• Distribution,  Vinyl

    Cønjuntø Vacíø #2

    Cønjuntø Vacíø #2
    Label: Cønjuntø Vacíø ‎– Ø 02
    Format: Vinyl, LP, Album, Compilation, Limited Edition
    Country: Spain
    Released: 01 Nov 2014
    Genre: Electronic, Rock, Folk, World, & Country
    Style: Darkwave, Experimental, Psychedelic Rock, Industrial, Post-Punk

    Cønjuntø Vacíø #2 (Vinyl, LP, Album, Compilation, Limited Edition)


    A1 – Xeno And Oaklander L’Informateur
    A2 – Fasenuova Años En Blanco Y Negro
    A3 – Marshstepper Complacency Serves The Old Gods
    B1 – Tercer Sol Último Grito
    B2 – Híbrida, Nen i Cavall Delamare
    B3 – Polígono Hindú Astral Eje De Rotación
    B4 – +++ Como Un Bocado En El Cuello Que Te Arrancara La Vida

  • CD,  Distribution

    Ole Lukkøye – Zapara

    Ole Lukkøye – Zapara
    Label: Fulldozer Records – FDCD43
    Format: CD, Album, Limited Edition, Reissue, Digipak
    Country: Russia
    Released: 03 Mar 2021
    Style: Darkwave, Psychedelic Rock, Tribal, Fusion

    Fulldozer Records presents an extended reissue of the significant Russian album of the 90s – Ole Lukkoye «Zapara», originally released on vinyl in 1993 by the label Antrop. Ole Lukkoye does not need a special introduction: the ethno-electronic band from St. Petersburg, which has existed for more than three decades, is well known to all connoisseurs of world music and psychedelia, not only in Russia, but also far beyond. Since its inception in 1989, Ole Lukkoye has released 8 full-length albums, which were released in Russia, Germany and the United States and received good press coverage. Starting from 1994 the band toured extensively throughout Europe, and five years later met the legendary German krautrock band Faust. The result of this collaboration was the recording and release of the album «Crystal Crow-Bar» in 2000 on the Klangbad label, owned by one of the Faust founders Hans Joachim Irmler, as well as the release of two other Ole Lukkoye albums on this label. The permanent leader and songwriter of the band Boris Bardash, among other things, is known for his participation in the recording of Theodor Bastard’s albums «Pustota» and «Beloe: Hunting For Fierce Beasts». A very special place in the creative heritage of Ole Lukkoye is occupied by the first album «Zapara», recorded in 1993 at the Antrop studio in St. Petersburg with the participation of engineer Yassin Tropillo. The album had a great influence on the sound of famous modern Russian ethno-electronic groups and on the entire Russian world music scene.

    As those who have not yet had the opportunity to hear this album and who have heard it for the first time today rightly point out, it is hard to believe that such music was recorded in Russia in 1993. The unique and original sound of the album «Zapara» has absorbed both the influences of the best examples of the 80s darkwave scene and the tunes of various ethnos of the world, as well as the psychedelia of meditative rock and the avant-garde techniques of jazz fusion. Roughly seven musicians took part in its recording, and the range of instruments extends from keyboards, percussion and acoustic and electric guitars to bassoons, cello and banjo. The album’s magical spirit-lifting atmosphere is enframed by hypnotic recitatives in Russian performed by Boris Bardash and Andrei Lavrinenko. The canonical CD version of the album is supplemented with two previously unreleased bonus tracks: the meditative instrumental «Enfilade», recorded in 1993 at the studio of the Leningrad House of Radio, and the first version of the song «Toomze», which was recorded in 1995 at DDT studio in St. Petersburg, but was never included in this form in the eponymous album released a year later.

