• Camilo Sesto

    Tribute to Camilo Sesto

    Camilo Sesto fue un artista que se centró en la visceralidad del sentimiento humano al que no se le conoce acompañante alguno. Desde esa apariencia de rostro estéril y plástico nos desgranó los secretos de cómo sentir a los humanos, contra todo pronóstico, de forma espontánea y no premeditada un grupo de artistas definitivamente malditos decidieron rendir tributo a Camilo desde propuestas musicales distintas y distantes.

    Camilo Blanes Cortés (Alcoy, 16 de septiembre de 1946-Madrid, 8 de septiembre de 2019), más conocido por su nombre artístico Camilo Sesto, fue un cantante, compositor e intérprete español de balada romántica, pop y rock.

    El cantautor alicantino fue una de las voces insignia de España, galardonado en 2011 con la medalla «Máximo Orgullo Hispano», entregada en la ciudad de Las Vegas (Estados Unidos). Con más de 40 producciones discográficas y gracias a su frenética actividad en las décadas de 1970 y 1980, fue uno de los intérpretes con mayor cantidad de números 1, con 52 en total, y 18 en la lista de Los 40 principales. Se estima que sus ventas superan los 180 millones de copias.

    Como compositor, escribió canciones para artistas como Miguel Bosé, Ángela Carrasco, Sergio Fachelli, Lani Hall, José José, Audrey Landers, Lucía Méndez y Manolo Otero, entre otros. En 1975, protagonizó el papel de Jesús en la ópera rock Jesucristo Superstar…

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    :: IGNIIS ::

    :: IGNIIS :: es un proyecto Argentino del polifacético artista G.R. Mateo, insigne dibujante e ilustrador, Punk militante y cripto-neolfoker. La reminiscencias a Death In June son palpables en este tema de Camilo Sesto.


    Has llegado tarde a casa
    y te he visto muy feliz
    me has mentido y me he callado
    porque sé que es mejor dejarlo así

    Es mejor no decir nada
    si no hay nada que decir
    la verdad no es necesaria
    si se trata de vivir

    porque solo así me harás saber
    que aún nos podemos entender

    si tus ojos dicen la verdad

    Hace tiempo que ocultamos
    cada uno su otro yo
    hace tiempo que fingimos por no hablar
    cuando hacemos el amor

    La mentira nos ha unido
    y la aceptamos los dos
    cualquier cosa es importante
    antes que decirse adiós

    porque solo así me harás saber
    que aún nos podemos entender

    que tus ojos dicen la verdad

    porque solo así me harás saber
    que aún nos podemos entender

    tus ojos dicen la verdad

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    Miénteme / 1977
    Producer – Camilo Sesto
    Written-By – H. Herrero, J. Seijas, L. G. Escobar
    Arranged By, Directed By [Direción Musical] – R. Pérez Botija

  • TSIDMZ & GE – STELL – Counter – Tradition Report

    TSIDMZ & GE – STELL – Counter – Tradition Report
    GH Records – H.T.M.11 TAPE (Hate The Modern World Series)
    Format: Cassette Limited Edition
    11 Tracks/60 Minutes
    Style: Martial, Industrial, Experimental

    T.S.I.D.M.Z. & GE-STELL are both part of EAA (Eurasian Artists Association)

    «Counter-Tradition Report» introduces the listener to the protean and disturbing world of modern pseudo/post religiosity: the Neospiritualism.
    The album in composed by eleven chapters, each one dedicated to a different current or expression of the phenomenon, according to R. Guénon’s and J. Evola’s taxonomy and interpretation.
    A wide range of sonorities are used to describe the eclectic and syncretistic nature of Neospiritualism; every track combines different acustic elements according to the song’s subject peculiarities: from martial industrial to dark ambient, from vintage analogue synth sounds to 8bit digital glitch music, from traditional music samples treatments to weird and unconventional avant-garde electronics.
    The entire album is filled by an oniric and surreal athmosphere typical of the sublunar/psychic dimensions; ambiguous presences are constantly evocated by the huge amount of vocal samples used to document one of the most controversial page of the occidental cultural hystory.

