Solco Chiuso was born in 2014 and is the solo-project of Gabriele Fagnani (Kannonau, Corazzata Valdemone). The name means “closed rut”, that was the ancient way to create loop, carving a closed rut on the vinyl and recording on it a sound that play continously.
The project was born after that the sound of Corazzata Valdemone started to be influenced by Martial sounds so Gabriele need a new way to play extreme music and Solco Chiuso became the Industrial alter ego of the artist.
The debut album was released in 2015 by the newborn label Lost Empires Records in 300 copies. 9 tracks of Industrial/power electronics featuring special guest like: Wertham, ClauDedi, Naxal Protocol, Le Cose Bianche and Empirical Evidence.
The main difference between Corazzata Valdemone and Solco Chiuso is that the first project is totally inspired by WW2 and political themes, while Solco Chiuso is inspired by the Futurist Movement of Filippo Tommaso Marinetti.
No politic, No messages, No philosophy. Just futurist Industrial Music.
Uvegraf – 2047- Sala De Máquinas Label: Discos Proceso Uvegraf – PU-2 Format: Vinyl, LP, Album, Color Translucent Red Country: Spain Released: 03 Mar 2017 Style: Industrial, Techno
The return of one of the most outstanding industrial music projects emerged in the eighties in Spain !. Uvegraf is Juan Teruel, also involved in the scene of fanzines of the time (Mental) and founder of the tape recorder Proceso Uvegraf in 1985, where he published the first work: A.C.I./Enucleación (C-40). He later edited the legendary compilation Conspiración (1986) which counted on the contribution of some of the main protagonists of the electronic underground scene of Madrid (Esplendor Geométrico, Interacción, Depósito Dental, La Otra Cara de un Jardin, etc..)
¡El regreso de uno de los proyectos de música industrial más destacados surgido en los ochenta en España!. Tras Uvegraf se encuentra Juan Teruel, involucrado también en la escena de fanzines de la época (Mental) y fundador del sello de casetes Proceso Uvegraf en 1985, donde publicó el primer trabajo : A.C.I./Enucleación (C-40). Posteriormente editó el legendario recopilatorio Conspiración (1986) que contaba con la contribución de algunos de los principales protagonistas de la escena electrónica underground de Madrid (Esplendor Geométrico, Interacción, Depósito Dental, La Otra Cara de un Jardin, etc. Ahora en el 2017 recupera su sello y edita en lujosa edición limitada (vinilo rojo) su primer LP : 2047-Sala de Máquinas. 10 temas donde se combinan influencias de la mejor música Industrial de los ochenta con rítmos electrónicos technoides.
TRACKLIST
Koenig Patria Miedo-La Paura Mi propia zona muerta Donbass Omnytronika Shake Tupolev TU-144 Rus mantra (Industrial Putin mix) Cuarto Reactor-Chernobyl
Vetrophonia – Kurutta Ippeiji (A Page Of Madness) Director – Teinosuke Kinugasa Sound – Vetrophonia Label: Zhelezobeton Film Format: DVD, Limited Edition Country: Russia Released: 25 Jul 2014 Genre: Electronic, Stage & Screen Style: Score, Experimental, Modern Classical
Release of the 1926 film “Kurutta Ippeiji” directed by Teinosuke Kinugasa, with a new soundtrack performed by Vetrophonia.
Limited edition of 300 copies.
“Kurutta Ippeiji (A Page of Madness)” is a silent film created by the Japanese director Teinosuke Kinugasa in 1926. The screenplay was written together with Yasunari Kawabata, a celebrated representative of the avant-garde literary movement of Neo-Perceptionists known as “Shinkankanu”, who would later win the Nobel Prize for Literature in 1968. Considering the overall traditional orientation of the Japanese cinema of that time, the film greatly surpassed all concepts about experimental art and made a big sensation among critics although remained almost unnoticed by the masses.
