Kazeria – Liber Corvus Label: Gradual Hate Records – GH 116CD, Twilight Records – TW 1.99 Format: CD, Album, Enhanced Country: Argentina Released: 10 May 2012 Style: Dark Ambient, Military, Neo-Classical
This album was conceived as a rite of passage from dusk to the deep night of the Spirit to reach the fullness of the Gnosis.The Crow guides the neophyte through the Four Hymns to achieve transmutation in the Midnight Sun, which is the Morning Star as a symbol of a new Golden Dawn. The edition was inspired by the thelemic works of Frater Perdurabo (the great Aleister Crowley) the medieval mysticism, hermetic symbols and heathen wisdom. The album contains four dark ambient songs representing the rites of Liber Corvus and a video-ritual directed by Diego Arandojo, that emphazises on the main theme of the work
LAFARIUM, 25 AÑOS A LA SOMBRA (2022) Lafarium es una revista dedicada al arte en todas sus manifestaciones. Una publicación que estudia las variantes plásticas, literarias y sonoras del mundo contemporáneo.
Con motivo de celebrar los 25 años del proyecto cultural «LAFARIUM», con sede en Argentina, se lanzó un CD-R independiente recopilando aportes musicales y sonoros de artistas argentinos, españoles y franceses. Tracklist: 01. Lafarium (Thierry Graff, 2004) 02. Web de Lafarium Contenidos (BTB, 2011) 03. Himno de Lafarium (Igniis y Diego Arandojo, 2011) 04. Blood ( Hiemis, 2022) 05. Phallus, extract (Kazeria, 2022) 06. Lafarium 25º aniversario (BTB, 2022) 07. Apertura de Lafarium TV (Igniis, 2018) 08. Stigma Diaboli (Thierry Graff, 2003) 09. En las tinieblas de la vanidad (Fer Cenzabella, 2022) 10. Oración silente a Jonos (Ördo y Diego Arandojo, 2022) 11. Arcoiris apocalíptico (Igniis y Diego Arandojo, 2016) 12. Una nueva religión ( The Wyrm, 2022) 13. Encerrados en Shanghái (Darío Martínez, 2022) 14. Entrevista a Alberto Laiseca (Diego Arandojo, Gladys Cepeda y Diego Ollero, 2004)
Lafarium Cuartiquis es una revista dedicada al arte en todas sus manifestaciones. Una publicación que estudia las variantes plásticas, literarias y sonoras del mundo contemporáneo.Una habitación sin tiempo ni espacio. Un punto de partida hacia el mañana
Revista multimedial de circulación secreta → Lafarium
Bandcamp eliminó estas obras en abril de 2023, eliminó todo Bandcamp de GH Records sin ninguna explicación, se eliminaron 12 años de música. A todos los que compraron la edición física o digital, muchas gracias por su apoyo.
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Bandcamp removed these works in April 2023, removed all of Bandcamp from GH Records without any explanation, 12 years of music removed. To everyone who purchased the physical or digital edition, thank you very much for your support.
Kazeria & Igniss – Summoning The Elder Ones “ a Neofolk / Neoclassic tribute to HP.Lovecraf” Label: GH Records – GH 104 CD Format: CD, Album + Video Country: Spain Released: 01 Apr 2010 Style: Dark Ambient, Martial, Neofolk
Summoning the Elder Ones was conceived by the two of us: Kazeria & IGNISS, and also shared with some friends. We wanted to express the visions, feelings, pleasures and fears that the magnificent opus of H.P.Lovecraft has provocated in our minds and spirits thru the years…
A work of epic proportions, with mystical ambience that immerses us in the unique cosmology of this fundamental writer. Martial, Dark Ambient, Dark Folk music, beautiful edition in cardboard sleeve, the CD includes a video by Kazeria
Track List:
1. Kazeria – A Three-Lobbed Burning Eye (The Haunter Of The Dark) 08:20 2. Igniis – Crawford Tillinghast (From Beyond) 05:12 3. Kazeria – Before The Altar Of Dagon (The Shadow Over Innsmouth) 09:00 4. Igniis – Cool Air 04:34 5. The Chronicles Of The Great Race (The Shadow Out Of Time) 08:39 6. Más Allá Del Río Skai (The Cats Of Ulthar) 06:07 7. Dark Peaks (Lat. 76º 15’, Long. 113º 10’ E) 09:05 8. U-29 (The Temple) 08:39 9. El Ceremonial (Igniis/Opus Nigrum) (The Festival) 03:52
:: Summoning the Elder Ones ::was conceived by the two of us: Kazeria & IGNISS, and also shared with some friends. We wanted to express the visions, feelings, pleasures and fears that the magnificent opus of H.P.Lovecraft has provocated in our minds and spirits thru the years…A work of epic proportions, with mystical ambience that immerses us in the unique cosmology of this fundamental writer. Martial, Dark Ambient, Dark Folk music, beautiful edition in cardboard sleeve, the CD includes a videoTrack List: A Three-lobbed Burning Eye, Crawford Tillinghast, Before the Altar of Dagon, Cool Air, The Chronicles of the Great Race, Más Allá Del Rio Skai, Dark Peaks, U-29, El Ceremonial (Mix by Opus Nigrum)
Desde 2006 y a lo largo de los últimos quince años, el Incubismo surge y resurge de la mezcla de elementos estéticos, filosóficos y culturales que flotan y vuelan sobre un humus contradictorio y extraño. Su misión es desfigurar y transfigurar símbolos, ideas y objetos de la anodina cotidianeidad.