    T.S.I.D.M.Z. & GE-STELL Counter-Tradition Report – «Phenomenology Of The Modern Pseudo-Spirituality»

    1. Ouverture: Les Hommes Au Milieu Des Ruines [5.06]
      T.S.I.D.M.Z. feat. Trèfle Noir (Voice) & Gregorio Bardini (Bagpipe)
    2. Spiritualism: Dead’s Frequencies [5.33]
      GE-STELL feat. Antonio Landa (Synth)
    3. Speculative Freemasonry: Masters Of Wisdom (Superiores Incogniti) [8.49] T.S.I.D.M.Z. feat. Barbarossa Umtrunk (Synth & Samples) & Ekaterina Sofia Mutti (Voice)
    4. Teosophism: Blavatsky’s Bells [4.46]
    5. Occultism: Togliete Dio E Il Mondo Si Riempirà Di Idoli [4.31]
      T.S.I.D.M.Z. feat. Ekaterina Sofia Mutti (Voice)
    6. Psychoanalysis: Phallus Of The Sun [5.16]
    7. New Age: Falsi Profeti [4.15]
    8. Satanism: Rise Of The Consciousness [4.46]
      GE-STELL feat. Giovanni Leonardi (Synth & Guitar)
    9. Pseudo-Oriental Cults: Danze Post-Orientali [5.50]
    10. Ufological Cults: The Third Temple [5.27]
    11. Epilogo: Come Pegno Per Un Nuovo Inizio [4.28]
      T.S.I.D.M.Z. & GE-STELL feat. Giovanni Leonardi (Voice)
      Lyrics by Xenos

    BUY: https://gh-records.com/home/2316-tsidmz-ge-stell-counter-tradition-report-.html

  • T.S.I.D.M.Z. (ThuleSehnsucht In Der MaschinenZeit) & GE-STELL soon at GH Records

    T.S.I.D.M.Z. (ThuleSehnsucht In Der MaschinenZeit), born and conceived between 2002 and 2007 (the year when it was first produced), is an Italian project of Electronic music with Futuristic, Hyperborean and Martial attitude that takes inspiration from various genres within the field of Industrial, Popular and Traditional Music. In both music and themes, the purpose is to be as eclectic as possible while remaining faithful to the aim of the project. For this reason the project has always been involved in collaborations with other musicians, including split-cds, guest musicians, shared projects and collaborations on tracks and songs. T.S.I.D.M.Z. has signed and released with musical labels including Old Europa Café, Ufa Muzak and SkullLine.



    GE-STELL is a minimal electronics/post-industrial unit from Venice (Italy), active since 2015. Using mainly analogue equipment, occasionally integrated with low-fi digital gears, the project focuses its interest on the exploration/documentation/exhibition of the post-modern coercive system, wich is conceived as strongly supported by the the structural synergy of technology, clinical psychology and applied social sciences. Ge-Stell music is meant to be the perfect soundtrack for a documentary about the nowadays new dimensions of slavery and psychosis.



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    T.S.I.D.M.Z. & GE-STELL are both part of EAA (Eurasian Artists Association)


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  • Abattoir & Satori at the Cube, Bristol

    Satori, continuing a project first started in the 1980’s founding member Dave Kirby brings an onslaught of industrial soundscapes, pounding drums and a dystopian vision of a world commited to destroying itself. 
    Comprising a mixture of harsh noise and power electronics with a harder and heavier percussive beat than before Satori enter 2018 with a collection of new songs “Dispossession” based on the physical and mental disconnect facing everyone in the modern world. A constant pervasive undercurrent of violence, the feeling of a society on the brink of a total meltdown and the fears and torments of the powerless individual.

    Lorenzo Abattoir is an Italian-based noise artist and sound engineer from Torino. His work takes shape in a context of underground extreme noise music to become accessible through projects related to sound art. “The sound of chaos merging with order, where every detail and nuance seems to be carefully regulated and controlled”.



    Merzbow – ((VIBRA)) MMVII
    CD Enhanced / Audio + Video
    Limited edition ( 300 copies)
    GH Records – GH -141 CD
    FULL VIDEO included ONLY in the «physical version»( format CD Enhanced / Audio + Video )

    Merzbow Live, 07/03/2007 at the OCCC (October Center for Contemporary Culture, València, Spain) within the series of concerts of Sound Art and Experimental Music ((VIBRA)).

    Organization and direction by Rubén García Villaplana.

    Video recording by Jose Moral Bravo.

    Buy: https://gh-records.com/home/2263-merzbow-.html

    Merzbow (メルツバウ Merutsubau) is a Japanese noise project started in 1979 by Masami Akita (秋田 昌美 Akita Masami).

    The name Merzbow comes from the German dada artist Kurt Schwitters’ artwork Merzbau, in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita’s dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism, and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and began to follow a vegan, straight edge lifestyle.

    As well as being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety of subjects, mostly about music, modern art, and underground culture.

    Video editing: Diego Arandojo