• Distribution,  Vinyl

    Burzum ‎– Fallen


    Burzum ‎– Fallen
    Label: Back On Black ‎– BOBV293LP
    Format: Vinyl, LP, Album
    Country: UK
    Released: 07 Mar 2011
    Style: Black Metal

    Fallen is the eighth studio album by the Norwegian artist Burzum, released on 7 March 2011.

    The cover art is taken from the painting Elegy (1899) by French painter William-Adolphe Bouguereau.

    Fallen was recorded and mixed during two weeks in Grieghallen studios, using a Spector bass with alembic electronics on a VOX AC50 amp from 1965, a Ludwig drum kit (with a 26-inch kick) from 1975, a Neumann M149 microphone and stereo Schoeps CMTS 501 U microphones for vocals, an OBH Nordica Harmony 6487, a custom Stig instrument and a Peavey 23 guitar on a Peavey 6505 (120 Watt) amp.

    According to Varg Vikernes himself, “Musically Fallen is like a cross between Belus and something new, inspired more by the debut album and Det som engang var than by Hvis lyset tar oss or Filosofem. The sound is more dynamic – we mastered the album as if it was classical music – and I was more experimental than I was on Belus in all respects. Lyricwise it is similar to the debut album, in the way that it is more personal and focuses on existential issues, but the mythological undertone known from Belus is still there. I have also included some ambient tracks – a short introduction and a longer conclusion”.

  • Distribution,  Vinyl

    Ab’bhau ‎– Devastaciones Bajo El Fulgor Del Vacío (Vinyl, 12″)



    Ab’bhau ‎– Devastaciones Bajo El Fulgor Del Vacío (Vinyl, 12″)
    Label: CAVSAS ‎– CS004
    Format: Vinyl, 12″, Album, Limited Edition
    Country: France
    Released: 25 Feb 2022
    Style: Black Metal, Dark Ambient, Doom Metal, Drone

    Ab’bhau’s debut album was forged in fire in the year 2018 after mysterious live apparitions and rehearsal sessions. The aim behind this first exploration was void invocation, void materialization.

    The project is formed by established musicians of the Spanish underground noise, experimental, and metal scene. Connections to bands and projects like Black Earth, Suspiral, Inhumankind, Phicus, Triple Zero, Gárgara, or Sudaria can be traced.

    The ritualistic essence of this artistic incarnation is based upon the rupture of repetitive patterns through improvisation as a medium to convey abject forces into the shape of what the band has called ‘Black Metal Destruktion’, stemming Heideggerian terminology. A form that appears to disappear or to be registered, but impossible to reproduce.

    Even though the recordings vary on the album formats, they are the same album, the same whole, the same essence… exhaled through three different forms of sonic manifestation. Artwork by Heresie Studio.

  • GH Records

    La Muerte no es el final by The Wyrm


    DIGITAL DOWNLOADS
    Download available in 16-bit/44.1kHz.


    Double CD with 31 songs, fantastic retrospective vision of the prolific career, in addition to unreleased songs from The Wyrm, limited edition of 50 copies, A5 size book with 28 pages designed by the author. Sold out special edition, available only in digital format.

    Doble CD con 31 canciones, fantástica visión retrospectiva de la prolifica carrera, ademas de temas ineditos de The Wyrm, edición limitada a 50 copias , libro tamaño A5 con 28 paginas diseñadas por el autor. Edición especial agotada, disponible solo en formato digital.





    The Wyrm is the one man band solo project dedicated to experimental folk, neo and darkfolk, ritual and ambient and is the longest project in the Spanish music scene in this kind of music since 2002, having its base in Madrid.

    His inspirations comes from Waldteufeld, Moon Lay hodden Beneath a Cloud, Blood Axis and the first time of Der Blutharsch. Dark, enigmatic, evocative, pagan and ritualísistic. Just a legend


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