• Distribution,  Vinyl

    Lisa Gerrard & Jules Maxwell – Burn (Vinyl, LP)

    Lisa Gerrard & Jules Maxwell – Burn (Vinyl, LP)
    Label: Atlantic Curve – AC003-1
    Format: Vinyl, LP, Album, White
    Country: Europe
    Released: May 7, 2021
    Style: Darkwave, New Wave, Experimental, Neo-Classical

    La enigmática Lisa Gerrard en colaboración con Jules Maxwell, ambos implicados en Dead Can Dance, llevan trabajando en este proyecto desde hace más de 7 años. Esta colaboración lleva el nombre de “Burn” y cuenta con la producción de James Chapman de Maps.


    Heleali (The Sea Will Rise)
    Noyalain (Burn)
    Deshta (Forever)
    Aldavyeem (A Time To Dance)
    Orion (The Weary Huntsman)
    Keson (Until My Strength Returns)
    Do So Yol (Gather The Wind)

    Lisa Germaine Gerrard (/dʒəˈrɑːrd/; born 12 April 1961) is an Australian musician, singer and composer who rose to prominence as part of the music group Dead Can Dance with music partner Brendan Perry. She is known for her unique singing style technique (glossolalia), influenced by her childhood spent in multicultural areas of Melbourne. She has a dramatic contralto voice and has a vocal range of three octaves.

    Born and raised in Melbourne, Gerrard played a pivotal role in the city’s Little Band scene and fronted post-punk group Microfilm before co-founding Dead Can Dance in 1981. With Perry, she explored numerous traditional and modern styles, laying the foundations for what became known as neoclassical dark wave. She sings sometimes in English and often in a unique language that she invented. In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer). Gerrard’s first solo album, The Mirror Pool, was released in 1995. She has been involved in a wide range of projects, starting her first collaborative album in 1998 with Pieter Bourke, and then with various artists throughout her career, who comprised Patrick Cassidy, Klaus Schulze, Hans Zimmer, among others. She has scored numerous award-winning motion picture soundtracks.

    As of 2020, Gerrard has released four solo albums and collaborated on sixteen albums. She composed and contributed the scores to more than 48 movies. She received a Golden Globe Award for the music score to the 2000 film Gladiator, on which she collaborated with Hans Zimmer. She wrote the score of Balibo which went on to win an ARIA award for Best Original Soundtrack and an APRA Screen music award for Best feature film score. Overall she has won 11 awards receiving 23 nominations. Gerrard has been nominated for a Grammy Award twice…

  • Distribution,  Vinyl

    The Mystery Of The Bulgarian Voices Featuring Lisa Gerrard ‎– Shandai Ya / Stanka (Vinyl LP | Black)

    The Mystery Of The Bulgarian Voices Featuring Lisa Gerrard ‎– Shandai Ya / Stanka (Vinyl LP | Black)
    Label: Prophecy PRO 243 LP
    Format: Vinyl, 12″, EP
    Country: Europe
    Released: 17 Apr 2020
    Genre: Folk, World, & Country

    Otherworldly female vocals from extraordinary performers have always been the trademark of world-famous choir ensemble The Mystery Of The Bulgarian Voices (formerly known as «Les Mystères Des Voix Bulgares»). After an almost 20-year hiatus due to the death of producer Marcel Cellier, the choir released its critically acclaimed comeback «BooCheeMish» in 2018 together with esteemed guest vocalist Lisa Gerrard (Dead Can Dance), combining magnificent vocals from various stylistic backgrounds and traditional Bulgarian instruments with modern elements like beatboxing. The ensemble and its host of guests embarked on a successful tour in 2018 and 2019, performing in renowned concert venues such as the Concertgebouw in Amsterdam, The Netherlands or L’Ancienne Belgique in Brussels, Belgium.

    Summer 2020 sees a continuation of the choir’s live activities in Europe, and the new 7-track EP «Shandai Ya / Stanka» presents the strongest songs from «BooCheeMish» in even more refined versions alongside two exclusive tracks – an impressive live rendition of Gerrard’s solo composition ‘Rite Of Passage’ from a concert in Warsaw, Poland and ‘Zaidi Sluntse’, a collaboration between the choir and beatbox world champion SkilleR, marrying vocal skills that could not be more contrastive to great effect.