  • Distribution,  Vinyl

    Pronoise – Low Light Vision

    Pronoise – Low Light Vision
    Label: Horizonte Espectral
    Format: Vinyl, LP, Album, Limited Edition, 140 gram
    Country: Spain
    Released: 30 Nov 2013
    Style: Industrial, EBM, Darkwave, Goth Rock, Post-Punk

    Limited Edition LP pressed in 140gram vinyl of 320 hand numered copies.
    Includes foldout insert 24″x12″ and inner picture sleeve, Astro-Postal with serial number, and download coupon.
    This album was recorded between 1996 and 1997 in Valencia by Nacho Artax and Javi Andreu.
    Produced by Pronoise.
    Post-Produced by Pronoise and Horizonte Espectral.

  • Distribution,  Vinyl

    Lisa Gerrard & Jules Maxwell – Burn (Vinyl, LP)

    Lisa Gerrard & Jules Maxwell – Burn (Vinyl, LP)
    Label: Atlantic Curve – AC003-1
    Format: Vinyl, LP, Album, White
    Country: Europe
    Released: May 7, 2021
    Style: Darkwave, New Wave, Experimental, Neo-Classical

    La enigmática Lisa Gerrard en colaboración con Jules Maxwell, ambos implicados en Dead Can Dance, llevan trabajando en este proyecto desde hace más de 7 años. Esta colaboración lleva el nombre de “Burn” y cuenta con la producción de James Chapman de Maps.


    Heleali (The Sea Will Rise)
    Noyalain (Burn)
    Deshta (Forever)
    Aldavyeem (A Time To Dance)
    Orion (The Weary Huntsman)
    Keson (Until My Strength Returns)
    Do So Yol (Gather The Wind)

    Lisa Germaine Gerrard (/dʒəˈrɑːrd/; born 12 April 1961) is an Australian musician, singer and composer who rose to prominence as part of the music group Dead Can Dance with music partner Brendan Perry. She is known for her unique singing style technique (glossolalia), influenced by her childhood spent in multicultural areas of Melbourne. She has a dramatic contralto voice and has a vocal range of three octaves.

    Born and raised in Melbourne, Gerrard played a pivotal role in the city’s Little Band scene and fronted post-punk group Microfilm before co-founding Dead Can Dance in 1981. With Perry, she explored numerous traditional and modern styles, laying the foundations for what became known as neoclassical dark wave. She sings sometimes in English and often in a unique language that she invented. In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer). Gerrard’s first solo album, The Mirror Pool, was released in 1995. She has been involved in a wide range of projects, starting her first collaborative album in 1998 with Pieter Bourke, and then with various artists throughout her career, who comprised Patrick Cassidy, Klaus Schulze, Hans Zimmer, among others. She has scored numerous award-winning motion picture soundtracks.

    As of 2020, Gerrard has released four solo albums and collaborated on sixteen albums. She composed and contributed the scores to more than 48 movies. She received a Golden Globe Award for the music score to the 2000 film Gladiator, on which she collaborated with Hans Zimmer. She wrote the score of Balibo which went on to win an ARIA award for Best Original Soundtrack and an APRA Screen music award for Best feature film score. Overall she has won 11 awards receiving 23 nominations. Gerrard has been nominated for a Grammy Award twice…

  • CD,  GH Records

    Wind Atlas ‎– Lingua Ignota

    Wind Atlas – Lingua Ignota
    Label: Gradual Hate Records ‎– GH139 CD, Twilight Records ‎– TW 1.156
    Format: CD, Album
    Country: Spain
    Released: June 2018
    Style: Darkwave, Folk, Psychedelic Rock, Post-Punk, Experimental

    Buy Digital Download → Lingua Ignota | Wind Atlas | GH Records (bandcamp.com)

    /// SOLD OUT ///

    Recorded and mixed by Javier Ortiz Fullton at Estudios Brazil in december 2014. Studio Assistant: Marcos Bandera. Mastered at Yves Roussel Mastering by Yves Roussel in january 2015. Cover art is “Magic Circle” (1886) by John William Waterhouse. Artwork designed by Raúl Q. de Orte.