The story unfolds in a mental asylum where a woman is kept after her attempt to drown her own daughter. Her husband, a former sailor, takes a job there as a janitor in hopes of eventually rescuing his wife from captivity but soon he himself starts loosing his mind… The film includes striking scenes of the emotions of characters, also those of asylum patients whose insane visions are shown using unconventional analogue special effects, which still produce quite a psychoactive impact even on the modern viewer.
The short film screening in 1926 was accompanied by live musicians playing and comments from “benshi” – professional narrators who have put semantic accents in the story, but there is no information about the original music score. At different times several soundtracks for the movie were composed, all in different styles – from classical taiko drums and jazz interpretations to indie rock and experimental electronics. Backed by the successful experience of recording soundtracks for silent cinema (let us recall “The Space Voyage” from 1936 directed by N. Zhuravlev), St. Petersburg’s duo Vetrophonia continues to contribute to the legacy of avant-garde cinematography in its trademark retro-futuristic style. With the use of electronics, archival samples, classical strings, brass and self-built metallic instruments Nikolay Sudnik and Alexander Lebedev-Frontov managed to create a sound canvas ideally fitting every scene of the film. The soundtrack is made both with meticulous approach and light humour, it follows all changes of moods and guarantees a truly unique watching experience enhancing both visual and emotional sides of this masterpiece of the Japanese silent cinema
Label: Cold Spring – CSR230CD Format: CD, Album, Reissue, Remastered Country: UK Released: 09 Jan 2017 Style: Industrial, Experimental
ZOS KIA was formed by John Gosling (MEKON), John Balance (COIL) and Min – with guest Peter ‘Sleazy’ Christopherson (THROBBING GRISTLE). Their one and only album, Transparent, was released August 23rd 1983 in a cassette only edition on the now defunct Nekrophile label, Austria. They were the first released recordings of both COIL and ZOS KIA. It was reissued years later by COIL (Threshold House / Eskaton) in an edited edition. The entire recordings are now released on CD/vinyl for the first time and are completely remastered from the unedited tapes. Includes two previously unreleased bonus tracks by AKE (pre-ZOS KIA).
The music on Transparent is genuinely unsettling and disturbing, with a more primal Industrial feel than the Coil album which followed; ‘Scatology’. An essential insight into the very early work of these extraordinary artists and an undeniable link between Coil and Throbbing Gristle. Double vinyl edition in a sumptuous gatefold sleeve with 12″ booklet of unseen images. Ltd 500 white vinyl edition for COLD SPRING mailorder only. Both editions come with download card. CD edition presented in a 6-panel digipak with booklet containing unseen images.
Miguel A. Ruiz & Bardoseneticcube – Exclusion Zone
Label: Aquarellist – aquarel 09-09 Format: CD, Album, Limited Edition Country: Russia Released: Feb 2009 Style: Dark Ambient, Experimental, Industrial
Basic sounds and samples by Bardoseneticcube. Sounds, track arrangements & mastering by Miguel A. Ruiz. Photo by Vladimir Manevtsov. D-zine by A. Wyner.
Anemone Tube / Post Scriptvm – Litaniæ Mortuorum Discordantes
Label: La Esencia –
cure.11
Format: CD, Album, Limited Edition, Numbered
Country: Spain Released: 19 Dec 2016 Style: Dark Ambient, Industrial, Abstract, Experimental
CD comes in full color cardboard sleeve and white offset paper cardboard slipcase with golden typography, including a 4-page booklet. Limited edition of 144 copies, hand numbered
For lovers of soul-shredding funeral music built on dissonance / Triggering spiritual delight / Intended for church performance
Under the headline “Litaniæ Mortuorum Discordantes” Anemone Tube and Post Scriptvm present a collaborative album with a truly unique concept: Originally applied to a particular style of ancient ritual music, in the Classical era the term Litaniæ Mortuorum Discordantes attained a negative connotation and was used to criticize those compositions – which, instead of instilling listeners with the desired pious euphoria, incriminated them with a sense of dread, existential anxiety, feelings of death and decay. Finding this aesthetic choice to be most appropriate for the present era, the two post-industrial projects attempted to create their own “Discordant Death Litanies” for the XXI century.