    1. Shandai Ya (Version)
    2. Stanka (Choir Version)
    3. Zaidi Sluntse (Previously unreleased)
    4. Mome Malenko (Radio Edit)
    5. Rano Ranila (Version)
    6. Rite Of Passage (Live in Warsaw)
    7. Shandai Ya

    – LP (black vinyl) with printed inner sleeve (700 copies available)

  • Distribution,  Vinyl

    Peter Ulrich ‎– Pathways And Dawns

    Peter Ulrich ‎– Pathways And Dawns
    Label: Infinite Fog Productions ‎– IF-103LP
    Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered
    Country: Russia
    Released: 2020
    Style: Folk Rock, Ethereal, Folk

    Tthe first vinyl
    edition of Peter Ulrich’s debut solo album “Pathways And Dawns”.
    Widely known for his past work as drummer/percussionist with legendary Dead Can Dance and contributor to 4AD’s This Mortal Coil, Ulrich emerges here as a writer of hauntingly beautiful melodies
    and deeply poetic lyrics. “Pathways And Dawns” is packed with driving rhythms and meditative ritual patterns of percussion. With some inspired guitar-work, arrangement, and production from DCD mastermind Brendan Perry, the result is a pure delight…

    The album was recorded in two parts, the first in England in 1990, and the second after a long time break in 1996-97, by Brendan Perry at DCD’s Quivvy Church studio in Ireland. The album was released on CD in 1999 on the US label Projekt and was dubbed by critics as «the album the Beatles might have made had the group signed with 4AD instead of Capitol» and «a wonderful collection of songs that, while in the 4AD school, shimmers with an inner lightness that makes it very different «.

    This absolute masterpiece of spiritual music, so badly wanted on vinyl for so long, is available now. Mastered from Original master takes by Martin Bowes (Attrition).

  • CD,  GH Records

    Wind Atlas ‎– Lingua Ignota

    Wind Atlas – Lingua Ignota
    Label: Gradual Hate Records ‎– GH139 CD, Twilight Records ‎– TW 1.156
    Format: CD, Album
    Country: Spain
    Released: June 2018
    Style: Darkwave, Folk, Psychedelic Rock, Post-Punk, Experimental

    Buy Digital Download → Lingua Ignota | Wind Atlas | GH Records (bandcamp.com)

    /// SOLD OUT ///

    Recorded and mixed by Javier Ortiz Fullton at Estudios Brazil in december 2014. Studio Assistant: Marcos Bandera. Mastered at Yves Roussel Mastering by Yves Roussel in january 2015. Cover art is “Magic Circle” (1886) by John William Waterhouse. Artwork designed by Raúl Q. de Orte.

    Backing Vocals – Raúl Pérez Pérez, Raúl Q. De Orte, Sergi Alejandre
    Bass – Iván Montero
    Bouzouki – Sergi Alejandre
    Drums – Raúl Pérez Pérez
    Guitar – Sergi Alejandre
    Lead Vocals – Andrea Pérez
    Mastered By – Ives Roussel
    Mixed By – Javier Ortiz
    Recorded By – Javier Ortiz
    Santoor – Raúl Pérez Pérez
    Synth – Raúl Q. De Orte

    Wind Atlas’ music has gained in nuances, drifting smoothly from dark dream-pop and new-wave passages (which remind us of Dead Can Dance) to gloomy postpunk atmospheres similar to those of Crispy Ambulance, Durruti Column or In Camera.
    Music to think of an unknown continent, to look for the lost alchemical formula, to eventually discover Talos the robot hurling rocks at the Argonauts. Music that requires to do nothing but listen, a task that nowadays appears almost impossible.

    The message is conveyed in an imagined language from a terra incognita, the lingua ignota. Each song is like an accent or a period, like a comma, a verse, a whole chapter of a liturgical chant. Gibberish for those who relish the best soundtrack by Basil Poledouris and the 4AD catalogue.

    The album was recorded in Estudio Brazil (Madrid) with Javier Ortiz and mastered in Yves Roussel Mastering (Barcelona).

    “Wind Atlas, if “Ecdisis” is any indication, sound a bit like Sioux Sioux after the Banshees broke up, if she had gone in a more interesting direction. Or maybe if Peter Murphy had started a project with Sioux Sioux? Something like that. Truth is, it doesn’t matter once those early Edge/Chameleons guitars, full of melodic urgency despite their simplicity, hit; the ritualistic feel of the backing turns up their immediacy even more, to the point where the whole composition seems to depend on them.

