• CD,  Distribution

    Ain Soph – Live At Piper 1986


    Ain Soph – Live At Piper 1986
    Label: Hau Ruck! SPQR ‎– SPQR LX
    Format: CD, Limited Edition, Numbered, Reissue
    Country: Italy
    Released: 16 Jul 2021
    Style: Experimental, Industrial

    Live at Piper is the first official live performance of this legendary occult/esoteric band from Rome. In the year 1986 their gig was not very well received by the audience. First Korg synthetizer and ritual percussions made this concert a very unique and incredible experience. For the first time is now available digitally remastered in an special eco digipack cd, limited to 616 copies.

  • CD,  Distribution

    BioMechanica ‎– BM01


    BioMechanica ‎– BM01
    Label: Geometrik ‎– GR 2127
    Format: CD, Album
    Country: Spain
    Released: 09 Nov 2012
    Style: Industrial, Noise

    BioMechanica:
    Arturo Lanz (Esplendor Geométrico): germ rhythmic patterns
    Francisco López: rhythmic pattern evolution, environmental recording mutations, composition, editing, mixing, mastering, remixes

    Created in Beijing and “mobile messor” (Amsterdam, Johannesburg, Tokyo, Bogotá, Chania, Reykjavik, Denver, Den Haag), 2010-2012

    Special thanks to Barbara Ellison / Photograph by Javier Torrent / Layout by Francisco López

  • CD,  Distribution

    African Imperial Wizard – Nzinga Mbande


    African Imperial Wizard – Nzinga Mbande (Vinyl, LP)
    Label: Tesco Organisation ‎– Tesco 153
    Format: CD, Album, Limited Edition
    Country: Germany
    Released: 02 Dec 2022
    Style: Experimental, Tribal, African, IDM, Darkwave, Neo-Classical, Folk, Abstract, Dark Ambient, Downtempo


    “Nzinga Mbande” is the new album by the African Imperial Wizard collective. It is the soundtrack of the armed liberation from the imperialistic oppression that our continent has endured for far too long.

    The “Nzinga Mbande” manifesto consists of eight martial symphonies. They all been have composed enduring pain and suffering and serve the purpose of giving our countries, which have been lacerated and battered by centuries of colonialism, the epic military ceremonies they deserve.

    Our main goal with this new musical opus is to hand out orders to our troops and to maintain our military cohesion, the culmination of which will translate to Pan-Africanism and the profound intimidation of our enemies.
    If you do not sense any danger coming, this could be the first sign of you losing your mind and if you listen carefully, you may already be able to hear the wailing of your dead haunting the battlefields devastated by our armed forces.

    Because today more than ever, enough is enough. We won’t stop arming our warlords and their rebel battalions. We won’t stop arming our bloodthirsty mercenaries. We will continue to rely on our proud women warriors, who will follow in the footsteps of our ancestral queens Nzinga Mbande and Sarraounia and will reduce to ashes all those who dare show them and their devastating bastions any resistance. Make no mistake, we will not hesitate to resort to rearming our children. Our child soldiers helped us before, and they will do so again without a moment’s hesitation in the face of what we have had to put up with. We would rather see them die by our side in excruciating pain than letting them fall to your Machiavellian enslaving doctrines.

    Nothing has been forgotten of the painful wounds that colonisation inflicted upon Africa. We counted every hand you cut off, every rape, every slave raid, every looting, every torture session, every poisoned watering hole, every crime, every assassination, every mass murder, every massacre, every genocide, every mass grave and every hour of forced labour which you imposed on us. Mark our words: our dead have slowly but surely been counted.

    The toll is outrageous, and the abominable numbers speak for themselves and the horror we have been through. But believe us, we are more determined than ever and, may our gods be our witnesses, our vengeance will be all the bloodier. Barbaric invaders, look around you, we are already here, ready to draw our old Kalashnikovs and don’t worry, they do still work, and we can assure you they won’t jam.

    Finally, African Imperial Wizard will come to play their most glorious laments in your cemeteries. Our sorcerers will make sacrifices on your graves to the memory of Soundiata. We will glorify the spirits of our great forefathers who fell in battle. The same fate awaits you.

    Let the slaughter begin

  • Distribution,  Vinyl

    Valborg ‎– Nekrodepression


    Valborg ‎– Nekrodepression (Vinyl, LP)
    Label: Total Dissonance Worship ‎– TDW048
    Format: Vinyl, LP, Album, Red Opaque
    Country: US
    Released: Jun 2022
    Style: Black Metal, Experimental

    Re-release of the 2012 Nekrodepression record, red opaque vinyl in matte varnish jacket. Remastered for vinyl, limited to 150 copies.

