• Distribution

    Dernière Volonté ‎– Commémoration



    Dernière Volonté ‎– Commémoration
    Label: Hau Ruck! ‎– HR!67
    Format: 2 × Vinyl, LP
    Vinyl, 7″, Compilation, Reissue
    Country: Austria
    Released: 2018
    Style: Modern Classical, Industrial, Neofolk

    Commemoration brings together my work from 1998 to 2003, 5 years when, as you will see, I recorded a lot. Minimalist, factual, often dark and very pessimistic, that’s how I conceived Derniere Volonteat that moment. My equipment was very rudimentary, my texts quickly written on crumpled books, all recorded often in one or two days. It was perhaps the moment, that I was the most productive and also, by anger, the most inventive. A few years ago I started to think of a new edition of Commemoration, a review of those years of ‘iron and lead’, the testament of my ‘anti light’. This is Commemoration in its new edition. Good listening. Geoffroy Delacroix October 2018
    TRACKLIST:

    S I D E A
    Commémoration I – En Avant ! – Soldat – L’alliance Éternelle – Les Armes du Temps
    S I D E B
    Commandement – La Mort notre Alliée – Ultime Soupir – L’avenir – Le Doux Poison
    S I D E C
    Commémoration II – Ma Foi est mon Combat – Où tu Iras – Ma Promesse – Hymn
    S I D E D
    Un Refrain Solitaire – Mon Mercenaire – Songe d’un Matin d’été –
    Coeur de Légionnaire – De Profondis – L’image
    S I D E E
    La Gloire – Lambeaux
    S I D E F
    Le Moulin de la Mort – Prêt pour la Mort

    COMMÉMOR AT ION
    Tous titres Geoffroy D. / Dernière Volonté 1998-2003
    Excepté : “Mon Mercenaire” Avec l’aimable collaboration vocale de Juergen Weber (Novy Svet)
    “Coeur de Légionnaire” Texte Ain Soph / Musique Dernière Volonté
    “De Profundis” Texte Jean-Marc Bernard (1881-1915)
    Concept visuel Geoffroy D. / Goupil A.
    Commémoration remasteurisé version 2017


  • Distribution

    Sally Dige ‎– Holding On (Vinyl, LP)

    Sally Dige ‎– Holding On (Vinyl, LP)

    Label: Avant! ‎– AV!050
    Format: Vinyl, LP, Album
    Country: Italy
    Released: 13 Sep 2017
    Style: Synth-pop, Synthwave, Minimal, New Wave

    Sally Dige is a multidisciplinary artist known for her darkly poetic yet highly danceable electro-pop songs, DIY stylistic videos, design and visual art. Sally‘s deep and commanding voice, coupled with her analogue-visual-processes and overlapping artistic mediums has formed an identity that oscillates between the edges of aggression and fragility, old and new. Holding On was created during the time of intense inner turmoil. Despite being stretched to her emotional limits, Sally did not let the weight of her circumstances break her, instead channeling all of her pain and fears into the production of a series of incredibly powerful songs. Stunningly, Sally used only her voice and a single synth to create this album. Even with so little gear, the songs are anything but minimal. Each song has a minimum of 100 tracks and, for some songs, 100 tracks for just the drum section alone. Every audible sound has 20 other sounds swimming beneath it. These are songs written for dance floors but are sung about loneliness, death and the meaninglessness of existence. Sally‘s work tows the line between a blissful innocence and a heavy darkness. Think Gina X flavored post punk-disco rubbing against Twitch-era Ministry‘s lost Sade collab or Enya on LSD after a break up.

    Track Listing :
    01. Holding On
    02. Emptiness
    03. Be Gone
    04. Sail to Me
    05. I Can‘t Be
    06. This Life
    07. No Need to Pretend
    08. Holding On (Forces Extended Mix)

    Buy: https://gh-records.com/new-wave/1997-sally-dige-holding-on-vinyl-lp.html

  • CD,  Distribution

    Wave Records Sampler 2009


    Wave Records Sampler 2009
    Label: Wave Records ‎– W021
    Format: CDr, Compilation, Cardboard Sleeve
    Country: Brazil
    Released: 2009
    Style: Industrial, Goth Rock, Synth-pop, Electro, Darkwave