    But that voice, ringing through the ether, also needs something, anything, to happen, lest the sands of time swallow her whole. It’s a mystical, otherworldly trip…“


    La música de Wind Atlas es rica en detalles, deslizándose refinadamente de oscuros pasajes dream pop new wave (que bien traen a la memoria a Dead can Dance) a la bruma de atmósferas postpunk que podían hacer grupos como Crispy Ambulance, Durruti Column o In camera.

    Música para pensar en un continente no conocido, buscando una formula alquímica perdida, y acabar descubriendo al robot de Talos apedreando argonautas. Mejor dejémoslo así, en no hacer nada mientras se escucha, una tarea que se nos plantea hoy en día imposible.

    El mensaje se proyecta en un idioma imaginado de una terra incógnita, la lengua ignota. Cada canción es como una tilde o un punto, como una coma, un versículo, un capitulo entero de un canto litúrgico. Un galimatías entre quienes disfrutan de la mejor banda sonora compuesta por Basil Poledouris y el catalogo de 4AD.

    1.Eurydice’s Chant 02:38
    2.Sound Of Gold, Rhythm Of Jade 05:17
    3.The Sun Rises 03:47
    4.Hylé 02:40
    5.Stalker 05:13
    6.The Goddess Is Where It Is Venerated 05:43
    7.Ecdisis 04:44
    8.Demona 06:35
    9.The Joy Of The Auloniad 02:30

  • CD,  Distribution

    Arcana – Le Serpent Rouge

    Arcana – Le Serpent Rouge
    Label: Projekt ‎– PROJEKT171
    Format: CD, Album, Repress
    Country: US
    Released: 2011
    Style: Neo-Classical, Dark Ambient

    On their sixth full-length release, Sweden’s Arcana leaves behind ancient Western ruins and cathedrals for Arabian deserts filled with magic and mysticism. The sound of the Middle East flows through this amazing album; Armenian duduk, dulcimer, Egyptian finger cymbals, timpani and cabasa are just part of the musical arsenal on Le Serpent Rouge, taking Arcana to a higher dimension, exploring new melodies and realms. This is Arcana as you have never heard them before!

    With their lush blend of spirituality and earthly emotions, Arcana has always been compared to Dead Can Dance. At Arcana’s heart is Peter Bjärgö who started over 10 years ago making music that captivated the ambient / neoclassical scene. The traditional sound with strings, bells and timpani, the angelic female tunes, Peter’s dark voice and the emotions behind the music have made Arcana one of the leading bands within this genre.

    Now Peter boldly ventures into the hot Arabian desert, breathing life from the baking sun and the serpent’s dance. Le Serpent Rouge envelops the listener in a powerful rhythmic sensuality; one feels the sands of the desert slowly begin to swirl, twilight falls across the dunes and in the distance perhaps a lonely nomad’s fire burns . . . just beyond its reach, one can make out the subtle movements of a great red serpent . . . edging ever closer . . .

  • La Noche de los Candiles

    La Noche de los Candiles ( edición 2024 )

    La Noche de los Candiles 2024 será el día 4 de Mayo, Sábado.
    Almócita (Almería) Alpujarra Almeriense.

    Evento gratuito


    Falç de Metzinera
    Bear, The Storyteller
    Ritual Duir
    El Último Sol

    Victor Santal (nueva incorporación)

    Organiza: GH Records
    Organiza: Almócita Ayuntamiento / Guadalinfo Almócita
    Patrocina la Consejería de turismo y comercio, Gobierno de Andalucía.

    Ver fotos y videos aquí → La Noche de Los Candiles (@lanochedeloscandiles) • Fotos y videos de Instagram

    El fuego como catalizador en la Noche de Los candiles, la música como vehículo de invocación. Ritualización con Fuego y Música la comunión de los elementos, después del apagón simbólico y el encendido de antorchas y candiles, nos sumergirá en la verdadera esencia de La Noche de los Candiles

    Falç de Metzinera ( @falcdemetzinera ) es un proyecto único. Una rara avis en el panorama musical estatal que entremezcla y fusiona magistralmente diferentes disciplinas artísticas y que se inspiran en las vivencias personales de cada una de sus integrantes alrededor de la brujería tradicional y la figura de la “bruixa” en Catalunya y Bretaña.