    Nekrodepression’ is the band’s undeniable breakthrough album and delivers an absolutely primal mix of blackened Doom and Thrash.
    The mostly German lyrics and signature bellow of Christian Kolf’s vocals only add to the harsh and brute nature of this material.
    But those who dedicate their time to crack Valborg’s hard and discordant shell will undoubtedly get hooked on the band’s raw, yet anthemic climaxes.

    For its 10th anniversary, ‘Nekrodepression’ has been completely remastered and is presented with a fresh take on the original art, which is now more in line with the band’s iconic aesthetic.

    For fans of: Eisenvater, Celtic Frost, Type O Negative

  • Distribution,  Vinyl

    Cønjuntø Vacíø #2


    Cønjuntø Vacíø #2
    Label: Cønjuntø Vacíø ‎– Ø 02
    Format: Vinyl, LP, Album, Compilation, Limited Edition
    Country: Spain
    Released: 01 Nov 2014
    Genre: Electronic, Rock, Folk, World, & Country
    Style: Darkwave, Experimental, Psychedelic Rock, Industrial, Post-Punk

    Cønjuntø Vacíø #2 (Vinyl, LP, Album, Compilation, Limited Edition)

    Tracklist

    A1 – Xeno And Oaklander L’Informateur
    A2 – Fasenuova Años En Blanco Y Negro
    A3 – Marshstepper Complacency Serves The Old Gods
    B1 – Tercer Sol Último Grito
    B2 – Híbrida, Nen i Cavall Delamare
    B3 – Polígono Hindú Astral Eje De Rotación
    B4 – +++ Como Un Bocado En El Cuello Que Te Arrancara La Vida


  • CD,  Distribution

    Umpio – Insektio


    Umpio – Insektio
    Label: Zhelezobeton ‎– ZHB-LXXXIV
    Format: CD, Album, Limited Edition, Numbered
    Country: Russia
    Released: 2021
    Style: Electroacoustic, Experimental, Noise

    Umpio is the solo project of the Finnish sound explorer Pentti Dassum, a member of numerous bands with incredible stylistic coverage from noise-grind (Romutus) to challenging electroacoustic experiments (SM/DP) and unpredictable brutal noise performed on self-built metal objects.

    However there’s no junk noise this time – «Insektio» is made from massive oscillations, electronic microsounds and tape manipulations. Like a heavy trip into nature, listen with one ear to the ground, how all the insects work, how temperature shifts affect the resonance of the planet, and how civilizations crumble away as only the frogs and moss will survive…


  • CD,  Distribution

    Gudelnaya Polyana – Solar Systo Togathering 2020


    Gudelnaya Polyana – Solar Systo Togathering 2020
    Label: Zhelezobeton ‎– ZHB-LXXXV
    Format: 3 × CD, Album, Compilation, Limited Edition, Numbered, Partially Mixed
    Country: Russia
    Released: 31 May 2021
    Style: Drone, Dark Ambient, Experimental, Ambient, Noise

    Here we have a three-hour long compilation of live recordings, made in September 2020 at Gudelnaya Polyana (Russian for “droning glade”) – the experimental stage of the Solar Systo Togathering festival. The concept of Gudelnaya Polyana is total drone, infinitely diverse, but united in its essence. Every year in any weather dozens of musicians gather in the woods of the Leningrad region to take part in this ritual action, keeping themselves warm with bonfires, hot pu-er tea and kilowatts of sound.

    In 2020, we were lucky to record the performances of most artists, and many of them agreed to provide fragments of these recordings for a commemorative compilation. The unity and diversity of droning sound is fully represented here since the festival gathers musicians from different fields: ambient, drone, noise, electronic, academic, and even the ensemble of 12-year-old experimenters made their contribution.

    The first disc gently immerses us in the forest thicket, swamps and electrified fogs; the second takes us further into the labyrinths of sound experiments and unlikely consonances; the third begins with the piercing clarity of dawn, which gives way to a calm daytime mood, followed by the coming of night – the deep darkness thickens, we’re riding electromagnetic waves and trying to look beyond human existence…

    In order to recapture the atmosphere more precisely, the tracks of 28 artists are smoothly rendered in three hour-long mixes. The artists taking part in this compilation are: AIKO ONLINE feat. KIKIMOTA & ANTON SONDA-JUNGLOV, ANDREW SPRRW & NIKA, AU, DRONE LIBERATION FRONT, EGREGOROS, EVERGREEN DJ, JAGATH, JAM DAZAN, KONTAKT S INOPLANETYANAMI ETO MUZYKA, KRYPTOGEN RUNDFUNK, LUNAR ABYSS, MIRA DREVO, NOISES OF RUSSIA, PETER THEREMIN, PETROGRAD DRONE GATHERING, SACHA RUSH & INSPECTR, SIX DEAD BULGARIANS, SOILCULT, SONOZERO, SVETLO111, SYMPHOCAT, TILE~SHORE, TIM SIX, TREMORKIKIMOR, TRETIY MIR, TUHJADES MAADES, W I I, WALDGRENZE.


