• CD,  GH Records

    Kraschau – Travail, Famille, Patrie

    enero 7, 2025

    Kraschau – Travail, Famille, Patrie
    Label: Gradual Hate Records – GH 157 TAPE
    Format: Cassette, Album, Limited Edition 50 Copies 
    Style: Neofolk, Military, Industrial, Ambient, Martial Industrial

    After 10 years, here’s the new EP and sound from Kraschau which tries to define 20’s martial industrial music. Fits well to this decade of madness and degradation of the remnats of European culture: it’s dark, chaotic and mechanic. Following the path started on the last, 2014 album, it’s now completely sample-based, presenting new techinques backed by tousands of short samples and loops, creating a very dense, multi-layered, massive sound going back to the roots of the martial industrial genre, inspired by bands like Der Blutharsch or Les Joyaux de la Princesse. Yet it still presents glorius, neoclassical and calm ambient passages as a slight glimmer of hope. Originally started as a tribute EP to LJDLP, by recreating tracks from ‘Aux petits Enfants de France’, but going deeper into the history and audio documents of Vichy France, and being astonished by that era, enough inspiration gained for an original work (but keeping references to LJDLP).

    And so, this EP is a tribute to 1940-1944 France and Marshal Philipe Pétain. While the everyday politics of his government was described by the commotion of either accepting or opposing the german regime, the ideology of Pétain, a devout catholic was spectacular. He wanted to overthrow modernism, and the ideology of the French Revolution and republicanism, he replaced the infamous masonic slogan to «Labor, Family and Fatherland» and wanted to restore the position of the Catholic Church and the aristocracy. Gaining power from his spirit, we try to fight against modernism and nowadays madness with this short release.

    Kaschau – Travail, Famille, Patrie, will soon be available in only three versions: Digital, Cassette version and Special Edition (contents still to be specified)

    Digital version:

    Tracklist:
    1. Maréchal, nous voilà
    2. Denlightenment
    3. Jours Sombres 2024
    4. Destroy/Restore
    5. Révolte contre le Monde Moderne
    6. Im Memoriam H.P.Pétain

    The limited cassette edition with an alternate tracklist is a real collectors gem for the most devout followers. This edition is almost twice as long as the web version, as almost all tracks are presented as an extended mix. Furthermore, two studio outtakes were added from the recording sessions, which were not used on the final EP (including a Les Joyaux de la Princesse cover), and two ultra rare, remastered early Kraschau tracks.

    Tracklist:
    A1. Maréchal, nous voilà
    A2. Denlightenment
    A3. Révolte contre le Monde Moderne
    A4. Retour à la terre
    A5. Im Memoriam H.P.Pétain

    B1. Jours Sombres 2024
    B2. Destroy/Restore
    B3. Dernier Éditorial (tribute to LJDLP)
    B4. Lux Mundi III. (bonus track from 2011)
    B5. Lux Mundi IV. (bonus track from 2011)

    Kaschau – Travail, Famille, Patrie, Special Edition:

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  • GH Records

    GH RECORDS

    diciembre 11, 2021

    /// ESP ///

    Bandcamp eliminó estas obras en abril de 2023, eliminó todo Bandcamp de GH Records sin ninguna explicación, se eliminaron 12 años de música. A todos los que compraron la edición física o digital, muchas gracias por su apoyo.

    /// ENG ///

    Bandcamp removed these works in April 2023, removed all of Bandcamp from GH Records without any explanation, 12 years of music removed. To everyone who purchased the physical or digital edition, thank you very much for your support.

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  • Distribution,  Vinyl

    Dead Can Dance ‎– Spleen And Ideal (Vinyl, LP)

    septiembre 30, 2025

    Dead Can Dance ‎– Spleen And Ideal (Vinyl, LP)
    Label: 4AD ‎– CAD 3623
    Format: Vinyl, LP, Album, Reissue
    Country: UK & US
    Released: 08 Jul 2016
    Style: Alternative Rock, Modern Classical, Ethereal

    Dead Can Dance’s second album, Spleen And Ideal (1985), saw them experiment more with instrumentation, abandoning guitars in favour of cello, trombone and timpani. Widely acclaimed, there was now a richness of uni cation between voice and music, lyrics and structure, showing they had a concrete sense of the aural ideal they were striving towards. It’s title was taken from Spleen et Idéal, a collection of poems by 18th century French poet Charles Baudelaire.