    Backing Vocals – Raúl Pérez Pérez, Raúl Q. De Orte, Sergi Alejandre
    Bass – Iván Montero
    Bouzouki – Sergi Alejandre
    Drums – Raúl Pérez Pérez
    Guitar – Sergi Alejandre
    Lead Vocals – Andrea Pérez
    Mastered By – Ives Roussel
    Mixed By – Javier Ortiz
    Recorded By – Javier Ortiz
    Santoor – Raúl Pérez Pérez
    Synth – Raúl Q. De Orte

    Wind Atlas’ music has gained in nuances, drifting smoothly from dark dream-pop and new-wave passages (which remind us of Dead Can Dance) to gloomy postpunk atmospheres similar to those of Crispy Ambulance, Durruti Column or In Camera.
    Music to think of an unknown continent, to look for the lost alchemical formula, to eventually discover Talos the robot hurling rocks at the Argonauts. Music that requires to do nothing but listen, a task that nowadays appears almost impossible.

    The message is conveyed in an imagined language from a terra incognita, the lingua ignota. Each song is like an accent or a period, like a comma, a verse, a whole chapter of a liturgical chant. Gibberish for those who relish the best soundtrack by Basil Poledouris and the 4AD catalogue.

    The album was recorded in Estudio Brazil (Madrid) with Javier Ortiz and mastered in Yves Roussel Mastering (Barcelona).

    “Wind Atlas, if “Ecdisis” is any indication, sound a bit like Sioux Sioux after the Banshees broke up, if she had gone in a more interesting direction. Or maybe if Peter Murphy had started a project with Sioux Sioux? Something like that. Truth is, it doesn’t matter once those early Edge/Chameleons guitars, full of melodic urgency despite their simplicity, hit; the ritualistic feel of the backing turns up their immediacy even more, to the point where the whole composition seems to depend on them.

    But that voice, ringing through the ether, also needs something, anything, to happen, lest the sands of time swallow her whole. It’s a mystical, otherworldly trip…“


    La música de Wind Atlas es rica en detalles, deslizándose refinadamente de oscuros pasajes dream pop new wave (que bien traen a la memoria a Dead can Dance) a la bruma de atmósferas postpunk que podían hacer grupos como Crispy Ambulance, Durruti Column o In camera.

    Música para pensar en un continente no conocido, buscando una formula alquímica perdida, y acabar descubriendo al robot de Talos apedreando argonautas. Mejor dejémoslo así, en no hacer nada mientras se escucha, una tarea que se nos plantea hoy en día imposible.

    El mensaje se proyecta en un idioma imaginado de una terra incógnita, la lengua ignota. Cada canción es como una tilde o un punto, como una coma, un versículo, un capitulo entero de un canto litúrgico. Un galimatías entre quienes disfrutan de la mejor banda sonora compuesta por Basil Poledouris y el catalogo de 4AD.

    1.Eurydice’s Chant 02:38
    2.Sound Of Gold, Rhythm Of Jade 05:17
    3.The Sun Rises 03:47
    4.Hylé 02:40
    5.Stalker 05:13
    6.The Goddess Is Where It Is Venerated 05:43
    7.Ecdisis 04:44
    8.Demona 06:35
    9.The Joy Of The Auloniad 02:30

  • CD,  Distribution

    God Is Goth

    Various – God Is Goth
    Label: Wave Records – W046
    Format: 2 × CD, Compilation, Digipack
    Country: Brazil
    Released: 01 Aug 2014
    Style: Goth Rock, Post-Punk, Darkwave


