Apoptose – Die Zukunft Label: Tesco Organisation – TESCO 128, Tesco Organisation – 128 Format: CD, Album Country: Germany Released:2018 Style: Dark Ambient, Ambient, Downtempo, Synthwave, Modern Classical
In the four years of production Apoptose selected a wide range of different singers for this album. Most outstanding is classical trained tenor Daniel Sans. He sings «What Power Art Thou» – a song that was composed by Henry Purcell in the late 17th century. Apoptose and Sans preserve the complex harmonic structure of the original translating it into a breathtaking five minute ride in apoptotic soundspheres. They succeed in conjuring up Purcell’s «cold genius» that had already fascinated legendary countertenor Klaus Nomi in the 1980s. Other voices on «Die Zukunft» include the gloomy spoken words of the advance single «Time-lapse City», the lost girl’s voice on the title track and two female singers on «Dornen». Consistent with the album title Apoptose does not look back, but is heading for novel territories within the dark ambient music genre
Position Parallèle – Mélodies En Sous-Sols Format: CD, Album, Limited Edition Country: Europe Released: 03 Nov 2020 Style: Synth-pop, Minimal
Come with me under the floor… You know it’s deep, too deep.
Something has been changing for a while. It’s in the air, it’s in the flesh,it’s in your eyes.
I’m thinking about what will happen to us when they find our gameplay.
Come and listen to some ‘Mélodies en sous sols’ – you know who I am and what I am.
If you’re here, you know me more than I know you. Can you listen to my voice and all the electronic noises from the city? Can you understand what I’m thinking about people, flesh, skin, leather, love, memories, crime and the sweetest sound of a spider eating something on the wall. Who are you? Who am I?
Come on and shut up!!! Listen to some of my ‘Mélodies en sous sols’…. Shhhhttttt………. Listen….“
TOURDEFORCE – Six in the Key of Death (Tribute to DEATH IN JUNE) [limited] Label: SPQR: SPQR LXI Format: CD, Album, DigiCD Country: Italy Released: 2022 Style: Industrial, Dark Wave
“In a foreign land, in a foreign time, TourdeForce has come…”, please welcome “Six in the Key of Death”.
After the conclusion of the successful “Anger Trilogy” (“Jedem Das Seine”, 2014; “Very Industrial People”, 2018; “Vargtimmar”, 2021), the italian electro-wave act TourdeForce is ready to rise and hit the dancefloor once again with a mini album dedicated to all lovers and devotees of Death in June.
Six songs from early Death in June meet New Order and Nine Inch Nails.
Fields of Rape Holy Water The Calling Nowhere Street She Said Destroy Come Before Christ and Murder Love
Spectres – Nostalgia Label: Artoffact Records – AOF358CD Format: CD, Album, Stereo Country: Canada Released: Mar 13, 2020 Style: Post-Punk
Formed in Vancouver by vocalist and founder Brian Gustavson, SPECTRES is a DIY death-rock outfit that mixes post-punk, the ethic of anarcho-punk, and an incredible knack for writing catchy songs. The band released three independent albums (all reissued by Artoffact Records in 2019) and are ready to stun audiences with their 2020 release Nostalgia. Emerging from the DIY Punk underground, SPECTRES wanted to blend the grassroots and independent ethic of anarcho-punk with the anomie and cold, modulated sounds of 1980’s post-punk and death-rock genres.
Though the band’s output has matured with time to embrace a wider range of new-wave and shoegaze influences, their ethos remains rooted in DIY punk. The blending of these influences allows for the curious juxtaposition of 80’s influenced pop sensibilities with lyrics that explore the alienation and cynicism of modern life. On the new album, Nostalgia, these influences are carried even further to create a wonderfully crafted suite of songs that evoke the primal sounds of Beastmilk with the melody of New Order.
Spectres – Nothing To Nowhere Label: Artoffact Records – AOF356CD Format: CD, Album Country: Canada Released: 2018 Style: Post-Punk, Punk
Originally released in 2012 as a vinyl-only edition through Germany’s Sabotage Records (White Lung, G.L.O.S.S., Arctic Flowers), the second album from Vancouver post-punk darlings SPECTRES has never been released on CD. Finally, years after the initial vinyl pressing sold out, Toronto-based Artoffact Records breathes new life into this Canadian classic with a remastered CD edition.
