Day Before Us – As My Spirit Wanders Free Label: Gradual Hate Records – GH149 Format: CD, Album Country: Spain Released: Jun 22, 2021 Style: Dark Ambient, Darkwave, Drone, Neofolk, Ambient
Prominent act from the post-industrial/minimal electroacoustic scene «Day Before Us» is back with a new significant album, casting elegant solitary hymns and shedding an unconventional gothic inspired mood. The instrumentals and conceptual background are approached and elaborated by Philippe Blache while the sound lyricist Agne Srebaliute takes over the vocal parts. «As my spirit wanders free » is a meticulously blended release which gives a large space to contemplative tones, to poignant melodic phrases and to a thick cloud of emotional meandering textures.
The message behind the album explores existential themes such as soul stirring fragility, blurred-fractured memories and the mystical nature world. «As my spirit wanders free» is a vast, sensient and windy atmospheric opus that directly takes on the emotions of the listener. This album marks the 10 years anniversary of the project. This special edition is accompanied by the unique photographic work of Natalie Ina that matches the musical signature in terms of sheer emotional intensity and stylistic landmark.
Day Before Us is an emotional, ethereal and dark ambient music project formed in 2011 by the piano trained player and composer Philippe Blache. Full length releases have been published by Rage in Eden, Twilight Records, OPN and GH Records. A palette of immersive electronic textures, slowly moving melancholic piano airs, industrial noises, lyrical themes, neoclassical arrangements and discreet experimentations characterize the compositional process and the stylistic inclination. Creative strength of the project comes from reflections on timelessness, memories of a bygone era, romantic spleen and spiritual narratives. Day Before Us occasionally gives live performances and works in the context of intermedia collaborations.
credits
→ Philippe Blache (concept, instruments) → Agne Srebaliute (vocals) → Natalie Ina (photographies/video)
Otros trabajos de Day Before Us / Other references →
Hiemis – La Chose Label: Gradual Hate Records – GH 148 CD Format: CD, Album, Limited Edition Country: Spain Released: 20 Apr 2021 Style: Drone, Ambient, Dark Ambient, Dungeon Synth, Neo-Classical
/// ENG ///
Sound magic, crystalline sparkles, and the omnipresence of the sacred … (Lux Atena) the new work by HIEMIS proposes an initiation, a transcendental journey through brilliant soundscapes. Coming soon spring 2021
Never had there been a collective experience of «the invisible» comparable to that of Martines de Pasqually and her disciples when they joined forces to research «La Chose» together.
Pasqually was one of the most enigmatic characters of the eighteenth century, manifesting himself at the beginning of him as a Freemason, soon creating his own initiatory organization, the Order of the Elus Cohens.
This Order was heir to mystical sects of antiquity and the Neo-Alexandrian period, with special influence on its ritual by occult masters of the Middle Ages and the Renaissance. Master and disciples professed a mystique of Reintegration to the condition of Man-God and was the forerunner of other currents within the initiatory world such as the Rectified Scottish Regime and various branches of the Martinist Orders.
Although until now those who investigated the invisible expected what they were going to see in it, calling angels or demons according to the forms of Christian iconography. Pasqually, however, stated that it was not known in advance what being would appear at the time of the evocation. This is how La Chose would emerge.
In the first sessions the new disciples admitted to participate in the works of the teacher saw how La Chose performed mysterious actions. They left there excited and terrified or drunk with pride and ambition. These appearances were produced by strange beings and of a different essence from that of terrestrial beings. These beings gave speeches and transmitted deep knowledge during rituals. Each disciple was summoned to reproduce, in his own way, the same phenomenon.
La Chose’s presence in the Operations Chamber could impress the disciple’s senses in different ways: he felt “goose bumps all over his body”, or he heard faint sounds; but, in general, «the manifestation was operated by vision», by the perception of sparkles and sparks. In order to perceive them, the Operator extinguished the candles and kept the flame of the only candelabrum that remained lit until the end of the ceremony.
The solemn Operations were to be carried out at exactly the same time by all the ordained and authorized Cohens. The Chambers of Operations where they officiated could be situated at a great distance from each other, for example, in Lyon, Paris and Bordeaux, but a perfect timing was absolutely necessary for him to act.
The Chosen Knights of Martines de Pasqually performed such sacred rites in the service of the highest Theurgy. Most of the prescriptions of the operative rituals were used from the most remote antiquity, astrology having an important role.