    1-01 –Das Ich Gott Ist Tot (Nietzsche) 5:39
    1-02 –Merciful Nuns Valley Of The Kings 3:09
    1-03 –Dr. Arthur Krause Follow The Shadow 3:59
    1-04 –She Past Away Rituel 4:58
    1-05 –The Beauty Of Gemina Prophecy 5:25
    1-06 –Ikon Where Do I Go From Here 3:47
    1-07 –Disjecta Membra Third Song 3:38
    1-08 –Soror Dolorosa Autumn Wounds 5:29
    1-09 –Henric De La Cour Dogs 3:12
    1-10 –Cinemascope So Cold Inside 4:49
    1-11 –I-M-R Poisoned Eyes 4:28
    1-12 –Beata Beatrix Black D. 4:19
    1-13 –Sky’s Gone Out Start Bleeding 3:55
    1-14 –Date At Midnight No Love 5:29
    1-15 –The Downward Path These Days Are Gone Away 3:25

    1-16 –The Bel Am Ofelia´s Dreams 5:45
    2-01 –Chiron Ascent 4:33
    2-02 –Phantom Vision Behind The Door (Edit) 4:13
    2-03 –Erato Amnesia 5:26
    2-04 –Into The Mist Devil My Angel 4:27
    2-05 –Northern Sadness Bleed (Unreleased) 4:36
    2-06 –Escarlatina Obsessiva Blossomy Parks 4:39
    2-07 –In Memoria Virus 4:48
    2-08 –Janara A Dream Within A Dream 4:47
    2-09 –Voyvoda Iztok 2:43
    2-10 –Soviet Soviet 1990 3:13
    2-11 –Darkoustix This Lady 4:01
    2-12 –Opera Multi Steel L´air Du Verseau 5:48
    2-13 –Double Echo The Wake 3:47
    2-14 –La Fete Triste Levres Froides 4:03
    2-15 –Sumerian Fleet Love & Hate 4:07
    2-16 –Magal (USA) Patchouli 2:06

  • Distribution

    The Frozen Autumn – Pale Awakening

    The Frozen Autumn – Pale Awakening (2 × Vinyl, Blue)
    Label: Avantgarde Music / AV447LP
    Format: 2 × Vinyl, Album, Reissue, Blue
    Country: Italy
    Released: 2022
    Style: New Wave, Synth-pop, Darkwave

    BUY → Vinyl Records, CDs, and More from gradual For Sale at Discogs Marketplace

    Pale Awakening is the debut album by The Frozen Autumn, which originally saw the light in 1995 following the demotape Oblivion and various live gigs in Italy and abroad. These led to the CD release of this concept album with crepuscular sounds, at times inspired by the sound of 4AD and Projekt Records, that unfold between reflective and atmospheric moments, imbued with melancholy with more rhythmic openings, yet always characterized by a common feature: the oniric plane, the certainty of the existence of parallel realities, the escape from everyday life to embark on an inner journey, aware that «there is something beyond».

    27 years after the first edition, Avantgarde Music re-releases Pale Awakening in two valuable collectible formats: 12 «colored double vinyl in a gatefold cover with lyrics.

  • Cassette,  GH Records

    The Wyrm – Muertos

    The Wyrm – Muertos
    Label: GH Records – GH 152 K7
    Format: Cassette, Album
    Country: Spain
    Released: Mar 25, 2022
    Style: Darkwave, Electro, EBM, New Wave, Synthwave, Minimal


    The Wyrm brings this post-pandemic year 2022 its latest work entitled Muertos. Dark, cold and minimalist tints very much in the vein of bands like Cabaret Nocturne or Boy Harsher to stand out from a scene that died in the pandemic. Muertos is a song to the dead who have not been. Those that we have seen only on television and that are just figures. Virtual and nameless. So are the songs of this new work. without titles and direct from the sewers.


