• Distribution,  Vinyl

    Coàgul – La Forja Centrípeta



    Coàgul – La Forja Centrípeta
    Label: Burka For Everybody – 30
    Format: Vinyl, LP
    Country: Spain
    Released: 31 Aug 2015
    Style: Industrial, Drone, Neofolk

    “La Forja Centrípeta” is a sonic support by which the listener can “forge” his or her spirit, going from the outside into the inside. It consists of five sonic spells, conceived and composed by Marc O’Callaghan in Easter 2014 between Barcelona and Picanya.
    The first four ones, which are contained in the fisrt side of the record, equeal to the four ages of mankind. But more than four ages in the historical sense of the development of human kind, in this case they are concieved more like four different states of being.
    Four possible stadiums in which the listener can enter by meditating on each spell. It begins with the most materialistic age, the iron age (which is the age in which we live today at this moment of history, aswell as the default state of being in which a common human lives these days); and ends ate the very core with the most spiritual age, the golden age. The length of each spell is in proportion with the mathemathics of the traditional division from the Vedic doctrine of the four yugas. The last spell, which occupies the whole second side of the record, is an incarnation of the new city, which is another name for the heavenly city of the New Jerusalem that shall descend unto earth at the end of the Apocalypse. Thus when the four ages are finally consumated, we are ready to enter the holy city, where all things are each one in its very right place and distributed in absolute cosmic harmony.
    The twelve stanzas of this long spell equal to all that is twelve: the zodiac, the precious stones, the fruits of the tree of life, the angelic typologies, the months of a year, the prophets, et cetera. The first side of this vinyl symbollically equals to the circular shape, and the second one equals to the square shape. So all in all, “La Forja Centrípeta” is a big sonic tool that can be magickally used to achieve what the hermetists rightly called “the squaring of the circle”.

    The whole five songs were performed by Marc O’Callaghan and recorded and mastered by Daniel Muerte during May 2014 at La Cova de la Bèstia, Barcelona.
    All artwork conceived and drawn by Marc O’Callaghan during January 2015. The inlay photo was taken by Adriana Petit in February 2015 at the Bronze Bureau, Barcelona.

  • CD,  Distribution

    Death Squad – Méssiáh


    Death Squad – Méssiáh
    Label: Autarkeia – acd 071
    Format: CD, Reissue, Limited Edition, Numbered
    Country: Lithuania
    Released: 10 Dec 2012
    Style: Industrial, Noise

    Pure walls of unadulterated sonik attack, strap yourself to the floor and convulse with tonal pain.

    Album lasts for 32 min. Lim. H. N. E. 150.

    Originally released on cassette in 1994 on Spastik Soniks in an edition of 30.
    Limited to 150 hand numbered copies. Comes in a Digipak.

  • CD,  Distribution

    DMT – Ultimatum


    DMT – Ultimatum
    Label: KultFront ‎– KF-XXIV, Zhelezobeton ‎– ZHB-L
    Series: Znaki – none
    Format: CD, Compilation, Limited Edition
    Country: Russia
    Released: 27 Jul 2015
    Style: Dark Ambient, Experimental, Industrial

    DMT «Ultimatum» is the second album in «Die Zeichen» series run by kultFRONT and ZHELEZOBETON labels. The first part was released in 2013 – Sal Solaris «Die Scherben 2004-2010». The new album is a tribute to Dmitriy Tolmatskiy who unexpectedly left us in 2009. Dmitriy was one of the few journalists who popularized the alternative culture in Russia. In late 90-ies he created the web portal RWCDAX and his famous «Industrial Culture Extended FAQ» which unveiled previously unknown layers of post-industrial art for many Russians.

    «Ultimatum» shows the varied musical and stylistical planes of DMT. It mainly consists of compositions never officially released before, taken from CDRs which Dmitriy gave to his friends. There are also a few tracks from the compilations he had time to participate. Unfortunately not always were there notes and years of recordings. One track was digitized from an untitled audiocassette kept by the musician’s friends in his native city of Saratov. The album provides a glimpse into various periods of DMT’s sonic experiments from 1999 to 2008. It also features fragments of a live performance together with Alexei Borisov in St. Petersburg in December 2005.

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