  • CD,  Distribution

    When The Moon Is In Her Second Quarter ‎– When The Moon Is In Her Second Quarter



    When The Moon Is In Her Second Quarter ‎– When The Moon Is In Her Second Quarter
    Label: Status Prod. ‎– SP 09 CD
    Format: CD, Album, Limited Edition, Numbered
    Country: Russia
    Released: 10 Nov 2018
    Style: Industrial, Dark Ambient, Experimental, Drone, Noise

    The deaf darkness of the chthonic forest gives birth to hitherto unseen monsters and their moans, like dead leaves, are carried by the wind between the skeletons of trees, as ancient as the Earth itself. Lost souls sigh, wheeze,howl, revealing their essence , when the Moon is in her second quarter…
    Status Prod. presents new CD – album of the anonymous ritual ambient / death industrial project When the Moon is in her second quarter “Like dead leaves”.
    Two nameless hymns–rituals are dedicated to the memory of Yevgeniy Yufit, the founder of the genre Necrorealism in cinema, painting and literature.
    The record features guest appearance of Ord Err (ORD).
    The album was released in 200 hand-numbered copies, and is a pennant made of brown designer cardboard with PAINT-IT-BLACK DESIGN, applied by silk-screen printing on it, in silver color.

  • Distribution,  Vinyl

    Column One / Idpa / Mz.412 ‎– Live Action / Voodoo Bumble Bee


    Column One / Idpa / Mz.412 ‎– Live Action / Voodoo Bumble Bee
    Label: Tourette Records ‎– tourette 012
    Format: Vinyl, LP
    Country: US
    Released: Apr 2010
    Style: Noise, Experimental, Industrial

    Numbered edition of 412 copies.
    Sleeve states 2009, but the record was released in 2010. Title is misspelled on the spine.
    Side B recorded live at Collapse festival, Rostock, Germany 19.08.2000. Reworked in Berlin, 2009.
    Track B1 is a locked groove; the given track time on the sleeve represents the length of time the track is intended to be played.
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  • Distribution,  Vinyl

    Kinit Her ‎– The Poet & The Blue Flower (Vinyl, LP)


    Kinit Her ‎– The Poet & The Blue Flower (Vinyl, LP)
    Label: Avant! ‎– AV!025
    Format: Vinyl, LP, Limited Edition, Grey
    Country: Italy
    Released: 15 Jul 2013
    Style: Experimental, Neofolk, Industrial

    Through kaleidoscopic composition, constitution of voice, and timbral experimentation, Nathaniel Ritter and Troy Schafer continue to braid their string of works as Kinit Her. Their discography has grown strong over recent years with releases on such esteemed labels as Alt.Vinyl, Small Doses, Pesanta Urfolk, Reue um Reue, and now, AVANT!; this repertoire has become a powerful force that is harmoniously reliable and unpredictable in theme, atmosphere, and trajectory. On The Poet & the Blue Flower, Schafer and Ritter endure in architecting a unique system of auditory mysticism. Falling in an undefinable territory of the post-industrial and neofolk landscapes with both strictly structured song-like fragments and more free-associative passages throughout its 8 tracks, this album features the exalted rhetoric that is Schafer’s stoic orchestral arrangements, Ritter’s tidal electronics and the continually evolving vocal deliveries of both men.

    Lyrically, The Poet & the Blue Flower continues with Kinit Her’s recent bent of drawing on poetry from Germany’s early 20th Century post-romantic literary underground. With this record, they drift slightly from Der Kosmikerkreis to the poems of literary and political philosopher Rudolf Pannwitz serving as their sole inspiration. Pannwitz’ poetry effortlessly escalates Kinit Her’s themes of the entanglement of Heaven, Earth, and those who believe to be dwelling in some intersection thereof. Visual accompaniment to Kinit Her’s music, as it was on the recent The Cavern Stanzas, has been graciously provided by the brush of Gianluca Martucci. Mastering courtesy of James Plotkin.