    The Wyrm apporte cette année post-pandémique 2022 son dernier ouvrage intitulé Muertos. Des teintes sombres, froides et minimalistes très dans la veine de groupes comme Cabaret Nocturne ou Boy Harsher pour se démarquer d’une scène morte dans la pandémie. Muertos est une chanson aux morts qui n’ont pas été. Celles que nous n’avons vues qu’à la télévision et qui ne sont que des chiffres. Virtuel et sans nom. Ainsi sont les chansons de ce nouveau travail. sans titres et direct des égouts

  • Artists,  GH Records

    La Fiesta Triste – La Belleza del Óxido

    La Fiesta Triste – La Belleza del Óxido
    Format: Vinyl, 12″, Limited Edition
    Country: Spain
    Released: 2021
    Style: Darkwave, Electro, Techno, Synthwave, Post- Punk

    Tras algunos trabajos auto-producidos, como “Ciudades invisibles” (2000), “Minimalista” (2005), o “Desaparecer” (2019), publicados en CD y plataformas digitales, apuesta en este nuevo disco por el formato vinilo y la producción “Do it yourself” en esta edición, con la colaboración del sello GH Records
    La Fiesta Triste es el proyecto en solitario de Javier Andreu (a.k.a.Fête Triste), músico, productor, diseñador y fotógrafo valenciano. Cursó estudios de música y piano en el Conservatorio. Autodidacta posteriormente al bajo, guitarra eléctrica, batería, sintetizadores y producción musical. Este proyecto surge de las cenizas de otras bandas en las que ha participado (Basura de Eva, VIE y Pronoise).

    Este nuevo disco cierra un ciclo de varios años produciendo y componiendo, y comprende una selección de 8 canciones escogidas de entre un gran número grabadas en estos últimos años. La música, el concepto y el diseño de las portadas, han sido creadasen su totalidad por Fête, excepto “Todos contra todos”una versión libre inspirada en un tema original de Sergio Alfonso (compañero, productor y baterista). El Tema “To Helen” es un homenaje a la literatura romántica de Edgar Allan Poe, y la letra está extraída del poema del autor que lleva el mismo título.

    La mezcla y masterización corren a cargo del productorJosé M.ª Aboga (Redhome Studioshttps://redhomestudios.com/), y el video promocional del tema “Crepuscular” ha sido realizado por la video-artista Lesya Yershova http://www.yershovamind.com/ . Colaboran Avencio Delgado con su sello GH Records https://gh-records.com/ , Jesús CTG (APMV Asociación Promotora Multicultural Valencia / Emergencia Sonora https://emergenciasonora.es/) y Dani Sombra (Dark Valencia http://darkvalencia.com/), colectivos con solera en este tipo de música en la ciudad.

    La Fiesta Triste – La Belleza del Óxido

    “La belleza del óxido”(2021) sugiere una reflexión sobre el paso del tiempo, una metáfora de nuestra efímera existencia. Una visión poética de la corrosión de la piel, del alma, sobre la edad y la muerte, mostrando la belleza que hay en este proceso decadente, tal y como sucede con la oxidación de los metales en su exposición al tiempo y a los elementos.

    El hilo conductor sónico y estético del disco es la referencia al óxido: ruidos, chirridos y metales, que acompañan a las melodías creando un paisajes coloristas que se mezclan con elementos de varios estilos musicales de los que se influencia, como EBM, post-punk, noise, psytrance, post-rock…siempre con un estilo propio muy reconocible, bases electrónicas bailables minimalistas y repetitivas, adornadas con melodías melancólicas de guitarra, bajo y sintetizadores.

    /// ENG ///

    LA FIESTA TRISTE is the solo project of Javier Andreu (a.k.a. Fête Triste), a musician, producer, designer and photographer from Valencia (Spain).
    He studied music and piano at the Official Music School. Later in life he taught himself to bass, electric guitar, drums, synthesizers and music production. This project arises from the ashes of other bands in which he has participated (Basura de Eva, VIE and Pronoise).
    After some self-produced works, such as «Ciudades Invisibles» (2000), «Minimalista» (2005), or «Desaparecer» (2019), published on CD and digital platforms. In this new album Fête bets on the vinyl format and the «Do it yourself» production, with the collaboration of the label GH Records.