For the Elus Cohens, true faith is based on pre-natural facts and since they, due to the decline of the historical cycle, are no longer produced publicly, it is necessary to generate them in the Chamber of Operations through complex and strict ritual. Therefore, the Theurgic Operation is less an act of faith, of adoration, of devotion, than a high practice of Sacred Science.
/// ESP ///
Magia sonora, destellos cristalinos, y la omnipresencia de lo sacro… (Lux Atenea) el nuevo trabajo de HIEMIS propone una iniciación, un viaje trascendental a través de paisajes sonoros brillantes. Próximamente, en primavera, 2021
Nunca se había dado una experiencia colectiva de “lo invisible” comparable a la de Martines de Pasqually y sus discípulos cuando unieron sus esfuerzo para investigar en común “La Chose”.
Pasqually fué uno de los personajes mas enigmáticos del siglo XVIII, manifestándose ya en sus inicios como francmasón, creando pronto su propia organización iniciática, la Orden de los Élus Cohens.
Dicha Orden era heredera de sectas místicas de la antigüedad y de la época neoalejandrina con especial influencia en su ritual por parte de maestros ocultistas de la Edad Media y del Renacimiento. Maestro y discípulos profesaban una mística de Reintegración a la condición de Hombre-Dios y fue precursora de otras corrientes dentro del mundo iniciático como el Régimen Escocés Rectificado y diversas ramas de las Órdenes Martinistas.
Si bien hasta ahora los que indagaban lo invisible se esperaban lo que iban a ver en él, llamando a los ángeles o a lo demonios según las formas de la iconografía cristiana. Pasqually , sin embargo afirmaba que no se sabía de antemano qué ser aparecería en el momento de la evocación. Así surgiría La Chose.
En las primeras sesiones los nuevos discípulos admitidos a participar en los trabajos del maestro veían como La Chose ejecutaba acciones misteriosas. Salían de allí entusiasmados y aterrados o ebrios de orgullo y ambición. Estas apariciones eran producidas por seres extraños y de una esencia diferente de la de los seres terrestres. Estos seres daban discursos y transmitían un conocimiento profundo durante los rituales. Cada discípulo era convocado a reproducir, a su manera, el mismo fenómeno.
La presencia de La Chose en la Cámara de Operaciones podía impresionar de diferentes formas los sentidos del discípulo: sentía “la carne de gallina por todo el cuerpo”, o escuchaba débiles sonidos; pero, en general, “la manifestación se operaba por la visión”, por la percepción de resplandores y chispas. Para poder percibirlas, el Operador extinguía los cirios y velaba la llama del único candelabro que permanecía encendido hasta el final de la ceremonia.
Las solemnes Operaciones debían ser efectuadas exactamente a la misma hora por todos los Cohens ordenados y autorizados. Las Cámaras de Operaciones donde ellos oficiaban podían estar situadas a una gran distancia unas de otras, por ejemplo, en Lyon, París y Bordeaux, pero un sincronismo perfecto era absolutamente necesario para que pudiera actuar.
Los Caballeros Elegidos de Martines de Pasqually ejecutaban tales ritos sagrados al servicio de la más alta Teurgia. La mayor parte de las prescripciones de los rituales operativos eran usados desde la más remota antigüedad, teniendo la astrología un rol importante.
Para los Élus Cohens, la verdadera fe se funda en hechos prenaturales y dado que ellos, por la decadencia del ciclo histórico, no se producen más públicamente, es necesario generarlos en la Cámara de Operaciones por medio del complejo y estricto ritual. Por lo tanto, la Operación Teúrgica es menos un acto de fe, de adoración, de devoción, que una alta práctica de la Ciencia Sagrada.
Book 65 pages Paperback. Laminated Cover Limited edition, numbered only 30 copies, CD + Esoteric Book translated into two languages, Spanish and English
Trajedesaliva – Ultratumba Label: áMARXE – áMARXE0221, Ferror Records – FR-034, Gradual Hate Records – GH 147 CD Format: CD, Album Country: Spain Released: Feb 5, 2021 Style: Dark Ambient, Industrial, Spoken Word, Experimental, Ambient
La más depurada manifestación, por medio de la palabra (y de la música), de los sentimientos, emociones y reflexiones que puede expresar el ser humano en torno a la belleza, el amor, la vida o la muerte
«Ultratumba» (áMarxe, Ferror Records, GH Records, 2021), our fifth work, is a family dialogue, full of sadness, acceptance and hope, that digs into the origin of melancholy. Recorded using only analogue synthesizers and voice – no sequencers or programming. It’s a piece of pure handcrafted electronica drawing on dark landscapes with the different layers of sound constantly fighting among themselves to stay centrestage. It evokes the sounds of drone and industrial music, but from a very personal perspective, displaying a musicality that transcends both genres.
