• GH Records

    Huan – Vells

    Label: Màgia Roja – MR-003
    Format: CDr, Album, Limited edition of 300 handpainted CDR’s
    Country: Spain
    Released: 2009
    Style: Noise, Abstract, Drone, Psychedelic Rock, Ambient, Experimental

    Primitivistic music inspired by magic is created by Victor Hurtado, the creative force behind Qa’a in 2007 with a varied instrumentation that goes from electric viola, piano and snake-charmer’s flute to cymbals, modular synths and self-made instruments, with almost all other possibilities in between but with virtually no guitar. Moving from animalistic sexual pulsations, the reptile brain, noise-zen, surrealism, free savagery and minimalism. Huan uses space in an unusual way, orchestrating it with sounds that are almost visual and palpable. Far from cold and empty experimentalism this is visceral and alive music that’s almost like a living organism, an organism that is at times sick, dying or excited.
    Huan is the alter ego of Víctor Hurtado a multi-instrumentalist and producer and distinguished member of Barcelona’s experimental scene in which he is active with many projects. He’s also the creative mind behind psychedelic-noise band Qa’a, with whom he’s toured Europe extensively and that counts Hans Jochim Irmler, Steve Stapleton and Julian Cope among their supporters. With his primitivistic industrial project Huan he’s toured several countries with highlighted shows such as at the Contemporaneous Art Centre of Barcelona, Sónar Chicago, Terminal in Oakland or at the Ethnological Museum of Barcelona. With Huan he’s also worked on several collaborations such as touring the US as an ensemble with Les Aus and as a sporadic collaborator of Nurse With Wound with whom he played live as a guest member at Primavera Sound Festival in 2013. He’s also worked in the field of sound art having garnered the Franco G. Maffina special mention for “most original piece” in the 2011 edition of the Luigi Russolo Sound Art Competition.
    Since 2012 he performs with the project Jochen Arbeit & Huan together with the guitarrist of Einstürzende Neubaten/Die Haut and since 2014 with Hydra & Huan together with Catalan samplerist Adrià Bofarull.
    Album review “Vells” by Rough Trade, London:
    “Beautifully hand-made cdr. Huan is on loan from his mother-band Qa’a. ‘Bells’ is further out and crazed. sounding like something dredged up from the american counter-culture during the glory days of esp (think Cromagnon) and the furthest reaches of the most recent ‘free folk’ scene. The emphasis is on organic instruments, sound-art, voice, samples of disembodied sounds and of course bells. The cd throbs with an underlying sense of menace and ancient rituals.”

    Buy: 10 €  http://www.gh-records.com/966-huan-vells.html

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    Huan – Vells by Gh Records on Mixcloud

  • GH Records

    Coàgul – La Roda de la Justícia 

    Label: Màgia Roja
    Format: Vinyl, LP, Limited Edition, Limited edition of 763 solid red coloured vinyl with full colour insert and lyrics in Catalan and English
    Country: Spain
    Released: 16 Nov 2013
    Style: Industrial, Minimal, Noise, Experimental, Rhythmic Noise, Field Recording

    “Coàgul is Marc O’Callaghan –synths, voices and bells- playing Suicide’s shamanic trance via Esplendor Geometrico’s industrial sound or Einstürzende Neubauten playing electronic psychedelic noise with PIL circa “Flowers of Romance”, only with more drony, epic, anthemic and minimalistic processions, sometimes played at a roman slave ship pace. At the same time his music feels medieval -even rural- with lyrics formed by esoteric dark poetry in Catalan, chanting and proclaiming things like “Be the light that burns the world” or “Riding with Death, there’s blood in the mud, will is annulled, useless organs, the army of victims holds up the pyramid!” or “ I want you to eat my intestines so I can be Virgo for you once more, I want you to eat my balls to be the Scorpio that sticks it deep into you”.

    With an aesthetic halfway between black metal and David Tibet, his themes are plagued with ancient Mediterranean symbolism, references to tarot, surrealism and old secrets, and through all this he still manages to sound punk. And still all comparisons miss the point.

    Buy: 12 € http://www.gh-records.com/576-coagul-la-roda-de-la-justicia.html

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  • GH Records

    Ordre Etern – Revolució Soterrada

    Label: Màgia Roja – MR-011, Tesla Tapes – TeslaV001
    99 × Vinyl, LP, Album, Limited Edition, Numbered, Stereo, Green Translucent Vinyl
    Country: Spain
    Released 01 Sep 2015
    Style: Industrial, Rhythmic Noise, Post-Punk, Power Electronics, Experimental, Noise

    Following in the tradition of the dark and stark imaginary of artists such as Lorka and with distinct Mediterranean fire, the sound of Ordre Etern is bleak and vile as the void the spirit of their city represents. Ordre Etern is not the defeat but the struggle, the endless struggle, and the celebration of the endless crises-not just economic, but moral-of present times. With lyrics dark as the period that brought them to light, they speak of fighting and resisting in a cruel present, against adversity, urban and moral desolation and the divide between the two natures of man.
    With feedbacking drums that ressemble guitars and guitars that ressemble shards of metal-without a single note-together with electronic and modified drums, synths and tímpani, Ordre Etern have created a dystopic postindustrial nightmare.

    CO-RELEASED WITH TESLA TAPES, SALFORD.

    Yarei Molina: modified drums, electronic and metallic percussion, timpani
    Víctor Hurtado: prepared guitar, vocals, bass, synth
    Mixed and produced by: Huan
    Mastered by Stephen Bishop
    Cut to vinyl at RAND MUZIK
    Artwork by: Cassandra Dada and Yarei Molina
    Photos by: Paula Latimori

    Buy: 17 € http://www.gh-records.com/959-ordre-etern-revolucio-soterrada.html

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    Ordre Etern – Ordre Etern by Gh Records on Mixcloud