    El proyecto artístico formado por Anna de Mas (bailarina de fuego, crótalos, tambor chamánico), Martha Wood (voz, bajo, flauta) y Claudia Haze (voz, batería, flauta) se basa en el estudio de la tradición, la historia y el origen de la “metzineria” (el ocultismo y la simbología). Falç de Metzinera transmiten a través de la danza y la música un umbral de emociones y espiritualidad, como muy pocas otras bandas consiguen hacerlo. En sus actuaciones consiguen adentrar al espectador en un mundo onírico que se funde con riffs pesados y melodías medievales, interpretadas por movimientos imposibles de Tribal Fusión y abanicos de fuego.

    Bear, The Storyteller ( @bear_thestoryteller)  en la @lanochedeloscandiles ! Seguimos con nuestra vocación de dar voz a propuestas muy alternativas con una línea temática marcada en el amor a la naturaleza, la tierra…

    Bear, The Storyteller es un proyecto Neofolk Dark Folk instrumental, con espíritu experimental debido a las diversas influencias musicales, los temas se caracterizan por compartir un denominador común, la naturaleza y cultura asturiana como mayor fuente de inspiración con su música.

    «Te adentras en un brillo y frondoso bosque, la sombra de los robles refresca tu cuerpo y los pájaros cantan distintas melodías que te llevan a un claro inimaginable…·

    Ritual Duir nació en 2018 Caminando por el sendero de los druidas, para consagrar respetuosas ofrendas al gran y viejo roble, al que a través del tiempo hemos dedicado nuestros rituales ancestrales. Una hoguera bajo el cielo nocturno, gaitas, flautas, guitarras y tambores resuenan entre los árboles.
    Sobre el escenario recreado nuestro «Nemeton» donde los rituales, las leyendas, la historia y el conocimiento druídico nos envuelven de de espiritualidad y festividad. Una vez invocados a nuestros guias ancestros, si hay paz al este, al sur, al oeste y al norte queda abierte el circulo sabrado y con la bendicion del universo presentamos nuestro show.
    Con dos albums publicados «The Path of the the Druids» 2019, nominado a mejor álbum debut de los «Celtcast Fantasy Awards» 2020 y «Nemetonia» 2022 y despues de tocar dos años consecutivos 2022 & 2023 en el famoso festivale Holandes Castlefest seguimos trabajando en nuestro show para seguir ofreciendo lo mejor de nosotros. Ritual Duir. Emociones, espiritualidad, risas y mucha fiesta pagana sobre el escenario.

    El Último Sol 
    Hola a todos, tenemos la mala nueva de anunciar la ⚠ cancelación ⚠ de los dos conciertos programados por El Último Sol  en La Noche de los Candiles 2024.

    Por causas ajenas a su voluntad, los artistas se ven forzados a cancelar su actuación, una verdadera lástima, los emplazamos para otra próxima edición.

    ¡Agárrense a sus asientos! ¿os imagináis una mezcla entre Hedningarna, Hurdy Gurdy, La Musgaña o Black Sabbath? Todo pasado por el filtro de estos músicos. Así que apuntad fecha en la agenda: 4 de Mayo, Sábado, Almócita, Almería.

    Tündra aparece como una de las cosas más interesantes que se han hecho en España en los últimos tiempos dentro de la recuperación de la música tradicional” . Fernando Íñiguez, Radio 3 RNE

    ¿Qué más timbres necesitaban para generar ese sonido buscado? Pronto se incorporaron la gaita de Ignacio y la guitarra de francisco. Y en una tierra con escasa oferta de propuestas de folk, a los pocos meses el cuarteto recibe una primera propuesta para actuar. Esto aceleró el proceso de creación de un repertorio para el directo y sentó las bases para el debut discográfico, Folk Ancestro Sideral (2012), que grabarían gracias a resultar ganadores en el concurso Gota Music del ayuntamiento de Logroño.

    “Tündra es un grupo que experimenta con los sonidos tradicionales aplicándoles electrónica, guitarras poderosas y, desde luego, muchísima imaginación”. Juan Antonio Vázquez, Mundofonías

    ¡Victor Santal! vuelve a La Noche de los Candiles 2024

    Victor Santal pone banda sonora a la Plaza de Oriente con su arpa celta desde hace años.

    Entre los paseantes de la zona de Ópera el músico es conocido como “El Arpista del Palacio Real” y es habitual encontrarlo rodeado de gente que se para y se sienta, incluso en el suelo, para escucharle. Tiene un disco editado bajo el título de Arpa Celta a colaborado con proyectos conocidos por todos nosotros como Trobar de Morte o Cuélebre.

