The Sacro Catino is an artifact preserved in Genoa in the Museum of the Treasure of the Cathedral of San Lorenzo. It was portrayed as the Holy Grail, or the simulacrum of the dish used by Jesus Christ during the Last Supper; however modern studies considered it to be an Islamic artifact of the 9th-10th century. Incluido en el compilado THE GRAAL – A tribute to the Holy Grails – GH Records
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Carmina Funebria – Ecce Mors
Carmina Funebria – Ecce MorsFormat: Cassette Limited EditionCountry: SpainStyle: Black Metal, Drone, Dark Ambient Putridarium presents the second work of Carmina Funebria, a search of the most primitive sounds of mysticism, the occult and the revelation of a certain truth, here is the emptiness …. Limited to 50 numbered copies, silkscreened cardboard box. Music and artwork by Conductor. Ecce Mors by Carmina Funebria
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Zazen Sounds Magazine Issue 25
Zazen Sounds Magazine Issue 25 The new issue of Zazen Sounds Esoteric Publication featuring interviews with BEHEXEN, BLAZE OF PERDITION, ÆVANGELIST, MARS, ISOMER, THYRATHEN, WOTHROSCH, LUCUSFAUNI, SUNSTRIKE, SDUG BSNGAL, HERTOGENWALD, and more, as well as esoteric articles & representation of art, philosophical articles, and reviews. 64 pages dedicated to Art and Esotericism – Musical Art / Philosophy / Traditionalism / Sacred Science. «We are a free thinking society and welcome all the Individuals that are free from Dogma-Fanaticism and Blindness. True Spirituality means Liberation from the Bounds and all kinds of Drugs that society offers and enslave the Individual in Mind and flesh and alter his mind’s perspective to transformation…
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Socotra – El Futuro Tiene Sus Raíces En El Pasado
Socotra – El Futuro Tiene Sus Raíces En El PasadoLabel: Gradual Hate Records – GH 153 CDFormat: CD, Album, DigipackCountry: SpainStyle: Dark Ambient, Doom Metal Gonzalo Santana (Pylar) y Fran Sánchez se conocen desde hace ya muchos años. Han grabado, tocado en directo, compuesto y ensayado juntos la suficiente cantidad de veces para que, después de varios años sin verse, puedan volver a sentarse juntos con sus instrumentos y de manera espontánea y casi sin planificar, grabar este disco en el que la improvisación ha sido el método de composición principal. Escuchar la única canción-río del disco, de 22 minutos de duración, traslada inmediatamente al oyente a visualizar paisajes sonoros…
