after. With lyrics in Catalan, more than an album this is a document that cartographies a contextual micro-particle key to understand the hidden details of Barcelona’s underground. The release of these songs in LP format has been fruit of the cooperative work between four labels: Dead Moon Records, Discos Enfermos, Broca Records and GH Records.

    Dead Moon Records + Discos Enfermos + Broca + GH Records



    Hermanas y Hermanos: a lo largo de nuestras miserables vidas no nos han parado de intentar vender todo tipo de ideales mediante todos los subterfugios dialécticos posibles. Doblando nuestra voluntad una y otra vez. Inoculándonos sin piedad centenares de virus de idealismo recalcitrante de la más diversa índole: los de la decadencia y los del excelencia, los del exceso y los de la contención, los de la fiesta y los del trabajo, los del placer y los del esfuerzo, los de la vida y los de la muerte. Nos los hemos ido creyente y digiriendo el uno detrás el otro, aceptándolos uno a uno con el corazón en la mano, para después renegar enseguida y tragarnos rápidamente el siguiente. Pero siempre en absoluta sumisión espiritual a una instancia o la otra superior que nos dice el que tenemos que creer.

    Por eso, un golpe estafados y traicionados por todas las lenguas de serpiente que nos han mimado la glándula pineal, un golpe empachados y embutidos con todos los virus del ideal, nos hemos dado cuenta de qué el que nos estaban intentando vender no era sino a nosotros mismos. Por eso, ha llegado la hora en que ya no nos creemos nada, en que ya estamos definitivamente depurados, en que ya somos totalmente impermeables a toda seducción meta-narrativa, en que por fin nos encontramos frente a frente con la nada: ya no tenemos nada, ni queremos tener nada; ya no sabemos nada, ni queremos saber nada; ya no somos nada, ni queremos ser nada. Por eso nos hemos convertido en pura electricidad luminosa, por eso nos hemos convertido nosotros mismos en el ideal más absoluto, por eso somos más puros y entregas que nunca, por eso tenemos el universo a nuestra disposición: celebrémoslo tomando sus frutos con total desafección.

  • Distribution,  Vinyl

    Wind Atlas ‎– Arche-Fossil (Vinyl, LP)


    Wind Atlas – Arche-Fossil (Vinyl, LP)
    Label: Cønjuntø Vacíø ‎– Ø-55
    Format: Vinyl, LP
    Country: Spain
    Released: 20 Mar 2020
    Style: Experimental, Industrial, Ambient, Abstract, IDM

    Arche-Fossil (Cønjuntø Vacíø, 2020) is Wind Atlas’ fourth record, which sees the band pushing the boundaries of their own music as genres such as post-industrial electronics, ambient, noise and popular mediterranean music merge, bringing to life a hybrid and intense album.

    The gestation process of Arche-Fossil began even before the publication of An Edible Body (2018). With that record, the band changed members and ventured into more electronic territories by using drum machines and synths that still fit their ritual post-punk sound. After two years spent working on this new record, these electronic landscapes have taken over their music.

    Arche-Fossil was almost entirely recorded by themselves at their home studio and finished at Maik Mayer’s recording studio with Sergio Pérez. It collects the songs that represent the band’s work over the last two years and that best reflect the issues that weave the whole record regarding the relationship between human beings and reality. Is it possible to know an uninterpretable reality? What is knowing? How does the relationship between human beings and reality work? These questions inform a series of songs that produce a voice that continuously muses on what it perceives and the ways in which it does.



    Hunger opens the record amidst a thunder of abstract sounds and a viscous bass loop. By using samples from M. E. S. H.’s “Optimate”, which forms the noisy basis of the song, Hunger approaches more experimental electronic terrains. This song revolves not only around an insatiable and uninhibited hunger for finding new ways of saying and being in the world, but also around an enormous emptiness.

    The monumental track Where Nothing Happens explores empty spaces and everything that happens within them when something–a step, a voice, an object–interrupts their eternal being, thus generating new meanings between these spaces and that which suddenly inhabits them.

