• GH Records

    From Corners Unknown

    From Corners Unknown

    Metal and Dark Ambient Webzine: Interviews, reviews, artist conversations, and podcasts

    VOICES FROM CORNERS UNKNOWN, EP. 8 (HIEMIS, FROM HARBOUR, MICROCOSMYS, LA TORTURE DES TÉNÈBRES)

    In episode eight we discuss the engulfing and monolithic drones on Nachtstücke from dark ambient artist HIEMIS, the melodic tides of From Harbour’s crushing hardcore debut Fatigue, and the atmospheric yet utterly chaotic split between microcosmys and La Torture Des Ténèbres titled THE GODS THEMSELVES.

    We dedicate this episode to Caleb Scofield, vocalist and bassist of Cave In, Zozobra, and Old Gloom, who tragically passed away a couple of weeks ago. May he rest in forever lasting peace.

    Thank you so much for listening and your continued support. Let us know what you think about each of these releases below and please feel free to leave us some album suggestions for future episodes

    https://fromcornersunknown.com/voices-from-corners-unknown/voices-from-corners-unknown-ep-8-hiemis-from-harbour-microcosmys-la-torture-des-tenebres/

  • Distribution,  Vinyl

    Sutekh Hexen / BLSPHM


    Sutekh Hexen / BLSPHM
    Label: Sentient Ruin Laboratories ‎– SRUIN037, Bestiarie ‎– VOLXVII
    Format: Vinyl, 7″, 45 RPM, Limited Edition, Reissue, Purple
    Country: USA & Europe
    Released: 04 Aug 2017
    Style: Noise, Black Metal

    This is Bestiarie Vol. XVIII

    The infamous cassette from 2014 printed in only 50 copies now assumes its final and ultimate form.

    Heavy black cardstock sleeves letterpressed with silver inks one by one by hand by Demian Johnston of BLSPHM himself, encasing a standard 45 RPM purple vinyl or extremely limited black vinyl + letterpressed OBI strip.

    Artwork by Steven Wilson
    Layout by Kevin Gan Yuen
    Mastered by James Plotkin


  • CD,  Distribution

    Moloch – Verwüstung


    Moloch – Verwüstung
    Label: Metallic Media
    Format: CD, Album
    Country: US
    Released: 19 Mar 2014
    Style: Black Metal

    “The album includes two types of music, reflecting what I gather are Fjordsson’s two divergent musical passions. The first and last tracks are wordless dark ambient pieces. They are markedly different from the six songs that come between them, but they don’t feel tacked on. They feel more like steps in a ritual, ithe first n preparation for what is to come – the emotionally harrowing storm of black metal. The cumulative effect of these songs is both electrifying and exhausting. It’s almost a relief when the final track arrives… I’m kind of dumbfounded that something this good is just one more surge in what seems to be a ceaseless flood of creativity from this band.” (No Clean Singing).