    This new album closes a cycle of several years of producing and composing, and comprises a selection of 8 songs chosen from a large number recorded in recent years. The music, the concept, the design of the covers, have been entirely created by Fête, except for “Todos contra todos” a free version inspired by an original song by Sergio Alfonso (producer and drummer). The theme «To Helen» is a tribute to the romantic literature of Edgar Allan Poe, and the lyrics are taken from the author’s poem with the same title.

    Mixing and mastering are carried out by the producer José M.ª Aboga and the promotional video for the song “Crepuscular” has been made by the video artist Lesya Yershova. Avencio Delgado collaborates with his label GH Records, Jesús CTG (APMV Asociación Promotora Multicultural Valencia / Emergencia Sonora https://emergenciasonora.es/) and Dani Sombra (Dark Valencia), collectives with tradition in this type of music in the city.

    “La belleza del óxido /The beauty of rust” (2021) is a reflection of how time goes by, a metaphor for our fleeting existence. A poetic vision of the corrosion of the skin, of the soul, of age and of death, showing the beauty that exists in this decadent process, just as happens with the oxidation of metals in their exposure to time and the elements.
    The sonic and aesthetic thread of the album is the reference to rust: noise, squeaks and metals, which accompany the melodies creating colorful passages that are mixed with elements of various musical styles from which it is influenced, such as EBM, post-punk, noise, psytrance, post-rock … always with his own very recognizable style, which consists of minimalist and repetitive dance electronic bases with melancholic melodies of guitar, bass and synthesizers.

  • Distribution

    Trobar De Morte ‎– Witchcraft

    Trobar De Morte ‎– Witchcraft
    Label: none
    Format: CD, Album
    Country: Spain
    Released: 20 Aug 2018
    Style: Celtic, Folk, Neofolk, Darkwave

    Digipak, with 20-page booklet.

    Is the seventh album of the band. Myths, legends, sorcery and occultism are intertwined with charming melodies of violins, guitars, bagpipes, ethnic percussions and beautiful voices creating a dark and magical universe composed of 13 songs entitled «Witchcraft».
    Cover art by Victoria Francés.

    Witchcraft was recorded between december 2017 to july 2018 at
    Ax Studio in Barcelona by Trobar de Morte.
    Mixed and mastered by Oscar David and Lady Morte.
    Music of Songs 1,2,3,4,5,7,8,10,11 composed by Lady Morte.
    Music of Songs 6 & 9 composed by Daimoniel and Lady Morte.
    Music of Song 12 composed by Sined Zulim and Lady Morte.
    Music of song 13 composed by Daimoniel.
    Keyboards arrangements in song 1 by Sathorys Elenorth.Wind instruments recorded at Motor Music Records (Sergio Gonzalez)

    All Lyrics by Lady Morte except “Zugarramurdi”
    from traditional Basque folklore. Lyrics of Rondalla, Cantus &
    Stramonium extracted from ancient spells and magic books.

    Musical instruments and musicians:
    Lady Morte Keyboards, Voices, Hurdy Gurdy, percussion, flutes, Bouzouqui,
    finger cymbals , bells,tambourines
    Vic Bass, Chimes, Cymbal.
    Üri Bokskog Bagpipes, Flutes, Whistles, Backing vocals.
    Daimoniel Acoustic Guitar, Classical Guitar, Bouzouki, Backing vocals.
    Máiréad Violins
    Sined Zulim Flamenco box drum, Indian Tabla, Sagats, Ghungroo,
    Tibetan bowls, Bendir, Frame drums, Doholla, Darbouka, Tombak,
    Shamanic bendir

    Cover and booklet illustrations by Victoria Francés
    ArtWork Designs by Lady Morte and arrangements by Victoria Francés.
    Photography by Vic A. Granell www.moonvic.com
    Executive Producer: Lady Morte

    Buy: https://gh-records.com/home/2477-trobar-de-morte-witchcraft.html