    The band’s official website stated that the album title was taken “from 19th Century symbolist ideals”. The title is directly taken from “Spleen et Idéal”, a collection of poems by French poet Charles Baudelaire which form a section of his magnum opus Les Fleurs du mal.

    Discussing the album’s musical style, All music commented that with Spleen and Ideal, Dead Can Dance “fully took the plunge into the heady mix of musical traditions that would come to define its sound and style for the remainder of its career. The straightforward goth affectations are exchanged for a sonic palette and range of imagination”

    The 2016 LP version is a repress of the original release.

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  • Distribution,  GH Records,  Vinyl

    Einstürzende Neubauten ‎– Haus Der Lüge

    septiembre 29, 2025

    Einstürzende Neubauten ‎– Haus Der Lüge

    Label: Potomak ‎– LP 20001
    Format: Vinyl, LP, Album, Remastered
    Country: Germany
    Released: 2002
    Style: Industrial, Experimental

    Haus der Lüge is the fifth full-length studio release from the German band Einstürzende Neubauten, released in 1989.

    Artwork [Assistant] – Ariane Cohrt, Kerstin Behrendt
    Artwork [Cooperation] – Blixa Bargeld
    Artwork [Redesign] – Minus Verlag, Berlin
    Illustration [Portrait Drawings], Cover, Art Direction – Fritz Jan Thaddäus Brinkmann*
    Illustration [Woodcuts Horse: 1534, Samson: 1540] – Baldung Grien*
    Lyrics By – Blixa Bargeld
    Mixed By – Gareth Jones (tracks: A3, B3,)
    Music By – Blixa Bargeld, F.M. Einheit, Mark Chung*, N. U. Unruh
    Music By [Except: Fiat Lux] – Alexander Hacke
    Producer – Einstürzende Neubauten
    Recorded By – Thomas Stern
    Recorded By [Additional Vocals Recording] – Gareth Jones (tracks: A3, B3,), Nainz Raymond Watts*
    Recorded By, Mixed By – Jon Caffery
    Remastered By – Michael Schwabe
    Typography – Christoph Maria Zander, Matthew Achilles Partridge

    Prolog – 1:50
    Feurio! – 6:02
    Ein Stuhl In Der Hölle (A Chair In Hell) – 2:09
    Haus Der Lüge (House Of Lie) – 4:00
    Epilog – 0:28
    Fiat Lux – 12:24
    a) Fiat Lux
    b) Maifestspiele (May Festivals)
    c) Hirnlego (Brain Lego)
    Schwindel (Deception) – 3:58
    Der Kuss (The Kiss) – 3:37
    Feurio! (remix) – 4:47
    Partymucke (Party Music) – 3:52
    Feurio! (Türen Offen) (Feurio! (Doors Open)) – 4:47

    Tracks 9, 10, and 11 taken from the single for Feurio! and are only present on the re-releases of the album in 1995 and 2002. The 2002 re-release was re-mastered by the band. On some releases Epilog is part of track 4.

     

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  • CD,  Distribution

    Hunting Lodge ‎– 1982-1989

    septiembre 29, 2025

    Hunting Lodge ‎– 1982-1989
    Label: Dark Vinyl Records ‎– DV74
    Format: CD, Album, Compilation, Limited Edition
    Country: US
    Released: 14 Jul 2017
    Style: Experimental, Industrial, Post-Punk

    HUNTING LODGE can be seen as one of the few real «Industrial » pioneers in the early 80`s (beside SPK, LUSTMORD, THROBBING GRISTLE ..) «1982 – 1989» represents the «song oriented» side of a band that evolved relentlessly throughout its 8 years of existence. Incl. the remastered / restored version of the legendary underground club hit: «Tribal Warning Shot» Lon C. Diehl & Richard Skott met in Port Huron, Michigan, a «rust belt» town bordering Canada, in 1981, and quickly bonded over their fascination with the music of T.G., SPK, M.B., and Dome. The duo, having previously been involved in separate musical projects, decided to join forces and Hunting Lodge was born. Joined by Karl Nordstrom, the trio mixed synthesizers, bass, metal & electronic percussion, time-shifting effects, and vocals into a dark sonic stew. Nordstrom moved to San Francisco after the recording of the first Hunting Lodge release, the cassette-only At The Harrington Ballroom (1982). Diehl now employed a Roland Synth, Sequencer & 808 drum machine. Skott added his guitar to the musical arsenal, which he used to trigger a Korg MS-20 synth and a vocoder. Diehl and Skott continued recording at a feverish pace, and their first LP, WILL (track 14) was released in 1983.

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