Templum N.R. – T.o.V. Improvisations XCII-XCIII Label: Aural Hypnox – AHUE06 Series: Underworld Editions Format: CD, Album, Limited Edition, Reissue Country: Finland Released: 25 May 2018 Style: Dark Ambient, Drone, Electro, Minimal
The musical improvisations of T.o.V. derive from Umbra-visitation sessions held in the Temple of Mercurial Orgies and Room Luna Lake between 2014 and 2015. The concept of the album has been evolving within the minds of the Templum N.R. members for the past twenty years, so perhaps it is not proper to talk of this as their latest release. Linear time and Templum N.R. do not walk hand in hand and their rituals cannot be measured in hours but in years.
Compared to their previous release ‘Spectrum CCCXC: Transitio’, this album is based on a more analog-organic approach than an analog-digital-synthetic. The four echoing Hymns of Otherness are here to awake the ghosts dwelling within; join the Stagnant Dance and meet the Carcass of Formations – the shrieks are heard from beyond.
This CD version includes a ‘Grave Gravitation: Transitio XCV’ ep which came earlier exclusively as a part of ‘T.o.V. Improvisations XCII-XCIII’ special edition. Two tracks of pure oscillating power – minimalistic, wrathful modular drones, where multitude of hidden harmonics meets a choral of transforming frequencies.
The album is enclosed in a customised and screen printed Sublunar series cardboard covers, including six two-sided insert cards. Limited to 300 copies.
HIEMIS – Thule Limited edition ( 40 copies) Label: Gradual Hate Records / Series: El Lobo y la Espada – L.E. 11 K7 Format: Cassette, Album Country: Spain Released: 25 Apr 2019 Style: Drone, Dark Ambient, Esoteric Ambient
There is evidence that shows the existence in ancient times of an arcane civilization that controlled much of the West and even Greece and Egypt itself. The Atlantis empire was a confederation of different kingdoms located in the ancient Thule, which together formed an empire that ruled for nearly 3000 years the Mediterranean. They were experts in different subjects such as astronomy, navigation or metallurgy, one of their greatest legacies being megalithic monuments. Political and religious interests caused the oblivion of this civilization, in addition to the false legends that pushed the destruction of the myth. Precursor of Greco-Roman mythology, the Atlantean lineage was recovered over time by Julius Caesar himself for his own benefit as propaganda of the Roman Empire, becoming a living god, like the kings of Atlantis.
Many will be the historians, archaeologists and researchers of all time who will try to decipher the mystery of Atlantis. Especially, after Schiemann discovered the city of Troy following the clues found in Homer’s readings. The hypotheses about their possible settlement have been, in most cases, speculative and with little scientific basis. Surely one of those that has gained more strength is that which relates it to Greece (Minoan culture) and Spain (Tartessian… more
Music by Juan Carlos Toledo (Silent Love of Death) Art by Diego Arandojo
Existen evidencias que demuestran la existencia en tiempos antiguos de una arcana civilización que controló gran parte de Occidente e incluso Grecia y el propio Egipto. El imperio Atlantis era una confederación de distintos reinos ubicados en la antigua Thule, que unidos conformaron un imperio que gobernó durante cerca de 3000 años el Mediterráneo. Eran expertos en distintas materias como la astronomía, la navegación o la metalurgia, siendo uno de sus mayores legados los monumentos megalíticos. Intereses políticos y religiosos provocaron el olvido de esta civilización, además de las falsas leyendas que empujaron a la destrucción del mito. Precursor de la mitología grecorromana, el linaje atlante fue recuperado con el paso del tiempo por el mismísimo Julio Cesar para su propio provecho como propaganda del Imperio Romano, convirtiéndose en un dios viviente, como los reyes de la Atlántida.
