The Wyrm – Muertos Label: GH Records – GH 152 K7 Format: Cassette, Album Country: Spain Released: Mar 25, 2022 Style: Darkwave, Electro, EBM, New Wave, Synthwave, Minimal
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The Wyrm brings this post-pandemic year 2022 its latest work entitled Muertos. Dark, cold and minimalist tints very much in the vein of bands like Cabaret Nocturne or Boy Harsher to stand out from a scene that died in the pandemic. Muertos is a song to the dead who have not been. Those that we have seen only on television and that are just figures. Virtual and nameless. So are the songs of this new work. without titles and direct from the sewers.
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The Wyrm apporte cette année post-pandémique 2022 son dernier ouvrage intitulé Muertos. Des teintes sombres, froides et minimalistes très dans la veine de groupes comme Cabaret Nocturne ou Boy Harsher pour se démarquer d’une scène morte dans la pandémie. Muertos est une chanson aux morts qui n’ont pas été. Celles que nous n’avons vues qu’à la télévision et qui ne sont que des chiffres. Virtuel et sans nom. Ainsi sont les chansons de ce nouveau travail. sans titres et direct des égouts
Industrial Complexx Vol.4 Magazine Edición Especial (Spanish) Label: Industrial Complexx – ICV004 Formato: Tamaño 12″, Tapa Blanda Idioma: Español 24 Nov 2020
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Industrial Complexx presenta su proyecto más ambicioso hasta la fecha. La cuarta edición del magazine es una edición especial, con formato extenso de 32cm x 32cm, emulando las 12 pulgadas del vinilo, y con más de 110 páginas dedicadas a la escena industrial y experimental que surgió en los primeros años de democracia en España, a los 40 años en activo de Esplendor Geométrico, banda pionera en la corriente industrial nacional y muy respetada fuera de este país, y a algunos de los pesos más importantes de este movimiento contracultural como Francisco López, Rafael Flores, Stahlfabrik, Alonso Urbanos, Miguel Ángel Martín, Andrés Noarbe, Marcel·lí Antúnez, o figuras internacionales como Maurizio Martinucci o Uwe Schmidt. Contado todo por ellos mismos y por otros artistas como Erizonte, Escupemetralla, Pedro Peñas (HIV+), Miguel A. Ruiz, Moritz Reichelt, Dirk Ivens, Marcelo Expósito, Ángel Molina y Oscar Mulero.
Dirección y diseño de la publicación: Ximo Noguera Diseño gráfico: Iván Galíndez Artista gráfico de portada: Mimusa Colaboradores: Juanma González, Giulia Scrocchi.
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Industrial Complexx presents its most ambitious project to date. The fourth edition of the magazine is a special edition, with an extensive format of 32cm x 32cm, emulating the 12 inches of vinyl, and with more than 110 pages dedicated to the industrial and experimental scene that emerged in the first years of democracy in Spain, to the 40th anniversary of Esplendor Geometrico, a pioneering band in the Spanish industrial movement and highly respected in the rest of the world, and some of the most important figures in this Spanish counter-cultural movement such as Francisco López, Rafael Flores, Stahlfabrik, Alonso Urbanos, Miguel Ángel Martín, Andrés Noarbe, Marcel-lí Antúnez, or international artists such as Maurizio Martinucci or Uwe Schmidt. All told by themselves and by other artists such as Erizonte, Escupemetralla, Pedro Peñas (HIV+), Miguel A. Ruiz, Moritz Reichelt, Dirk Ivens, Marcelo Expósito, Ángel Molina and Oscar Mulero.
Direction and layout of the publication: Ximo Noguera Graphic design: Iván Galíndez Cover graphic artist: Mimusa Collaborators: Juanma González, Giulia Scrocchi.
Qual – The Ultimate Climax Label: Avant! – AV!051 Format: Vinyl, LP, Album, Limited Edition Country: Italy Released: 28 Feb 2018 Style: EBM, Techno, Industrial
Qual is finally back with his much-anticipated second full-length album. On The Ultimate Climax William Maybelline takes the hints of his previous Cupio Dissolvi EP to a fully extended sulphurous formula. Eight tracks where traditional goth standards get updated to new, bizarre heights. The opener Black Crown is a brooding industrial, almost power electronics assault. Above Thee Below Thee is a powered-up disco nightmare with BM-like volcals, drenched in factory steam and urban filth. Take Me Higher has some sort of electro-funk bassline to it. The closing track is a 155 bpm epitaph reminiscent of Czech Doomcore pioneers Fifth Era. The past is gone, the future is corrupted. The is no time but the present to brutally unload this Existential Nihilism thus let The Ultimate Climax unfold.
