• CD,  Distribution

    Nothvs Filivs Mortis ‎– Lectiones Tenebrarvm



    Nothvs Filivs Mortis ‎– Lectiones Tenebrarvm
    Label: Officivm Tenebrarvm ‎– MORS01CD
    Format: CD, Compilation, Limited Edition, Stereo
    Country: Spain
    Released: 18 Jun 2025
    Genre: Electronic
    Style: Dark Ambient, Industrial

    «Lectiones Tenebrarvm (Compendivm Vmbrae MCMXCVIII † MMXVI)» is a chronological journey in reverse through the formative years of the seminal Spanish / French Cvlt Esoteric Ritual Industrial / Dark Ambient act NOTHVS FILIVS MORTIS, nearly 27 years after its public stillborn inception in October 1998 opening for the legendary Blood Axis in Madrid during their Indo-European Sacrifice Tour, with no discography yet available then.

    When asked by Annabel Lee about what the band was about, the band answered: «We are the artistic Medieval manifestation of Death». That much was true then, and that much is still true now.

    Their distinctive approach, born in a time when Dark Ambient & Ritual Industrial was neither fashionable nor mainstream, and the extensive use of Latin in their spoken declamations (along with other European languages) always proved them to be a unique act and an outcast within the local scene. A time when XIII finally decided to invest in a rudimentary (quite advanced at the time) home studio, with absolutely no clue about programing a sampler or even use a mixing desk.

    Driven by his imperious necessity to express this personal, intellectual / philosophical / spiritual / metaphysical journey in a direct yet cryptic way (hence the reason to use Latin), XIII embraced the “savoir faire”, technical modus operandi & aesthetic codes of other acts originally such as Sopor Aeternus & The Ensemble Of Shadows & Rosa Crvx, later aligning its musical form, heavily influenced & taught by the World Serpent Distribution acts such as The Moon Lay Hidden Beneath A Cloud (whose first demo is dedicated to), and of course 90’s seminal acts such as the original Cold Meat Industry’s In Slaughter Natives, Archon Satani, or Endvra but to name a few…

    Nothvs Filivs Mortis never made it simple and have always chosen a different path, unlike many other acts of the scene. Rather than focusing on quantity, NFM always has (for better or for worse) focused on quality and struggled for perfection, making public manifestations scarce.

    After a 10-year hiatus during which XIII concentrated on improving his craft & production skills by becoming a sound engineer; and rather than releasing unfinished material XIII always preferred the immediacy of performing live, while composing at his rhythm with no pressure from anyone (even from long time loving fans & friends) …

    Because it’s never been about music.
    Because it’s ALWAYS been about music.
    Because it’s always been about Death.

    «Lectiones Tenebrarvm» (taking its name after the liturgic «Leçons de Ténèbres» held within the «Officium Tenebrarum» ritual) presents a collection of tracks long forgotten on sold out compilations, obscure releases & unreleased material. These «lessons in darkness» are to be approached as formative essays in different musical genres during the early years of NOTHVS FILIVS MORTIS …

    From Dark Folk (“Crvxæformis”, the acoustic version of «The Crvciform Liber II», featured on Cynfeirdd’s original «Oran Mor» trilogy) to Neo Classical («La Bête Dans Le Verbe”) & Orchestral Industrial (“Notre Dame Des Ronces”). To the present ritualistic Dark Ambient depths of «De Profvndis» to the anthemic Ritual Industrial “credo” that «Legio» is.

    Remastered in Summer of 2020 during the times of this present age’s Black Plague (known as COVID-19), this collection of shadows was supposed to be available during NFM’s last performance at the Death Cult Rising 2024 festival. As Life & Death happens (and have been happening for the last 27 years), it is finally available now.

    «Lectiones Tenebrarvm (Compendivm Vmbrae MCMXCVIII † MMXVI)» comes in a beautiful matte 8-panel Digipak strictly limited to 144 hand numbered copies, with mastering & art by Alberto Hernández Serradilla & amazingly beautiful pictures of Les Catacombes de Paris (constant inspiration & home of the French artist) by Annalisa «Liz» Boccia.