The idea is culled from a semi-fictional biography of Johann Sebastian Bach, written by a 19th century Russian author. In the chapter describing Bach‘s childhood and early education, his older brother – who was also his music teacher and mentor – dissuades him from composing those “Litaniæ Mortuorum Discordantes” as they dangerously steer the Christian liturgy into a “wrong” direction of primordial chaos. In reality Bach never dealt with such dark notions, but created the most versatile and accomplished musical glorifications of the Christian god ever composed.
Yet tempted by the imagination of real “Litaniæ Mortuorum Discordantes”, Anemone Tube and Post Scriptvm stage a linear, gradually unfolding “oratorio” which begins with layers of lush brass synths resounding a time and place enveloped in ancient mythical beauty. The pristine serenity, however, slowly deteriorates through the influx of anguish, social decay and profanity. Raw field recordings, throbbing electronics, metallic tremors, distant voices and chants portrait a life of numbness and confusion, where man – tormented by ignorance, ignoble desires and anger – has become a plaything of insane “Weltanschauungen” and the commercialization plague. In a world where spirituality is reduced to rituals of sadness, the prophetic – and confirmed – certitude that the end of civilization is close at hand prevails.
Composed, recorded, edited and mixed by Anemone Tube 2013–2016, with field recordings made in Kyoto, Nanjing and Shanghai, 2007/2009 and synthesizer. Gong sounds and additional samples on Irruption of the Whore by Post Scriptvm, 2013. For Ola.
Buried in Fabula Dark and Nameless Gods Laterne D’Horreur Composed, recorded, edited and mixed by Post Scriptvm in Trepan Studios, Brooklyn, NY, USA, 2014–2015.
Mastered by Hunter Barr, 2016.
Cover drawings by Post Scriptvm, 2016. Typography, design & inner sleeve photo by Anemone Tube, 2016. Photo detail of Tryptic of Saint Stanislaus the Bishop, painted and guilded limewood, Hans Süss von Kulmbach, ~1610; Gallery of Medieval Art, Warsaw.
In Slaughter Natives – Psicofonias – Las Voces Desconocidas
Label: Gradual Hate Records GH 131 CD Format: CD, Album, Limited Edition , Digipack Country: Spain Released: 2016 Style: Martial, Neoclassic, Industrial
In the year 2008 the documentary called “Psicofonías: Las Voces Desconocidas” was shot by the film director Jose Moral. This was about the voices of dead people where echoes of spirits leave us some footprint after death. Humankind has believed during a long time that it is possible to communicate with dead people.
Over the years , seances, mediums and psychics have been possible instruments to make contact with the afterlife. So, EVP is an espiritual footprint and a communication link to the soundtrack in this documentary.
This one relies on some of the most important projects of the Dark Ambient Industrial music: In Slaughter Natives, which is a pioneer in the symphonic industrial field and part of the legendary label Cold Meat Industry. This music project is formed by Jouni Havukainen who carries out an outstanding and deep work full of aspects where in some parts we can listen the voices of dead people.
Artwork by Nickolay Busov ( Ufa-Muzak )
( Digipack 8-page booklet) SOLD OUT
Vinyl( 7″ Vinyl Clear only 50 copies (hand numbered) SOLD OUT
10 Years of Darkness / Neoclassical & Martial Music – KRASCHAU / ANTÍCO / DURCH HEER UND KRAFT Label: Gradual Hate Records – GH02 MP3 Format: Digital Compilation Country: Spain Released: 2016 Style: Dark Ambient, Martial, Industrial, Neo-Folk, Neo-Classic
DIGITAL DOWNLOADS Download available in 16-bit/44.1kHz.
Kraschau was formed in 2011 January, with the intention to make high quality and lifelike symphonic martial-neoclassical sounds with self composed orchestral parts. Armed with the good and bitter experiences of the last 5 years and with his classical musical background he released a trilogy (Offenbarung, Falanx and Une Foi d’Acier) and a limited, live album and a split with the cult hungarian industrial band, Kriegsfall-U. Unlike many martial projects with popular WWII themes, Kraschau is focused on telling stories about older times from an aristocratic perspective with some influences from Christian mysticism, with bright and sublime anthems and calm, peaceful prayers…
Antíco has started in 2007 as a medieval/neoclassical project influenced by bands like Dead can Dance. From time to time, songs were composed and finally he released an album in 2013 including mainly medieval and classical pieces and as well own neoclassical compositions.