    La Danza de los 4 Elementos en @lanochedeloscandiles 2024 un espectáculo mágico que fusiona la danza con la esencia misma de la naturaleza. Los movimientos elegantes y apasionados reflejan la tierra sólida bajo nuestros pies, la fluidez del agua que nos rodea, la intensidad del fuego que arde en nuestros corazones y la libertad del aire que respiramos.

    Su performance será el punto de salida a la Noche de los Candiles

  • CD,  Vinyl

    Dead Can Dance ‎– Dead Can Dance

    Dead Can Dance ‎– Dead Can Dance
    Label: 4AD ‎– CAD 3622
    Format: Vinyl, LP, Album, Reissue
    Country: UK & US
    Released: 08 Jul 2016
    Style: Goth Rock, Ethereal

    On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion. If the range of the group is staggering, then so too is their disciplined economy, no song lasting more than four minutes or degenerating into formless cacophony. With the ve group members continually interchanging instruments, only the vocals of Lisa Gerrard and Brendan Perry remain as a constant focus”.
    The 2016 LP version is a repress of the original release

  • Distribution

    The Mystery Of The Bulgarian Voices* Featuring Lisa Gerrard ‎– BooCheeMish

    The Mystery Of The Bulgarian Voices* Featuring Lisa Gerrard ‎– BooCheeMish

    Label: Prophecy Productions ‎– PRO 228LP
    Format: Vinyl, LP, Album, 180 gr 
    Country: Europe
    Released: 2018
    Style: Folk

    The Mystery Of The Bulgarian Voices will release their first album of new studio recordings in over two decades on May 25th, 2018. Better known to many as Le Mystère des Voix Bulgares (Grammy winner for “Best Traditional Folk Recording”), ‘BooCheeMish’ sees the esteemed Bulgarian choir performing together with erstwhile 4AD Records label mate Lisa Gerrard (co-founder of the duo Dead Can Dance) on several tracks, thereby uniting two of the most distinctive vocal acts working in music. Gerrard, who is also well known for her movie soundtrack work on films such as ‘Gladiator’ and ’The Insider’, has often spoken about the influence the choir exerted on her singing technique when she discovered their music in the early 1980’s.

    In successfully connecting Bulgarian folklore with other traditions and cultures, the album manages to retain the unique identity of the voices, vocal styles and techniques of the individual choir members, even when allying them with acoustic accompaniment such as stringed instruments and various types of percussion, including beatbox.
    Once described as “the marriage of the avant-garde and the Middle Ages”, the magic of the ensemble stems from its success in mastering Bulgaria’s diverse, age-old vocal traditions while simultaneously sounding strikingly modern and original, thanks to the unique choral music structure – multi-part a cappella arrangements that transform its collective sound into strange colours as if something other than the human voice is being heard.

    – LP (180g vinyl, black) incl. printed inner sleeve and protection sleeve

    01. Mome Malenko
    02. Pora Sotunda
    03. Rano Ranila
    04. Mani Yanni
    05. Yove
    06. Sluntse
    07. Unison
    08. Zableyalo Agne
    09. Tropanitsa
    10. Ganka
    11. Shandai Ya
    12. Stanka


  • CD,  GH Records

    Wind Atlas – An Edible Body

    Wind Atlas – An Edible Body
    Label: Gradual Hate Records ‎– GH 137 CD
    Format: CD, Album, Digipak
    Country: Spain
    Released: 26 Jan 2018
    Style: Dark wave, Cold Wave, Post-Punk,Experimental

    An Edible Body, Wind Atlas’ new album, marks a turning point in the band’s trajectory. Their third record builds a new space for the band to experiment and play with new sounds and electronic rhythms. Strangely, An Edible Body is the band’s most experimental album and at the same time the most accessible.

    After a change in the band’s formation at the end of the Lingua Ignota (BFE, 2015) tour, Wind Atlas take a break from performing as to discover new sounds and work on a new album. Without a bass player, the band turns to electronic music as an answer for mixing their ritual  ways with new intensities and rhythms never explored by them before. If their first albums, the EP Fen Fire (BPR, 2012) and The Not Found (BPR, 2013), were essentially influenced by 4AD’s eighties bands like Cocteau Twins or Dead Can Dance, with Lingua Ignota, Wind Atlas discover an array of possibilities beyond the bands initial reverb-pumped folk songs. Opening up to post-punk, primitive sounds and spiritual chants, they begin to include post-industrial hints that would later crystallize in the form of this new album, An Edible Body.