    Tracklist:
    01–3 Cold Men – The Tower (Mechanical Moth Remix)
    Remix – Mechanical Moth
    02–Beata Beatrix – In The Garden Of Ecstasy
    03–Florence Foster Fan Club – Neuromancy
    04–In Auroram Untrue Bliss
    Remix – RSS1334
    05–Individual Industry – Amy (Single Version)
    06–Nahtaivel – Workers (Club Mix)
    07–Opera Multi Steel – Bella Donna Imperatrix Mundi
    08–Pecadores – Possessed (Overflow 110 Remix)
    Remix – Overflow 110
    09–Pink Industry – This Is The End (Club Mix)
    Remix – Sci-Fi Moritz
    10–Scarlet Leaves – Annwyn (Revisited By M7S)
    Remix – M7S
    11–Wintry – Unreale Welt (Radio Edit)

  • GH Records

    Solitude FX ‎– Synthesizer Session I

    Label: Treue Um Treue ‎– TUT035
    Format: Cassette, Album, Limited Edition, Numbered
    Country: Germany
    Released: 10 Jun 2016
    Style: Synth-pop, Minimal

    C77 professional Chrome Plus tape – silk-screened transparent blue shell – 3-panel J-card – in norelco case – lim. ed. of 100 hand-numbered copies.

    About 14 years ago Marc P. Schaffer and Orpheo Weidelt-Baur from SOLITUDE FX met at weekends and started jamming around with their beloved synthesizers. On this first of two volumes in the “Synthesizer Session” series they merely used two Korg Poly-61 and a Roland TR-808, played almost everything by hand, drinking lots of beer, thus creating 9 magnificent instrumental neo-romantic synth-wave epics, highly representative of that strange but beautiful turn of the millennium. Included here are two tracks from a 2003 jam session (including the brilliant “Huginn and Muninn” which has been haunting us for more than a decade). File under: dreamy night-driving tunes.

    Buy: 10 € http://www.gh-records.com/1281-solitude-fx-synthesizer-session-i.html

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  • CD,  Distribution

    Pitch Yarn Of Matter – It’s New, Sounds Old And I Love It


    Pitch Yarn Of Matter – It’s New, Sounds Old And I Love It
    Label: Wave Records – W055
    Format: CD, Album, Limited Edition
    Country: Brazil
    Released: 06 Aug 2016
    Style: Synth-pop, Minimal, Synthwave, Electro

    With analog sounds and lyrics that talk about obscure desires and personal questions, the PITCH YARN OF MATTER releases its 3rd album by the Wave Records label after 20 years, with 12 new tracks, plus 02 remixes.
    With references from electronic alternative music artists from the 80s, and also of previous works, the album pays homage to the style.
    All songs are composed and produced by Marcelo Gallo, lead singer and keyboardist with the participation of the singer Dani Nathan on the track “Second Chance”, and partnerships with Mauricio 15 and Darcio Fabri, former members of the band, in some lyrics compositions.
    Highlighting the tracks, “It’s New, Sounds Old And I Love It,” “Lies,” “Second Chance” and “Plastic Girl”.

  • GH Records

    Sentionaut – Planet Noa

    Label: SINCRONICA – SINCRO-003
    Format: Vinyl, LP, Album, Limited Edition, Numbered, Blue Translucent
    Country: Spain
    Released: 30 Dec 2015
    Style: Experimental, Synthwave, Synth-pop

    De proyectos como We Are The Hunters, Dekatron o Muerte Solar surge Sentionaut como proyecto unipersonal… La electrónica en todas sus facetas y sin ningún tapujo de estilos se zambulle en un baño de todos los estilos que se ve arropado tanto de los pioneros electrónicos como de las nuevas generaciones electrónicas bebiendo de la mano tanto de los synthes analógicos como de los synthes digitales de los años 90’s.
    Planet Noa es un álbum cuya música esta enfocada a mundos y universos aun no creados, la fusión entre lo místico y lo cósmico, y realizado bajo la influencia de formaciones de sonido experimental como Zombi, Jonas Reindhart, Forma…

    image

    From projects such as We Are The Hunters, Dekatron or Muerte Solar emerges Sentionaut as an individual project… Electronic music in all its facets and without any style restriction, diving into the layers of both electronic pioneers as well as new electronic generations, drawing from analog synthesizers and also digital synthesizers from the 90’s.
    Planet Noa is an album with music focused on future worlds and universes which do not yet exist, a fusion between mystic and cosmic, performed and influenced by experimental bands in the likes of Zombi, Jonas Reinhardt, Forma…

    Buy: 16 € http://www.gh-records.com/1125-sentionaut-planet-noa.html

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  • Distribution,  Vinyl

    Joy Before The Storm – Silence Ever After


    Joy Before The Storm – Silence Ever After
    Label: Atemporal– AT-005
    Format: Vinyl, LP, Remastered, Reissue, Limited Edition
    Country: Spain
    Released: 2014
    Style: Synth-pop, Minimal

    Joy Before the Storm formed in Madison (Wisconsin) in 1984 by Matt Anderson (Voice and Synths) , Kevin Kaulson (Synths) and Dan Mckay (Drum Programming-Rhythm Box), Silence Ever After was written, recorded and mixed during the summer of 1984.