Agalloch – The Grey EP Label: Eisenwald Tonschmiede – Eisen151 Format: CD, EP, Reissue Country: Germany Released: 29 Nov 2019 Style: Black Metal, Avantgarde
Remastered re-issue with original artwork and bonustrack.
Eisenwald presents The Grey EP: A collection of destroyed & rebuilt songs from “The Mantle”.
The Grey is the first installment of two companion releases, originally released in 2004. This new edition includes the original artwork and arrives with exclusive bonus track recorded in 2003, that has never been released on any format. créditos se lanzó el 29 de noviembre de 2019
Agalloch – The White EP Label: Eisenwald Tonschmiede – EISEN150 Format: CD, EP, Deluxe Edition, Limited Edition, Reissue, Remastered Country: Germany Released: 29 Nov 2019 Style: Ambient, Neofolk
Heavy embossed slipcase made of special WHITE art card stock with great haptics. Classic jewelcase with a booklet printed on uncoated paper, feat. original artwork and all credits.
Remastered re-issue with original artwork and bonustrack. Limited first press with deluxe embossed slipcase made of special art card stock with great haptics. Please see the DETAILS tab for a complete info about the package.
Eisenwald presents The White EP: a collection of dark folk & ambient work written & recorded between 2004 – 2007. Originally released in 2008 by now defunct Vendlus Records, the White is the last installment of two companion releases & the stylistic counterpart to the Grey. Remastered by Gus Elg at Skyonion in Portland, OR and includes the rare track “Where Shade Once Was”.
For over twenty years the Pacific Northwest group Agalloch had defined what it means to combine influences from a variety of musical genres into one brooding, colossal, and cinematic sound that provides the soundtrack to existential themes concerning man, nature, loss, and death.
Tracklisting:
1. The Isle of Summer 2. Birch Black 3. Hollow Stone 4. Pantheist 5. Birch White 6. Sowilo Rune 7. Summerisle – Reprise 8. Where Shade Once Was
Ulver – Drone Activity Label: House of Mythology – HOM 018 LP Format: CD Album Country: UK Released: 11 May 2019 Style: Ambient
It all happened in a haze. I am not sure everyone was prepared to obey the summons and forsake the shore in order to be pulled under by the loudness of sound. Yet the ethos on that crisp October night was clear in its wording: Drone Activity.
Upon entering the old fish-warehouse, now converted into an activity hall, on the new Oslo waterfront, the security guards barely cared to check our tickets. Even mammoths would have been able to hide in this enormous dark space, illuminated by a few logos and stalls of sugary drinks, about to disappear in a sea of smoke.
Disappearance comes in many shapes in the age of extinction. Following the Danish noise act Damien Dubrovnik, Ulver started out in a subtle manner, carefully examining the territory, vast and waste. Screeching sounds echoed distant roars from the approaching edge as snowflakes pierced the air with ferocious speed. Where to go from there?
A retreat into the sunken paradise. Half-buried misty temples, giant creatures and vaguely prehistoric figures emerged as depth and time intertwined, from the ancient Atlantis to the northernmost seas.
We stayed there for 90 minutes, of which 70 have been meticulously mixed and mastered for this release. All of them are new sounds. Darker and more dire, yet containing the vibe of their previous semi-improvisatory sessions, documented and catalogued on the “Zodiac” album, ATGCLVLSSCAP (2016).
If that Zodiac album was a free-form Ulver interpreting the signs in the stars, Drone Activity stares into the abyss, documenting those moments after the last rays of sun speckle the surface and careless subterranean streams start determining the course.
“Something murky and liminal emerged, in sound and space,” the band states in their liner notes. I can’t think of a more apt description of what, and to where, Ulver brought us that night. There is no shoreline a thousand feet down.
TORE ENGELSEN ESPEDAL, on the ferry from Naples to Palermo, March 2019
Limited edition of 300 copies in a glossy full-colour Digipak.