Muchos serán los historiadores, arqueólogos e investigadores de todos los tiempos que intentarán descifrar el misterio de la Atlántida. Sobre todo, después de que Schiemann descubriera la ciudad de Troya siguiendo las pistas encontradas en las lecturas de Homero. Las hipótesis sobre su posible asentamiento han sido, en la mayoría de los casos, especulativas y con escasa base científica. Seguramente una de las que ha cobrado más fuerza es aquella que la relaciona con Grecia (Cultura minoica) y España (cultura tartésica). En ese sentido, las teorías encontraron afinidad con algunos topónimos mencionados por Plantón y que hace referencia al Mediterráneo, África y a la que fuera colonia fenicia de Gades.
01. Old Recipe For Modern Society Recorded in February-March 2003. Released on the CD compilation Extreme Music From Russia (Susan Lawly, 2004). Dedicated to the phenomenon of oprichnina implemented by the tsar Ivan IV «Grozny» in Russia between 1565 and 1572. Sound sources: radio, digital synthesis & processing.
02. Vision Reflections Recorded in November 2003. Released on the CD compilation Like Music To Their Ears Vol. 2 (Mechanoise Labs, 2004). Sound sources: radio, digital synthesis & processing.
03. No Hamsters Were Harmed During The Recording Of This Song Recorded in December 2004. Released on the CD compilation Roulette Russe Pour Un Peu De Caviar (Monochrome Vision, 2007). Sound sources: Rokton, Polyvox, Faemi-1M, radio.
04. Kopusta! Previously unreleased. Recorded in March 2004 for the compilation «Amazing Hare Johann», which never came out. Sound sources: radio, female voice, found samples, digital processing.
05. Submarine Lysergine Recorded in July 2004. Released on the Untitled split CD-R with Lunar Abyss and Timur Kujanov (Extremal Psychonauts, 2004). Sound sources: Yunost-21, Polyvox, distortion pedal, radio, digital processing.
06. BZ Recorded in January-February 2005. Released on the double CD-R compilation How To Stay Young & Healthy In A Modern World (Abgurd, 2006). Named after BZ toxic substance. Sound sources: Polyvox, radio, guitar, breath, digital processing.
07. The Glass From Leng Previously unreleased. Recorded in November 2003 for a compilation dedicated to H.P. Lovecraft, which never came out. Sound sources: radio, digital synthesis & processing.
08. RNS (wry loop mix) Recorded in April 2004, previously unreleased. Sound sources: a track by Public Immorality – Radio NaziSatanica, digital processing.
09. Disassembler Recorded in November 2004. Released on the CD-R compilation Negative Message From Collective Mind (Spirals Of Involution, 2005). Sound sources: Polyvox, radio.
10. Ether Spy Babka_rkTM4x4 Recorded in July 2005. Released on the double CD-R compilation Avtogen-Shaitan (Ostroga, 2007). Sound sources: Rokton, distrortion pedal, radio, Udmurtian women choir.
11. Mamasha Recorded in November 2005. Released on the CD compilation Red Square (KultFront, 2005).
12. Travka Zeleneet Recorded in January 2004. Released on the split mini-CD-R Thalamus with Ritualnaya Bioingeneria and Hladna (KultFront / Zhelezobeton, 2005), commemorating the first embodiment of the «Thalamus» festival. Sound sources: radio, found samples, digital synthesis & processing.
13. Splinters Recorded in September 2003. Released on the V.A. CD-R compilation (Nixrec, 2006). Sound sources: radio, singing bowl, digital synthesis & processing.
14. Throughout Time Recorded in November 2005. Released on the double CD compilation …It Just Is (In Memoriam: Jhonn Balance) (Fulldozer Records / Nocharizma, 2005). Sound sources: Time Machines eponymous album, digital processing.
15. See You In 6 Hours Previously unreleased. Recorded on July 15, 2006 for the compilation of one second tracks «Sloppy Seconds», which never came out. Sound sources: plastic, radio, digital synthesis & processing. Dedicated to Katerina Zet.
All tracks constructed at Base Station and re-mastered in January 2019.
Exit In Grey – Истерика Вечного Label: Frozen Light – FZL 044, Zhelezobeton – ZHB-LXIV Format: CD, Album, Limited Edition, Numbered, Remastered Country: Russia Released: 26 Aug 2016 Style: Drone, Dark Ambient
Radiowaves rustle, layers of ether interference whisper and an electric guitar carefully draws gentle tonal vibrations… The new album by Exit In Grey is indeed largely based on sounds of radio noises, so close to our heart. Although of course this is not a noisy work but rather oneiric, contemplative, shimmering… In two multilayered 20-min long collages we can hear the elements of nature and man-made objects, fragments of random radio interceptions and melancholic guitar parts piercing dark space with its bright emotionality.