    Synths: Arp Solus, Roland SH09, Korg KR-55B and Roland CR78.
    Recorded and Mixed at High Noon Studios.
    Originally released by Neptune records in 1985.
    Producers, Matt Anderson and Dan Mckay
    Photos by Gerard Ryan, Winter 2013-14, Ithaca, New York.
    Remastered by Mariano Lozano-p at SND Studios


  • Distribution,  Vinyl

    T.V. Sovietica – Maquetas Y Demos 1983-1984


    T.V. Sovietica – Maquetas Y Demos 1983-1984

    Label: Atemporal – AT-006
    Format: Vinyl, LP, Album, Limited Edition, Remastered, Stereo
    Country: Spain
    Released: 2014
    Style: Minimal, Synth-pop

    T.V. Sovietica was an exploratory sound project from Valencia (Spain) developed in 1983 in the postpunk era of the early 80’s which built on the work of “Neonada y Atentados”.
    From these beginnings evolved  a brief, dark and unsettled trajectory based on sound effects inspired by electronic German music with influences from the artistic vanguard analogy (Satie, “Musique Concrete”  and minimalism) The darkest, most introspective postpunk, radicalising with its’ experimentation, moving towards “industrial”, “anti-music” styles.
    The essence of its’ sound combines the use of guitars and electric bass with electronic instruments (Yamaha CS-15, Korg MS-10, Boss DR-55 , etc) , acoustic percussion, mechanical elements and vocals. Confronting frequencies elaborated from improvised riffs with vocal expression.
    Of the same generation as bands such as Esplendor Geometrico and Aviador Dro.
    The lost model, now recovered in this work demonstrates the beginnings of Spanish synthpop with “Contacto Telepatico”. The influence of New Wave in “La matanza de los bebes foca”, moving towards the conceptual project  “Islandia” to which the majority of the themes belong, “ Oxido en tus ojos” (1984) draws to a close a period of work for the band, probably in its’ most corrosive moment.

    D.Martinez (Guitarra, Voz, Yamaha CS-15)
    P.Botella (Bajo electrico, Guitarra Melodica y Farfisa Compact)
    M.Alvarez (Korg MS-10, Boss DR-55 y Efectos Acusticos)
    Remasterizado por Mariano Lozano-P


  • GH Records

    Mesh – Cenotaph

    Label: Atemporal – AT-007
    Format: 2 × Vinyl, LP, Album, Limited Edition, Remastered, Stereo
    Country: Spain
    Released: 2015
    Style: Synth-pop, Darkwave

    Vinyl limited edition,265 copies for collectors.
    Remastered by Mariano Lozano-P

    MESH started around 1980, in Geneva, Switzerland, It was a two member band with a drum machine jumping from sordid, slow and dark numbers to two minutes almost punk ones, they self-produced in 1986 “claustrophobia” a rare and impossible to find LP with superb synthpop and darkwave gemms, now re-edited and re-mastered in this 2xLP including the unreleased material from the Onkalo sessions from 1987-1988.
    Gear used: Roland TR-808 , Boss Dr 55, Sequential Circuit DrumTraks , Kawai RX100 , Roland SH-101, Korg Poly 800, Sequential Circuit Pro One , Yamaha DX7 and Roland Juno 60.

    Buy: 22 € http://www.gh-records.com/1114-mesh-cenotaph.html

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    )

  • GH Records

    Multiple Man
    Persuasion
    Label: Burka For Everybody, Catalina Tapes, No Patience
    Format: Vinyl, 12", 45 RPM, Maxi-Single, Stereo
    Country: Australia
    Released: 01 Nov 2014
    Style: New Wave, Synth-pop

    http://www.gh-records.com/713-multiple-man-persuasion.html

    These Aussie brats, leaving behind their characteristic synth-punk sound, have, this time around, pull off a 12” that shows an improved sound full of groove with a marked funky accent and galvanised electro technique. The EP features four tracks that rescue the influences of Clock DVAand the danceable mood of Severed Heads, while at the same time blows away SPK at their funkiest, thus recovering the most hedonistic veneer of electro-industrial music. Multiple Man prove that anyone, from Uganda to Laponia, can dance to white noise, interferences, and those voices in your head.