A new album by Merzbow. The name “Hanakisasage” means very rare trees which exist only few in Japan. 2 tracks of noise ambient/rhythm recorded in Tokyo during 2014-2016 and musically follow in the tendency of his recent works like ‘Kakapo’. 55 minutes of pure untamed energy and sonic insight into Masami Akita’s world. A 300-CD edition in a glossy full-colour Digipak
Wind Atlas – Lingua Ignota Label: Gradual Hate Records – GH139 CD, Twilight Records – TW 1.156 Format: CD, Album Country: Spain Released: June 2018 Style: Darkwave, Folk, Psychedelic Rock, Post-Punk, Experimental
Recorded and mixed by Javier Ortiz Fullton at Estudios Brazil in december 2014. Studio Assistant: Marcos Bandera. Mastered at Yves Roussel Mastering by Yves Roussel in january 2015. Cover art is “Magic Circle” (1886) by John William Waterhouse. Artwork designed by Raúl Q. de Orte.
Credits Backing Vocals – Raúl Pérez Pérez, Raúl Q. De Orte, Sergi Alejandre Bass – Iván Montero Bouzouki – Sergi Alejandre Drums – Raúl Pérez Pérez Guitar – Sergi Alejandre Lead Vocals – Andrea Pérez Mastered By – Ives Roussel Mixed By – Javier Ortiz Recorded By – Javier Ortiz Santoor – Raúl Pérez Pérez Synth – Raúl Q. De Orte
Wind Atlas’ music has gained in nuances, drifting smoothly from dark dream-pop and new-wave passages (which remind us of Dead Can Dance) to gloomy postpunk atmospheres similar to those of Crispy Ambulance, Durruti Column or In Camera. Music to think of an unknown continent, to look for the lost alchemical formula, to eventually discover Talos the robot hurling rocks at the Argonauts. Music that requires to do nothing but listen, a task that nowadays appears almost impossible.
The message is conveyed in an imagined language from a terra incognita, the lingua ignota. Each song is like an accent or a period, like a comma, a verse, a whole chapter of a liturgical chant. Gibberish for those who relish the best soundtrack by Basil Poledouris and the 4AD catalogue.
The album was recorded in Estudio Brazil (Madrid) with Javier Ortiz and mastered in Yves Roussel Mastering (Barcelona).
“Wind Atlas, if “Ecdisis” is any indication, sound a bit like Sioux Sioux after the Banshees broke up, if she had gone in a more interesting direction. Or maybe if Peter Murphy had started a project with Sioux Sioux? Something like that. Truth is, it doesn’t matter once those early Edge/Chameleons guitars, full of melodic urgency despite their simplicity, hit; the ritualistic feel of the backing turns up their immediacy even more, to the point where the whole composition seems to depend on them.
But that voice, ringing through the ether, also needs something, anything, to happen, lest the sands of time swallow her whole. It’s a mystical, otherworldly trip…“
La música de Wind Atlas es rica en detalles, deslizándose refinadamente de oscuros pasajes dream pop new wave (que bien traen a la memoria a Dead can Dance) a la bruma de atmósferas postpunk que podían hacer grupos como Crispy Ambulance, Durruti Column o In camera.
Música para pensar en un continente no conocido, buscando una formula alquímica perdida, y acabar descubriendo al robot de Talos apedreando argonautas. Mejor dejémoslo así, en no hacer nada mientras se escucha, una tarea que se nos plantea hoy en día imposible.
El mensaje se proyecta en un idioma imaginado de una terra incógnita, la lengua ignota. Cada canción es como una tilde o un punto, como una coma, un versículo, un capitulo entero de un canto litúrgico. Un galimatías entre quienes disfrutan de la mejor banda sonora compuesta por Basil Poledouris y el catalogo de 4AD.
1.Eurydice’s Chant 02:38 2.Sound Of Gold, Rhythm Of Jade 05:17 3.The Sun Rises 03:47 4.Hylé 02:40 5.Stalker 05:13 6.The Goddess Is Where It Is Venerated 05:43 7.Ecdisis 04:44 8.Demona 06:35 9.The Joy Of The Auloniad 02:30