El Incubismo es una meta y un proceso. Objeto fractal. Grimorio fallido.
El Incubismo fue, es y será.
/ / /
«Los Sonidos del Rito» es un compendio y un inquietante legado de quince años de Incubismo, interpretado por escultores sonoros como Fluor (Fuente Luminica Universal Oscuridad Recíproca), Darío Martínez, Djinn7 y Avral. Sus obras habitan promiscuamente con los textos incubistas de Diego Arandojo.
Paisajes postindustriales, música concreta, electrónica experimental, ruidismo y atisbos de post-rock y shoegaze. Cada pista significa una comunión con la suciedad y la trascendencia. Cada sonido y cada palabra reflejan la monstruosidad que un incubo seductor y horrendo impregna en el incauto testigo / oyente / lector de la obra incubista.
Una cruel invitación a descender, gozar y sufrir.
Arte como Rito. Magia y Estética.
Pistas 1 y 2 son parte de “Ciclo de Thule” (2006) incluido en “Trilogía Incubica” (DVD/CD, 2011) editado por GH Records.
Pistas 3 y 4 son parte de “El Panóptico del Incubo” (2006) incluido en “Trilogía Incubica” (DVD/CD, 2011) editado por GH Records.
Pistas 5 y 6 son parte de “Opus 23” (2007) incluido en “Trilogía Incubica” (DVD/CD, 2011) editado por GH Records.
Pista 10 es inédita y fue compuesta en 2008 y remasterizada en 2021.
Since 2006 and over the last fifteen years, Incubismo arises and resurfaces from the mixture of aesthetic, philosophical and cultural elements that float and fly on a contradictory and strange humus. Its mission is to disfigure and transfigure symbols, ideas and objects of nondescript everyday life.
Incubismo is a goal and a process. Fractal object. Failed grimoire.
Incubismo was, is and will be.
/ / /
«Los Sonidos del Rito» (The Sounds of the Rite) is a compendium and a disturbing legacy of fifteen years of Incubismo, performed by sound sculptors such as Fluor (Fuente Luminica Universal Oscuridad Recíproca), Darío Martínez, Djinn7 and Avral. Their works inhabit promiscuously with the incubist texts of Diego Arandojo.
Post-industrial landscapes, concrete music, experimental electronic, noise and glimpses of post-rock and shoegaze. Every track means a communion with dirt and transcendence. Every sound and every word reflect the monstrosity that a seductive and horrendous incubus impregnate in the unsuspecting witness / listener / reader of the incubist work.
A cruel invitation to descend, enjoy and suffer.
Art like Rite. Magick and Aesthetics.
Tracks 1 and 2 are part of “Ciclo de Thule” (2006) included in “Trilogía Incubica” (DVD / CD, 2011) issued by GH Records.
Tracks 3 and 4 are part of «El Panóptico del Incubo» (2006) included in «Trilogía Incubica» (DVD / CD, 2011) issued by GH Records.
Tracks 5 and 6 are part of “Opus 23” (2007) included in “Trilogía Incubica” (DVD / CD, 2011) issued by GH Records.
Track 7 is previously unreleased and composed in 2009.
Track 8 was included in “Las Playa de los Muertos” (2019), digital edition by Incubico Sonoro: incubicosonoro.bandcamp.com/album/la-playa-de-los-muertos
Track 9 was included in “Trilogy I: El Goce del Silencio” (2019), digital edition by Incubico Sonoro (2019): incubicosonoro.bandcamp.com/album/avral-el-goce-del-silencio-trilog-a-i
Track 10 is previously unreleased. Composed in 2008 and remastered in 2021.
Todos los textos son de Diego Arandojo. Material compilado y masterizado por Fluor y Darío Martínez.
All texts by Diego Arandojo. Compilated and masterized by Fluor and Darío Martínez.
