• CD,  Distribution

    Vhril – Vortex Psysynthesis


    Vhril – Vortex Psysynthesis
    Label: Old Captain ‎– OCCD23
    Format: CD, Album, Limited Edition, Reissue
    Country: Ukraine
    Released: 23 May 2016
    Style: Industrial, Experimental, Dark Ambient

    In the name of Ulex, in loving memory of John, here comes Vhril!
    Vhril began life as Ulex Xane’s (Streicher, Zero Cabal fame) own solo project in 1991.
    He and John Murphy (rip) had been friends since the early 1980’s and had long wanted to do some duo recordings together contributing to each other’s projects on several occasions and playing live together.
    John became interested in the Vhril concept when Ulex had told him about its occult associations exploring Thulean esoteric paths and Vril energies in a ritual setting.
    Together they would record material during extended sessions/meditations and assemble it into specific tracks later:
    John often brought tapes of material he’d recorded elsewhere to be used as a basis to add other sounds in Ulex’s studio.

    Later on when John went up to Sydney again he took the Vhril idea with him and morphed it into his Shining Vril project (but that’s another story, folks).
    In the vein of Ain Soph or Zero Kama, the present “Vortex Psysynthesis” record, originally released via Zero Cabal in 1992 as a limited tape, commemorates the dawn of early sparse and minimal ritual style music, using John’s tapes, bells and percussion and Ulex’s natural recordings, clay percussion and electronics.
    Enter the Janus’ psychedelic world of the two twisted minds to be immersed by ever-evolving Vhril sun that never rises.

    1. Transcosmic Mutations (The Vile Vortices) 27:31
      2. Sedona 05:50
      3. Sedona 2 08:38
      4. Ipsissimus 16:39
      Total playing time: 58’39»

    Vhril began as my own solo project in 1991, initially as a clandestine extension of my Thule Society music. John Murphy and I had been friends since the early 1980’s and had long wanted to do some duo recordings together. We had contributed to each other’s projects on several occasions, and played live together, but had not yet formed our own project. He became interested in the Vhril concept due to its historical and occult associations. Vhril explored the esoteric concept of the Vril topos, the Black Sun and Thulean paths in an improvisational ritual setting. I used the spelling of Vhril with an ‘h’ to emblematize it as our own version of the Vril-Gesellschaft and to avoid confusion with other forms of Vril already in existence.

    So John joined me and we did two Vhril albums which were released on my label Zero Cabal. We had the idea that we were creating Vhril as a kind of symbiotic twin being, and decided to invoke and use ‘magickal’ royal names such as the Duke di Stortion, the God-King and Sir J. Arthur Ferrero (John apparently had some relational ties to the Ferrero Rocher chocolate family!). We would record material during extended candlelit sessions, to be formed into specific tracks later. John would bring tapes of material he’d recorded elsewhere and we’d use that as a basis to add other sounds to in my studio in Melbourne. Later on, when John went to live interstate in Sydney he took the Vhril idea with him and morphed it into his own Shining Vril project.

    Ulex Xane,
    May 2016, Melbourne, Australia

  • Distribution,  GH Records,  Vinyl

    TSIDMZ, Gregorio Bardini ‎– Oriente E Occidente



    TSIDMZ, Gregorio Bardini ‎– Oriente E Occidente
    Label: Old Europa Cafe ‎– OELP 015
    Format: Vinyl, LP, White Vinyl – 100 Handnumbered Copies
    Country: Italy
    Released: 2015
    Style: Folk, Industrial

    Tibetan bells, Eastern and Western Gregorian chants, Mongolian throat singing, Pakistan flutes, bagpipes, Tunisian Mizwab, Sufi dhikr, martial drums, ethnic and tribal drums, speeches of personalities like E. Pound, P. P. Pasolini, Imam Khomeyni; majestic scenarios representing, in a whole ethnic-industrial musical opera, a picture of the various identities, peoples and traditions living on the great geographic space called Eurasia.

    “Eurasia” was also the name of the first Gregorio Bardini cd, now totally replayed with TSIDMZ.

    All the songs have been re-composed and re-played by Gregorio Bardini and TSIDMZ in 2014.

    All the flutes are played by Gregorio Bardini.

    Mixed at Tetsuo studio.

    Final Mastering by Peter Andersson (Raison D’ Être).

    Graphics and layout by Emily NewResistance.

    Tracklist:
    A1. Canto per i morti
    A2. Die Sklavenmoral und die Herrenmoral
    A3. Gestige Revolution gegen die Macht des Goldes
    A4. Non fu l’uomo a creare il coraggio, o l’ordine, o la grazia

    B1. Cicli Cosmici
    B2. Tamerlano
    B3. Esoteriemo Islamico
    B4. Lusso e Capitalismo

  • Distribution,  Vinyl

    Coàgul – La Forja Centrípeta



    Coàgul – La Forja Centrípeta
    Label: Burka For Everybody – 30
    Format: Vinyl, LP
    Country: Spain
    Released: 31 Aug 2015
    Style: Industrial, Drone, Neofolk

    “La Forja Centrípeta” is a sonic support by which the listener can “forge” his or her spirit, going from the outside into the inside. It consists of five sonic spells, conceived and composed by Marc O’Callaghan in Easter 2014 between Barcelona and Picanya.
    The first four ones, which are contained in the fisrt side of the record, equeal to the four ages of mankind. But more than four ages in the historical sense of the development of human kind, in this case they are concieved more like four different states of being.
    Four possible stadiums in which the listener can enter by meditating on each spell. It begins with the most materialistic age, the iron age (which is the age in which we live today at this moment of history, aswell as the default state of being in which a common human lives these days); and ends ate the very core with the most spiritual age, the golden age. The length of each spell is in proportion with the mathemathics of the traditional division from the Vedic doctrine of the four yugas. The last spell, which occupies the whole second side of the record, is an incarnation of the new city, which is another name for the heavenly city of the New Jerusalem that shall descend unto earth at the end of the Apocalypse. Thus when the four ages are finally consumated, we are ready to enter the holy city, where all things are each one in its very right place and distributed in absolute cosmic harmony.
    The twelve stanzas of this long spell equal to all that is twelve: the zodiac, the precious stones, the fruits of the tree of life, the angelic typologies, the months of a year, the prophets, et cetera. The first side of this vinyl symbollically equals to the circular shape, and the second one equals to the square shape. So all in all, “La Forja Centrípeta” is a big sonic tool that can be magickally used to achieve what the hermetists rightly called “the squaring of the circle”.

    The whole five songs were performed by Marc O’Callaghan and recorded and mastered by Daniel Muerte during May 2014 at La Cova de la Bèstia, Barcelona.
    All artwork conceived and drawn by Marc O’Callaghan during January 2015. The inlay photo was taken by Adriana Petit in February 2015 at the Bronze Bureau, Barcelona.