    In Dos Ojos, the band continues navigating electronic landscapes, this time through Spanish traditional and oral literature. They follow this path further in Esta Despedida, where the vocals use one single sentence to unsay: “Todos los nombres van a morir a ti.” (“You are where all names go to die”) From then onwards, the vocals employ a form of glossolalia as a tool to continue uttering after the death of meaning that they have previously announced. Likewise, Days of Sadness, a free adaptation of Galician poet José Ángel Valente’s poem “Latitud”, pays homage to the language of the unsaid, which has heavily influenced Wind Atlas’ discourse over the years.

    That Mouth emerges as a dramatic effect when the record has managed to hypnotize us. Trance and an industrial sound meet amidst MS20 roars and a beat going over 140bpm. Metallic blows and the sound of chains burst in, creating rhythmic patterns over a bass drum that pushes forward.

    The eeriest and most beautiful moments appear on the record’s B-side. Such moments come to life in tracks like Oceanic Sexuality or the closer Do You Have a House?, along with the experimental Nada, in which, by only utilizing noise, Wind Atlas create a sonic collage poem that draws from power-electronics. Here, some of the band’s recurring themes reemerge: emptiness, water, and the body.

    In Arche-Fossil, Wind Atlas continue exploring some of the paths they began mapping with their previous record. This time, however, they manage to approach the heterogeneous in a much more certain and lucid manner, without ever stopping wondering about their own voice.

    Andrea P. Latorre: vocals
    Sergi Algiz: electronics and guitar
    Raúl Q. de Orte: Synths
    Raul Pérez: drums

    Recorded by the band and final recordings at Maik Maier Studios (Barcelona) by Sergio Pérez. Mixed by Sergio Pérez and mastered by Stephen Quinn at Analogue Heart (UK). Art photos by Àlex Sardà. Artwork by David M. Romero.

  • CD,  Distribution

    African Imperial Wizard – Behanzin


    African Imperial Wizard – Behanzin
    Label: Tesco Organisation ‎– TESCO 150
    Format: CD, Album, Compilation
    Country: Germany
    Released: 15 Dec 2021
    Style: Experimental, Industrial, Tribal, IDM

    These eleven tracks, all recorded in Luanda, Angola, orchestrate the military vengeance march of an entire bloodied continent that stands proudly and which, day after day, keeps arming itself in the shadows.

    Decolonization wars, civil wars, cold war, ethnic wars, barbaric wars, let no one dare believe the African people’s struggle is over. The oppression of the Western civilization has devastated our infrastructures, severely weakened our governmental agencies, violated our religious institutions, and battered our economic fabric.

    For our cultures to never again be humiliated, for your oppression to never again be a degrading threat, for our recurring famines and your ceasefires to never again be fertile grounds for the shameless exploitation of our natural resources, African Imperial Wizard fights back and will fight back over and over again.

    To finance the arming of our revenge-hungry factions, African Imperial Wizard presents Behanzin, our brand-new CD which gathers the 11 tracks of our first two opuses, the Cetshwayo kaMpande EP and the Isandhlwana LP. This record is intended to be the echo of a violent revolt that will spell the end of the tyrannical exploitation of our proud nation!

    To all the rebels, commandos, dissidents, guerrillas, and squadrons plotting their fierce revenge, African Imperial Wizard offers you the soundtrack to your bloodthirsty retaliation! We will never bow down again to your ruthless battalions! Never again will we turn a blind eye to your inhuman crimes. From now on, we will mercilessly retaliate blow for blow. uSuthu!

    African Imperial Wizard

    Track listing
    Track 1: Cetshwayo kaMpande 4:35
    Track 2: Opoku Waré 3:59
    Track 3: Idris Ibn 4:15
    Track 4: Hanni-baal Barca 5:06
    Track 5: Almamy Suluku 5:27
    Track 6: Mansa Moussa 4:44
    Track 7: Béhanzin Hossu Bowelle 5:08
    Track 8: Hangbè 7:00
    Track 9: N’Nonmiton 6:48
    Track 10: Zulu kaMalandela 6:12
    Track 11: Ezana of Aksum 5:01