• CD,  GH Records

    Abattoir & Satori – Megaloschemos

    julio 22, 2018

    Abattoir & Satori – Megaloschemos
    Label: Gradual Hate Records ‎– GH138CD
    Format: CD, Album, Limited Edition
    Released: 26 Jul 2018
    Style: Industrial, Ritual, Dark ambient

    Tracklist: 1 The Great Vow 2 Hesychasm 3 Sabazius 4 Adrastus 5 Eschatology (dp mix) 6 Hermetism 7 Octoechos

    All tracks composed by Lorenzo Abattoir (IT) & Dave Kirby (UK)
    Except «Eschatology» composed by Dave Phillips

    Satori, continuing a project first started in the 1980’s founding member Dave Kirby brings an onslaught of industrial soundscapes, pounding drums and a dystopian vision of a world commited to destroying itself.
    Comprising a mixture of harsh noise and power electronics with a harder and heavier percussive beat than before Satori enter 2018 with a collection of new songs “Dispossession” based on the physical and mental disconnect facing everyone in the modern world. A constant pervasive undercurrent of violence, the feeling of a society on the brink of a total meltdown and the fears and torments of the powerless individual.

    Lorenzo Abattoir is an Italian-based noise artist and sound engineer from Torino. His work takes shape in a context of underground extreme noise music to become accessible through projects related to sound art. “The sound of chaos merging with order, where every detail and nuance seems to be carefully regulated and controlled”.

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  • Distribution

    Satori – Contemptus Mundi

    julio 13, 2018

     

    Satori – Contemptus Mundi

    Label: Cold Spring
    Format: CD, Album
    Country: UK
    Released: Nov 2008
    Style: Dark Ambient, Industrial, Noise

    Brand new CD from UK Dark Ambient / Fortean Electronics act Satori – Neil Chaney (Pessary) and Justin Mitchell (Cold Spring boss). This is a collaboration between Satori and Magus Peter H Gilmore, High Priest of the Church Of Satan. Satori provide their trademark deep, underground, pounding electronics, here with a ritualistic dark soundtrack atmosphere, while Gilmore bestows a seething tirade against the weakness of the modern world! Two 20+ minute tracks, the 2nd being a deeper, instrumental mix of the title track

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  • Distribution

    Raison d’être ‎– Enthralled By The Wind Of Loneliness (Redux)

    julio 10, 2018

    Raison d’être ‎– Enthralled By The Wind Of Loneliness (Redux)

    Label: Old Europa Cafe ‎– OECD175
    Format: CD, Album, Reissue, Remastered
    Country: Italy
    Released: 31 May 2013
    Style: Dark Ambient, Industrial

    Unveiled, the verge of the silence, the voice of the shadow; the cynosure of the psyche is trembling for the essential breath. A subliminal reborn of invisible light strikes the eyes as the underpass appears in the essence and escarps into the esoteric realm of the source of life. A subliminal summon from disappearing heart enthralls the wind of loneliness. Lost spirit leaves deep traces behind as the path is revealing. Circle within circle the lingering path transubstantiates ostensibly, into a revolving contemplation.

    ‘Enthralled by the Wind of Loneliness’, the second CD album by raison d’être, was originally released in 1994 by Cold Meat Industry. It is now available as a reduxed and enhanced CD album. All the sounds has been restored and re-recorded from source and all the tracks has been carefully mixed to maintain the true feeling and atmosphere of the original album but with the modern standards for high quality audio. ‘Enthralled by the Wind of Loneliness’ with four related related bonus tracks can for the first time be experienced with superior audio quality and well balanced mixes.

    ‘Enthralled by the Wind of Loneliness’ has been mastered according to the K-14 level standard. The K-14 system will ensure that the highest dynamical range will be preserved in the music. It…  more

    Composed by Peter Andersson in 1993-1994.
    Restored, re-recorded and mixed in 2013.
    K-14 level mastering.
    CD released by Old Europa Café, OECD175.
    Digital release by Yantra Atmospheres. YA-2014-52.

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