• Distribution,  Vinyl

    Anemone Tube / Post Scriptvm ‎– Litaniæ Mortuorum Discordantes (Vinyl, LP)


    Anemone Tube / Post Scriptvm ‎– Litaniæ Mortuorum Discordantes (Vinyl, LP)
    Label: La Esencia ‎– LER015/2016
    Format: Vinyl, LP, Limited Edition, Golden Vinyl
    Country: Spain
    Released: 19 Dec 2016
    Style: Dark Ambient, Industrial, Abstract, Experimental

    For lovers of soul-shredding funeral music built on dissonance / Triggering spiritual delight / Intended for church performance

    Under the headline “Litaniæ Mortuorum Discordantes” Anemone Tube and Post Scriptvm present a collaborative album with a truly unique concept: Originally applied to a particular style of ancient ritual music, in the Classical era the term Litaniæ Mortuorum Discordantes attained a negative connotation and was used to criticize those compositions – which, instead of instilling listeners with the desired pious euphoria, incriminated them with a sense of dread, existential anxiety, feelings of
    death and decay. Finding this aesthetic choice to be most appropriate for the present era, the two post-industrial projects attempted to create their own “Discordant Death Litanies” for the XXI century.

    The idea is culled from a semi-fictional biography of Johann Sebastian Bach, written by a 19th century Russian author. In the chapter describing Bach‘s childhood and early education, his older brother – who was also his music teacher and mentor – dissuades him from composing those “Litaniæ Mortuorum Discordantes” as they dangerously steer the Christian liturgy into a “wrong” direction of primordial chaos. In reality Bach never dealt with such dark notions, but created the most versatile and accomplished musical glorifications of the Christian god ever composed.

    Yet tempted by the imagination of real “Litaniæ Mortuorum Discordantes”, Anemone Tube and Post Scriptvm stage a linear, gradually unfolding “oratorio” which begins with layers of lush brass synths resounding a time and place enveloped in ancient mythical beauty. The pristine serenity, however, slowly deteriorates through the influx of anguish, social decay and profanity. Raw field recordings, throbbing electronics, metallic tremors, distant voices and chants portrait a life of numbness and confusion, where man – tormented by ignorance, ignoble desires and anger – has become a plaything of insane “Weltanschauungen” and the commercialization plague. In a world where spirituality is reduced to rituals of sadness, the prophetic – and confirmed – certitude that the end of civilization is close at hand prevails.

    • Standard vinyl edition comes with golden vinyl, full color cover with spine, printed paper inner sleeve and high-quality PVC sleeve with silkscreen printed golden typography. Limited edition of 200 copies.

    Ref: LER015/2016, La Esencia
    Release date: Late January, 2017

    Myth and the Relation to the World
    Recueillement (Sa Propre Mort)
    Irruption of the Whore
    Composed, recorded, edited and mixed by Anemone Tube 2013–2016, with field recordings made in Kyoto, Nanjing and Shanghai, 2007/2009 and synthesizer. Gong sounds and additional samples on Irruption of the Whore by Post Scriptvm, 2013. For Ola.

    Buried in Fabula
    Dark and Nameless Gods
    Laterne D’Horreur
    Composed, recorded, edited and mixed by Post Scriptvm in Trepan Studios, Brooklyn, NY, USA, 2014–2015.

    Mastered by Hunter Barr, 2016.

    Cover drawings by Post Scriptvm, 2016.
    Typography, design & inner sleeve photo by Anemone Tube, 2016.
    Photo detail of Tryptic of Saint Stanislaus the Bishop, painted and guilded limewood, Hans Süss von Kulmbach, ~1610; Gallery of Medieval Art, Warsaw.

  • CD,  Distribution

    Kongo – Blubber


    Kongo – Blubber
    Label: Ur Muzik ‎– UR010
    Format: CD, Album
    Country: Poland
    Released: 22 Dec 2016
    Style: Industrial, Experimental

    Henrik Nordvargr Björkk and Peter Nyström are both well known figures in the realm of dark soundscapes. They have been providing their obscure sonorities for decades now and each new release by either of the two legendary artists is an awaited treat. With their new project KONGO, Björkk and Nyström set off on a journey where they delve deep into early industrial music: using cut-up technique, processing speech samples, looping distorted melodies and making Blubber the ultimate homage to Severed Heads and Cabaret Voltaire’s works. It’s hectic, obsessive, and crazy. And it’s got that punk feel to it – a perfect soundtrack to the fucked-up world we are living in. Comes with an amazing artwork by Kellerman Design in a digipack edition of 300 copies.

  • GH Records

    Teatro Satanico ‎– Der Tod In Venedig

    Label: Ufa Muzak ‎– UFA72
    Format: CD, Limited Edition, Reissue, Remastered
    Country: Russia
    Released: 2016
    Style: Experimental, Industrial, Minim
    al

    Packed in 4-sided digipack A5. Standart edition 170 copies
    All tracks produced and recorded by Devis Granziera between 2010 and 2011, except 07 and 08 produced recorded in 2013. 09 recorded live at TNT Club, Milan (Italy), 2013.
    Teatro Satanico is an electronic experimental project from Bassano Del Grappa (Vicenza). The only person behind this project is Devis Granziera (also known as Devis G. and DeviLs G.). Various others artists are appeared on the Teatro Satanico releases, such as Alberto Maria Kundalini, Tairy Ceron (also in Ait!), Sissy Biasin, Clau D.E.D.I. (ex-Ain Soph), Spectrae (Ain Soph) and many others.
    Teatro Satanico was never involved in police-raid. Some year ago the project has been inquired with negative outcome. The famous “Confesso Tutto!” is only a bizarre and ironic song about an imaginative girl assassination. This track is a mockery versus the judge that has accused Teatro Satanico in the early ‘90.
    On the early releases Teatro Satanico appear as “Teatro Satanico Charles Manson”.

    Buy: 13 € http://www.gh-records.com/1310-teatro-satanico-der-tod-in-venedig-cd-ltd-re-rm-.html

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