    In search of this new sound, the band decide to record the album in New York with Sean Ragon, main figure of the current post-industrial scene, leader of the band Cult of Youth -whom they meet after performing together in Barcelona- and occasional guitarist of Psychic TV, seminal band of the industrial music scene: the chemistry in the studio was immediate. An Edible Body was recorded in just two weeks, one freezing month of February in 2017, at Sean Ragon’s basement studio in Maspeth, Queens, New York.

    The album experiments not only with new sounds but also with new forms of speech. That’s why “Desertor»opens the album, a crude and simple song, in which the voice finds itself almost alone, in the aridity of a desert, threatened by a noise in the background. Interferences interrupt the words and the voice goes out of tune due to tape manipulation.

    That interference foretells what is to come, the anticipation of a new affirmation called “Shedding Light”. The drum machine blends with the acoustic drums and metal plates, the synthesizers stand out and the voice sings ironically to a new reality,  built in a more assertive and cruder way than in previous albums.

    Despite the apparent distance between songs, An Edible Body sounds oddly solid. The dark ambient sound of “Camino de la cruz” is far from “How to Liquify” or “Ruins”, the most unabashed pop song the band has composed to date. In a way, Sean Ragons production gives unity to an eminently heterogenous album. The eastern influences of Lingua Ignota reappear in “Herencia de Jade”, with a danceable industrial beat that takes on more significance when performed live.

    “En la cruz” is a techno tribute to San Juan de la Cruz and probably, one of the central tracks on the album. The new version of some of the verses from his Cántico espiritual combined with a dense rhythm that culminates in a polifony of voices affirming the existence of the force of the invisible, product of Sean Ragon’s magic in the studio thanks to the sound processors used on bands like Coil or Chris and Cosey.

    On the other extreme we find “Under these Waters”, a sound poem that sings to a theme present in the band’s imaginary from the start: the uncanniness of water. “Under these Waters” is a song with a strong sexual component built through hipnotic cadences and suggestive synthesizers.

    “To Clarice” is a post-industrial ballad, fundamental to understand Wind Atlas’ new vibe. Again, the influence of poet Leopoldo María Panero is reflected in the lyrics, which speak of a cathartic encounter. “To Clarice” is also an offering to writer Clarice Lispector, as well as a recognition of one’s body and the foreign body, its senses and its meanings.

    The album is out on January 26 through labels BFE Records and Hidden Track on vinyl, and GH Records on CD

  • GH Records

    Dead Can Dance ‎– Garden Of The Arcane Delights / John Peel Sessions

    Label: 4AD ‎– DAD 3628
    Format: Double Vinyl, 12",  45 RPM, EP, Reissue
    Vinyl, LP, Compilation
    Country: UK
    Released: 09 Nov 2016
    Style: Ethereal, Goth Rock

    Garden Of The Arcane Delights is the only EP released by Dead Can Dance, coming out in 1984 and acting as a bridge between their first two albums. Its sleeve a sketch by Brendan Perry, depicting “primal man deprived of perception, standing within the confines of a garden containing a fountain and trees laden with fruit… a Blakean universe in which mankind can only redeem itself, can only rid itself of blindness, through the correct interpretation of signs and events that permeate the fabric of nature’s laws.”

    This new expanded version sees the EP faithfully pressed on to one piece of a vinyl at 45rpm with a second disc being added, compiling both of the band’s sessions for John Peel, recorded in the same time period. 

    Track List:

    Carnival Of Light
    In Power We Entrust The Love Advocated
    The Arcane
    Flowers Of The Sea
    Instrumental (1983 Peel Session)
    Labour Of Love (1983 Peel Session)
    Ocean (1983 Peel Session)
    Threshold (1983 Peel Session)
    Flowers Of The Sea (1984 Peel Session)
    Penumbra (1984 Peel Session)
    Panacea (1984 Peel Session)
    Carnival Of Light (1984 Peel Session)

    Buy: http://gh-records.com/1625-dead-can-dance-garden-of-the-arcane-delights-john-peel-sessions.html

    Payment methods:
    Pay by bankwire
    Pay whith cash on delivery (COD)