• Distribution,  Vinyl

    Tehôm ‎– Live Assault (Picture Disc 12″)



    Tehôm ‎– Live Assault (Picture Disc 12″)
    Label: La Esencia – LER016/2017,
    Format: Picture Disc 12″, Vinyl, CD, Album
    Country: Germany
    Released: 22 Aug 2017
    Style: Ambient, Dark Ambient, Industrial

    This album is dedicated to the memory of beloved
    JOHN RUSSEL MURPHY (11 July 1959 – 11 October 2015)

    TeHÔM brought us a new album with live audio recordings of the performance at the well known and huge Brutal Assault Festival (“Keep Ambient Lodge”) in Czech Republic on 12th August 2016.

    It was recorded through a mixer as well as two microphones to capture the essence of the experimental live sound.
    Vocals and special drone sounds are made with a tube instrument for this occassion and extra sounds are added in the live set.
    Tracks are slower than the original album versions to give them even more sense of dense and organic ritual to the performance.

    TeHÔM’s music recalls visions of ancient cultures, evoked by hypnotic, abstract and organic soundscapes wrapped in ritualistic and esoteric atmospheres. It is almost orchestral electronic music filled with tribal sounds, also serving as an example for almost every kind of ritual.

    The primordial flood of Chaos awaits to penetrate the innermost parts of your soul.

    This edition comes presented in a 12″ Picture LP with the bonus CD “Extra Assault” that contains extra and unreleased material only available on this set, a A4 printed sheet and a set of 3 postcards.

  • CD,  Distribution

    Peter Andersson ‎– Music For Film And Exhibition 3


    Peter Andersson ‎– Music For Film And Exhibition 3
    Label: Wrotycz Records ‎– WRT 018
    Format: CD, Album
    Country: Poland
    Released: 12 May 2013
    Style: Ambient, Field Recordin

    This is a different experience! It’s very concrete and descriptive, and in some cases almost natural, but always with some twists making it much more magic and enigmatic than just the plain sounds alone. Exhibition music can be difficult to describe because they really need to be presented and experienced in their original context. It’s about sound design and soundscape composition. The key to understand the exhibition music presented here lies in the order of sounds and their combinations in layers and alterations through time. It makes the listener coming closer to the sounds, to investigate in their meanings and roles within the given frames. It’s like being a sound detective.

    ‘Music for Film and Exhibition 3’ is, as the name suggests, the third album with film and exhibition music by Peter Andersson. It contains music for various exhibitions from 2011 to 2013 and also some recently found sketches for the ‘Tulpa’ soundtrack, which was released in their full and final versions on the ‘Music for Film and Exhibition I’. Technically ‘Music for Film and Exhibition 3’ is the first album by Peter Andersson which is mastered according to the so called K-level standard, specifically to K-14. The K-standard will ensure that the highest dynamical range will be preserved in the music. It will benefit the listener because the music will simply sound much greater than a hot or over-compressed album. All one need to do is to give an extra push one the amplifier volume control to match the gain of a hot mastered album.

  • CD,  Distribution

    Peter Andersson ‎– Music For Film And Exhibition II


    Peter Andersson ‎– Music For Film And Exhibition II
    Label: Old Europa Cafe ‎– OECD135
    Format: CD, Album
    Country: Italy
    Released: 2010
    Genre: Electronic
    Style: Modern Classical, Field Recording, Experimental, Ambient

    ‘Music for Film and Exhibition II’ is just like that: a levelled declitre of raison d’être, a brimful tablespoon of Atomine Elektrine, a couple of teaspoons of Necrophorus and a little bit of this and little bit of that, mixed into a perfect blend of many tastes.
    Peter Andersson, well-known from projects like Raison d’être, Stratvm Terror, Necrophorus and Atomine Elektrine, shows here broad spectrum of sonic atmospheres, like if all of his different music projects were combined into one.
    From ambient-drone-textures and electronic chill-out to concrete sounds to even pure atmopsheric piano tunes.

    ‘Music for Film and Exhibition II’ is the sequel of ‘Music for Film and Exhibition’ (Yantra Atmospheres, 2007).
    While the previous output contains collected works from different exhibition projects and movies spanning from 1999-2005, this sequel is focused on one single project; an exhibition.
    Peter Andersson has lately worked as a media producer at Swedish Air Force Museum and being involved with their new large permanent exhibiton about the Cold War.
    Within this project Peter has worked with sound design and movie production in particular.
    The sonic results are presented on ‘Music for Film and Exhibition II’.
    Some of the tunes are used as soundtrack for exhibition movies while the main part are sonic atmospheres and soundscapes to create the ambience of the exhibition rooms.
    The music is presented here as stand alone productions, displaced from its original context.
    To fully experience the music in its environmental Raison d’être there is no other way but to travel to the Swedish Air Force Museum. Until then, you may enjoy the music on its own.

    The CD comes in a six panel digipak covered with beautiful Sunset painting by italian artist Christian Montagna/FLOODSart.

    Tracklist
    1 Agnus Dei
    2 Sarkophagos
    3 Piano Movements 1 – 8
    4 The Last Journey
    5 Inside The Heat
    6 In Suspense