• Artists,  GH Records

    The Ever Sounding Sea Of Grief by Philippe Blache


    Philippe Blache – The Ever Sounding Sea Of Grief
    Label: Triple Moon Records
    Format: CDR, Album
    Country: France
    Released: 2023
    Style: Dark Ambient, Darkwave, Electroacoustic, Industrial

    Come in ecopack 2 panels with photos by Natalie Ina

    « The ever sounding sea of grief » is a cathartic and spiritually uplifting musical journey. Partly abandonning the lyrical component which was central in previous releases of his musical project «Day Before Us» Philippe Blache introduces here a slight new stylistic turn. This album makes incursions within the world of avant gardism, noise ambient and modern classical minimalism with a subtle cinematic edge. It can be appreciated as a purging ritual mainly built around harrowing reverb piano key, blackened skies of droney textures, then majestic organ patterns within a foreboding sonic spectrum. Those lengthy tracks feature additional arrangements as spoken words. As for the last «Day Before Us» album to date the striking visual imagery is provided by forward-thinking artistic collaborator and multi-talented Natalie Ina. «The ever sounding sea of grief» is a thrilling and colossal poetical/musical drama of overwhelming expressive intensity.

    Lyrics from Anna Kingsford (1848-1888)

    Reeds in the river! reeds in the river!
    O deep in my heart like the reeds in the river,
    My thoughts grow in darkness, far down out of sight,
    And over my life passes shadow and light,
    Like sunshine and cloud on the breast of the stream,
    But I sit by the banks of my river and dream,
    For day after day, they grow silent and strong, ––
    The reeds of my Syrinx, the reeds of my song!
    ____________________________

    Slowly athwart the grey empurpling heavens
    The bearded evening clouds swept slowly by
    With ghostly arms outstretched, and shadowy robes
    Curling around them; one by one they passed
    In sad procession, solemnly and still;
    A crowd of phantoms following to the tomb
    The fair departed Day.
    ______________________________

    All the sweet odours of silence, that rise
    Up from the world to the musical skies,
    And the voice of the waters that swell and sink
    Speaks through the distance, and dimly I think
    Of that fathomless ocean of Time and Fate
    Bearing us onward and on without cess
    Into the dark mysterious Never,
    Spirit to spirit, the small and the great
    Into the Sea of Forgetfulness,
    The sea that rolls and rolls for ever! 

    Concept, music and arrangements : Philippe Blache (Day Before Us)
    Narrative: Olga Gabris
    Photos artwork: Natalie Ina
    Mastering: Giuseppe Verticchio

    2022 © Philippe Blache, GH Records
    daybeforeus1.bandcamp.com
    www.facebook.com/Daybeforeus/
    www.instagram.com/daybeforeus_music/
    www.instagram.com/natalieina.photography/



    The Ever Sounding Sea Of Grief (Board Printed)
    Compact Disc (CD)

    Foam Board Printed in gloss on both sides, one centimeter thick. Super Special Edition. Size 30 x 30 cm.

    SOLD OUT



    Otros trabajos de Day Before Us / Other references →

    Day Before Us ‎– Ode A La Nuit D’Ombre
    → Day Before Us ‎– Adorned path of Stillness
    Day Before Us – Misty Shroud Of Regrets
    Day Before Us ‎– Prélude à l’âme d’élégie
    Day Before Us ‎– Nihil Interit
    Antikatechon ‎– I Feel Nothing But Repulsion
    Day Before Us / Nimh – Under Mournful Horizons

  • Artists,  GH Records

    SILICON RELIC



    SILICON RELIC is a new Italian industrial drones / dark-ambient project, which aims to describe and portray in music the remains and parodies of the sacred and the spirit in the age of disenchantment. The group – composed of Moreno Padoan and Cristian Luise, active for years in the industrial / experimental scene with various monickers – wishes to return with this project to the origins of the genre, combining genuine aesthetic and sound research with a solid conceptual and philosophical approach.


  • Artists,  GH Records

    Entrevista a trajedesaliva – Ultratumba (2021)

    Después de 15 años el dúo vigense Mon Ninguén y unavena humedecen de nuevo el traje para presentar su suculento trabajo llamado: Ultratumba. Sin duda un elepé muy esperado para los seguidores de trajedesaliva y de músicas de vanguardia, más allá de las melodías facilonas, letras huecas y repetitivas dentro del panorama musical estatal. La saliva de Ultratumba es pegajosamente siniestra, se adhiere a tus poros y quedas rápidamente poseído por su complejidad familiar.

    “Al pequeño y a mí nos gusta pensar que de vez en cuando los cadáveres sanan en la tumba” unavena

    El pasado y pandémico día 12 del mes de octubre nos desplazamos a la ciudad de Vigo, un día donde Brassens no dudaría en cantar La Mauvaise Réputation. Quedamos en su pequeño y entrañable habitáculo de creaciones poético-sonoras, y mantuvimos una entrevista extensa repasando toda su trayectoria musical, incidiendo en aspectos puntuales de cada trabajo: El Cuerpo y la Ciudad (1999), Mima (2000), Mima Blanca (2003) y Ciertos Animales de Costumbres Discretas (2006) compartido con Chaos Condensed, hasta llegar a este nuevo Ultratumba (2021). Cerca de tres horas de entrevista dejan exhaustos a cualquiera, pero con la amabilidad y las infinitas ganas de transmitir de Mon y unavena pasaron demasiado rápidas.

    “Con una capita de estrella en los brazos, un sol nuevo. A veces sienten esas ganas frescas de vivir” unavena

    Aquí os dejamos la última parte de la entrevista, donde podremos hacernos una idea de este fantástico Ultratumba (publicado por áMarxe, Ferror Records y GH Records), que sin duda será uno de los trabajos que dejarán huella en este nuevo 2021 y en nuestro ser más profundo

    Fuente Dark Valencia / Entrevista por Epi Neuraska