Durch Heer und Kraft, the precedessor of Kraschau was founded in 2008 January first as a one man band, later in the same year as a full band with live guitars, bass, blockflöte, violin and drums and thus moved towards neofolk/martial-folk from the early martial recordings. However most of the remained material was recorded alone, only a few lo-fi demos were made together. The band played live three times in Budapest, but after two years it was disbanded and Adam decided to focus the creative energies on studio work instead of the tiring rehearsals.
1.Kraschau – Újrarajzoljuk Európa térképét (web edit) 2013 2.Kraschau – Egység és Rend (video edit) 2011 3.Kraschau – ¡Pasaremos! (video edit) 2013 4.Kraschau – Viva Cristo Rey! (early studio fragment) 2014 5.Kraschau – A kereszt alatt (early studio version) 2014 6.Kraschau – MP OY (early studio version) 2014 7.Kraschau – Egység és Rend remix (early studio version) 2013 8.Antíco – IntroTrotto (2008) 9.Antíco – Ein Schloß im Wald (2008) 10.Antíco – Musette in d major, BWV Anh. 126 (2013) 11.Antíco – Saltarello (2013) 12.Antíco – Pat-a-pan (2013) 13.Antíco – Im Nebel (2013) 14.Antíco – Epilog (2013) 15.Durch Heer Und Kraft – Quis Contra Nos (2008) 16.Durch Heer und Kraft – Der unbekannte Soldat (2009) 17.Durch Heer und Kraft – Mit Gott, Ohne Angst (rehearsal) 18.Durch Heer Und Kraft – Inside The Warmachine (2008) 19.Durch Heer Und Kraft – Elindultam…(2008) 20.Adam Berces – Op. 3. (2007)
Written-By – Adam Berces
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Various – Lords Of Chaos – The History Of Occult Music
Label: Index Verlag – INDEX 002VL Format: 2 × CD, Compilation Country: Germany Released: 2008 Style: Prog Rock, Blues Rock, Viking Metal, Death Metal, Black Metal, Ambient, Religious, Experimental
CD 1:
1.Aleister Crowley – The Pentagram 2.Robert Johnson – Me And The Devil Blues 3.Coven – The Portrait [Unreleased On CD Format] 4.Black Sabbath – Black Sabbath 5.Black Widow – Sacrifice [Rare Track] 6.Bobby Beausoleil – In The Temple Of The Moon [Exclusive Track] 7.Mick J. – Invocation Of My Demon Brother [Unreleased Track] 8.Venom – Black Metal 9.Mercyful Fate – Come To The Sabbath 10.Sodom – Outbreak Of Evil 11.Hellhammer – Triumph Of Death 12.Monte Cazazza – Stairway To Hell 13.Anton Szandor LaVey – The Satanic Hamboo [Rare Track] 14.Genesis P. Orridge And Psychic TV – Supermale [Rare Track]
CD 2:
1.Anton Szandor LaVey – Black Mass Opening Hymn 2.Death SS – Black Mass [Rare Track] 3.Bathory – Twilight Of The Gods 4.Unleashed – Into Glory Ride 5.Mayhem – Freezing Moon [Feat. Dead; Rare Track] 6.Darkthrone – A Blaze In The Northern Sky 7.Emperor – The Burning Shadows Of Silence 8.Ulver – [Exclusive And Unreleased Track] 9.Thorns – tellar Master Elite 3:52 10.Abruptum – Massdöd 11.The Electric Hellfire Club – Age Of Fire [Exclusive Remix] 12.Peter H. Gilmore – What Is Good? [Lex Talionis; Rare Track] 13.White Stains – Take It From Me [Rare Track] 14.Anton Szandor LaVey – Black Mass (Closing Hymn)