    This is a eulogy.
    This is a testament.
    This is an exorcism.
    This is a baptism.

    Media Vita In Morte Svmvs,
    A. «XIII» H. S. for :n:f:m: 

    You can buy it here → Lectiones Tenebrarvm | Nothvs Filivs Mortis

    or here → Nothvs Filivs Mortis – Lectiones Tenebrarvm: CD, Comp, Ltd For Sale | Discogs

  • CD,  Distribution

    Feindflug ‎– Sterbehilfe EP



    Feindflug ‎– Sterbehilfe EP
    Label: Black Rain ‎– BR 008, Black Rain ‎– BLACK RAIN 008
    Format: CD, EP
    Country: Germany
    Released: 10 Jun 2000
    Style: Rhythmic Noise, EBM, Industrial

    Feindflug’s music is entirely instrumental. The only vocals that can be heard are in samples, mostly taken from movies dubbed in German or excerpts of Adolf Hitler or Klaus Kinski.

    The band is characterized by Jeffrey Andrew Weinstock and Isabella van Elferen as martial industrial and neo-folk, «negotiating the role of the past in the present.» Recurring themes and topics are authoritarian regimes, the death-penalty and total war, especially World War II and the Third Reich.

    Critics have associated the band with the German Neo-Nazi scene, due to the themes presented in their music and their album cover graphics. The band-members oppose this critique and have stated that their music is intended as a reflection of the issues it describes, not as support.The band’s motto is «Use your brain and think about it!» Feindflug has stated that «any form of glorification/trivialization of the Second World War contradicts the intention of this project. Rather, it aims to make it clear that this era of history represents the beginning of a new technological warfare, in which the individual became/becomes the victim millions of times over» and that their goal is to «try to crush the taboo in Germany, since the war is a great part of the German history.

  • CD,  Distribution

    The Moon Lay Hidden Beneath A Cloud – Were You Of Silver, Were You Of Gold


    For Collectors!


    The Moon Lay Hidden Beneath A Cloud – Were You Of Silver, Were You Of Gold
    Label: Arthur’s Round Table – ART 6
    Format: CD, Mini-Album
    Country: Switzerland
    Released: 1996
    Style: Industrial, Experimental, Neofolk

    Distributed By – World Serpent
    Copyright © – The Moon Lay Hidden
    Phonographic Copyright ℗ – Ouroubouros Publishing
    Made By – PMDC, UK

    Thanks to Kevin Rodley and Robert Prettner for constant mental support.

    World Serpent
    London

    Made in England

    © The Moon Lay Hidden 1996
    ℗ Ouroubouros Publishing Ltd. 1996
    Barcode (Text): 5 021958 457024 >
    Barcode (Scanned): 5021958457024
    Matrix / Runout: ART6 03 %
    Matrix / Runout (Mould On Inner Ring): MADE IN UK BY PMDC
    Mastering SID Code: IFPI L132
    Mould SID Code: IFPI 0445



    The Moon Lay Hidden Beneath a Cloud (styled The Moon lay hidden beneath a Cloud) was an Austrian musical duo composed of Albin Julius and Alzbeth. Their music reflected their deep fascination with myriad aspects of European medievalism including ritual, clerical chants and the daily experience of the peasantry.

    Their music combined modern electronics, tape loops and samplers with medieval instruments such as hurdy-gurdy, shawm, and Hexenscheit. Alzbeth was the primary vocalist for the group and often sang traditional songs in numerous archaic languages including Middle High German, Latin and Old French. Julius provided distorted and backup vocals.

    When performing live, the band often played in old churches, fortresses, medieval prisons and theatres that provided an appropriate atmosphere for their static, militaristic performances.

    Early on, the band provided no official photographs or any more information outside of a Swiss mailing address found inside of the albums. The band rarely appeared live or granted interviews. No songs were ever given official titles. After their split, both of the duo were considerably more vocal and promotional images were released.

    With each subsequent release the band presented themes traveling further into European history and becoming more martial, choral and bombastic in approach, culminating in their final album; the largely World War II-inspired The Smell of Blood but Victory (1997)…