Label: Reverse Alignment – RA-22 Format: CD, Album, Limited Edition Country: Sweden Released: 31 May 2016 Style: Abstract, Dark Ambient, Experimental
Being a part of the alternative scene since more than 15 years past, Magnus Zetterberg’s Manifesto has created a trademark of bleak and dark electronica, industrial textures and blackened ambient that satisfies a diverse taste of listening with it’s manifold expression. Catching up with this act in 2008, in connection with the release of the album Core, the label found it only natural to get in touch again. Since then, Manifesto has released material on such labels as Silken Tofu and Bone Structure (to mention a few) and played live across northern Europe.
Exit is the finalization of four years of transformative work where turbulence, creation and re-creation sets the thematics. The entering track unfolds existence as elusive and impermanent and onwards the harsh sides of reality push us towards entropy.
Label: Reverse Alignment – RA-27 Format: CD, Album, Limited Edition Country: Sweden Released: 17 Aug 2016 Style: Dark Ambient, Industrial
Anima Mundi – the world soul. Sometimes interpreted as the mythical Gaia or the mother of earth and all it’s life and forms. The superorganism of the planet. With their fourth album, Hoarfrost explores the philosophical view of mother earth as the caring ancient goddess and the possibility that she’s actually are a Medea that will deceive and betray humanity, making us faithless and deprived of our will to survive. And in the end, facing total collapse. On “Anima Mundi”, Hoarfrost collaborates with Katarzyna Bromirska (cello), Valdi Rzeszut (guitar), Dawid Chrapla and Tomasz Twardawa (noise structures) bringing us dark ambient industrialism.
Limited edition of 300 copies in 4-panel digipack cover.
Label: Auf Abwegen – aatp19, Auf Abwegen – AATP19 Format: CD, Album, Limited Edition, Remastered Country: Germany Released: 27 Jan 2015 Style: Dark Ambient, Experimental, Industrial
On “Hafenstadt”:
This music was originally planned to form a part of the third tape box in the MØHR interpretation series of ZNS TAPES. In this series different artists got an individual 30-minutes-piece of basic material by MØHR to be interpreted it in any way: Using it as a backing tape and adding some more tracks, getting inspired and doing something unique in the spirit of the basic material, deconstruct and arrange it anew. The invited artists had any opportunity to re-work the source material. For the actual release the basic material was placed on side A and the interpretation on side B, enabling the listener to compare the basic and the final sound. Three tapes were compiled as one tape box linked by a loose theme. The first box, Bürokratie, contained works by DAS KONZENTRAT, BESTATTUNGSINSTITUT and SUICIDE COMMANDO (released in 1990), the second, Kulturschock, contained works by ANDREW CHALK/DARREN TATE, ECTOPLASMIC EMBRYO EXPERIENCE and FLAGRANTs D’ELI (released in 1991). The third one, which was to contain Hafenstadt by MAEROR TRI (as well as material of PBK and THE HATERS), has never been released due to the sudden end of ZNS TAPES. We’re convinced that this combination of basic stuff plus musical reworking is still an interesting and exciting experience for the audience, maybe especially after more than 20 years in the archives. (Andreaz Vogel)
MØHR biography MØHR existed between 1986 and 1994 as the solo project of Andreaz Vogel. Previously he had been active as a bass player and drummer in various post punk and noise rock groups.Since its inception the main aim with MØHR was to create a dense and energetic sound without the use of conventional instruemnts. With this wall of sound the listeners were almost under attack and forced into a dark and brooding listening environment, both on the recordings and in the live situation. Andreaz also ran the important tape label ZNS TAPES.
MAEROR TRI biography MAEROR TRI existed from April 1988 to the end of 1996, coming from the very north-western part of Germany. The three members were influenced by (post) industrial, noise rock and experimental ambient and found a way to establish their very own drone based style, using often guitars but also other instruments plus all kinds of (self build) objects and masses of sound effects. Their symbol, the triangle “Wheel” stood for ‘consciousness’, moving & shining in different colours and speed. The sound was meant as a tool for the listener to open the mind for transcension & sensitization: ‘We want to transmit a total openness, the bursting and overcoming of all mental barriers, the breaking out of the enforced subject “Tunnel-Reality” of modern society. ‘ Out of MAEROR TRI evolved the projects TROUM and 1000SCHOEN that are still very active.