The eternal city. Full of symbols and their perennial meanings. Through the ages, Madrid became a primordial knot of cultures and civilizations. And a witness of their rise and fall, their clashes and their broken swords. Stone upon a stone. Blood by blood. Tragedy and faith. Those who follow Kazeria know that Spain and its historical and spiritual legacy are inspiring to my work.
This recording collects the first Kazeria concert in Madrid as well as in Europe, held on last January, 24th. It was taken with the rusticity of a live ambience recording and edited into a single track to reflect the spirit of the performance and interaction with a kind and comitted audience. No «hi-fi» edition nor overdub technics. Just a climatic and ritual aura for a great evening. The album also includes «Gladium Spiritus», a track specially composed for the occasion, and some pics.
I want to express my gratitude to the great friends in Espacio Palma 38 / Rara Avis (Jorge, Claudia, Rafa and crew) for putting their effort and profesionalism in arranging all things up. Same goes to GH Records for promoting the gig and also to everyone involved with it. Honour and thanks to all these kindred spirits.
Kazeria – Nihilist Militant Label: Gradual Hate Records – GH 133 CD Format: CD, Album, Limited Edition Digipack Country: Spain Released: 10 June 2017 Style: Industrial, Martial, Dark Ambient, Neoclassic
With this new album, Kazeria gathers a retrospective and very personal material. All tracks (or “explorations”) are unedited and they were recorded between 2003-2007, pretty earlier to the formation of the project and on “a troubled personal time; one of militant nihilism” according to [S] own words. Neither hi-tech nor hi-fi were used in here.
Back at that time [S] employed worn and minimal gear, using primitive recording technics (hand-manipulation, mostly) in order to create “old school” and minimalistic industrial, black / dark ambient and noise but including many elements that can be recognized on Kazeria´s later works.
Barbarossa Umtrunk, Kazeria – 72 Candles in Cairo
Label: SkullLine – SLCDR185-15 Format: CDr, Album, Limited Edition, Numbered, 120 copies Country: Germany Released: 03 Jan 2017 Style: Dark Ambient, Experimental
SECOND EDITION: re-mastered, Profi Split CDr 11 track (72min) in jewel case is handnumbered of 120 copies. From the long sold out first edition in DVD case 2009.
In Bolskan a conceptual work by Kazeria & Aphlar Label: Gradual Hate Records GH 129 CD Format: CD, EP, Limited Edition , Digifile Country: Spain Released: 2016 Style: Martial, Neoclassic, Dark Folk
Kazeria, the well known Martial / Neoclassical act from Argentina, presents its latest work: “In Bolskan”; an epic journey evoking the ancient past of northern Aragón, in the Kingdom of Spain. During a recent travel to that region, Kazeria conceived the album to express its impressions on archaic traditions and the great symbolic heritage found there.
The album was composed by the fruitful collaboration between Kazeria and Aphlar, a rustic and energetic neofolk act, also from Buenos Aires. The tracks deliver a sophisticated blend of ritual ambient; martial percussions (taken live from the traditional drummers of Huesca; the town once named Bolskan…) and a strong neofolk approach, due to Aphlar´s guitars and voice. These elements create an evocative atmosphere, dealing with pre-christian and medieval times.
To those familiar to the these styles and bands like Of The Wand and The Moon, Nebelung, Falkenstein, Raison D´etre, Apoptose or Ain Soph, they will find in “In Bolskan” a conceptual and very interesting album.
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Versión Español
Kazeria, el conocido proyecto Martial / Neoclásico procedente de Argentina, presenta su último trabajo: “In Bolskan”; un viaje épico que evoca el pasado antiguo de la zona norte de Aragón, en el Reino de España. Durante un reciente viaje a esa región, Kazeria concibió el disco para expresar sus impresiones sobre las tradiciones arcaicas y la gran herencia simbólica encontradas allí.
El álbum fue compuesto por la fructífera colaboración entre Kazeria y Aphlar, un rústico y enérgico proyecto neofolk de Buenos Aires. Las pistas ofrecen una sofisticada mezcla de ambient/ritual; percusiones marciales (tomadas en vivo de los tradicionales tamborileros de Huesca; la ciudad alguna vez llamada Bolskan…) y un fuerte enfoque neofolk debido a las guitarras y voz de Aphlar. Estos elementos crean una atmósfera evocadora, que trata de los tiempos pre-cristianos y medievales.
Para aquellos que están familiarizados con los estilos y bandas como Of The Wand and The Moon, Nebelung, Falkenstein, Raison D’être, Apoptose o Ain Soph, encontrarán en “In Bolskan” un álbum conceptual muy interesante.