The material was recorded by Sergey [S] in March 2011 and mastered by Oleg Hurvatov (Interior Disposition) in 2016. Co-release with Zhelezobeton (St. Petersburg, Russia) – zhb.radionoise.ru.
Visions Of Darkness (In Iranian Contemporary Music) Label: Cold Spring – CSR242CD Format: 2 × CD, Album, Compilation Country: UK Released: 25 Sep 2017 Style: Dark Ambient, Drone, Experimental, Noise
The simurgh is depicted in Iranian art as a winged creature in the shape of a bird, gigantic enough to carry off an elephant or a whale. It appears as a peacock with the head of a dog and the claws of a lion, sometimes however, also with a human face. Iranian legends consider the bird so old that it had seen the destruction of the world three times over. The simurgh learned so much by living so long that it is thought to possess the knowledge of all the ages. We hope this mythological benevolent creature could be a hope and a a guide in our dark times.
Label: Gradual Hate Records – GH05 MP3 Format: Digital Country: Spain Released: 2018 Style: Dark Ambient, Drone, Minimal
There is a parallel world to which we all live, and it is made up of chance, intuitions, fears, mysteries… Hoffmann explored, in everyday life, that hidden reality that can be guessed in dreams, visions, ghosts, funerary stories, scientific machinations. In short, a world full of strange and mysterious forces, which are able to play with the life and illusions of all of us.
“Nachtstücke” is a look at that universe where disturbing characters live that become oracles, supposedly trivial images that contain a mystery, as well as threatening inventions that never cease to amaze us. Thus, dreams, magnetism, telekinesis, somnambulism, forebodings, premonition and telepathy make up the matter of this disturbing reality
First sound work (“only be published in digital format” ) by Juan Carlos Toledo (Silent Love of Death) dark environments full of nuances and sparkles, subtle orchestration, minimalism sound.
Label: The Epicurean – cure.18, La Esencia – LER019/2017 Format: CD, Album Country: Europe Released: 23 Oct 2017 Style: Dark Ambient, Industrial, Experimental
Far reaching pleasures will be at hand – Anemone Tube reveals a series of three CDs entitled “The Three Worlds: Allegory of Vanity / Forget Heaven / Vanity of Allegory”, referencing a cosmological treatise on the universe from the Theravada Buddhism of the 14th century, the subject matter of which is the description of three levels of existence of all beings and mythical creatures.
This extensive retrospective release contains selected tracks from various tapes released between 1997 and 1999 – mostly rare and unavailable today – as well as yet unreleased tracks recorded between 1997 and 2013, a.o. outtakes from the “Death Over China” recordings, handpicked and recontextualized by Anemone Tube, representing the project’s roughest and most atmospheric material up to date, ranging from depressive ritual experimental ambient over dark rhythmic industrial soundscapes to whirlwind noise. Sharply mastered by Hunter Barr for a powerful, contemporary sound, each CD comes in a 6-panel digifile featuring beautiful photography by Dario Lehner.
“The Three Worlds” is a work about transience on many levels, perfectly elucidated in the Buddhist Sutra “Far Reaching Pleasures”, “The three worlds are transient like clouds in autumn / Birth and death of all beings unfold like a dance / Their lives rush away… more credits
Music composed, mixed & edited by Anemone Tube. 1–6 recorded September 1996 – February 1997, previously released as Forget Heaven cassette (Bawler Productions, 1997). 7 + 8 recorded September 1997, sounds: Thomas Gith, 7 previously released on Forget Heaven/Angel Falls CDr (Solipsism, 2000). 8 voice: Sven Birker, previously released on Basisgleiche Verschiedenheiten comp. cassette (Bawler Productions, 1997). 9 recorded September 1997, loop: Origami Galaktika, previously released on Ambient Intimacy 3 comp. CDr (EE Tapes, 1999). 10 recorded 2000, previously unreleased. 11 recorded December 1998 – August 1999, previously released on Split CDr with Tarkatak (Trümmer Kassetten / Transfixional Entertainment, 1999).
Concept, art and design by Anemone Tube 2015/17. Photography by Dario Lehner 2015, set design, photo editing by Anemone Tube 2015/17. Mastering by Hunter Barr 2017.
The Epicurean . cure.18 La Esencia . NER019/2017 Format: CD & download Playtime: 68:14 min
